Charlie Parker Savoy And Dial Master Takes CD

Personnel: Charlie Parker (alto saxophone); Earl Coleman (vocals); Wardell Gray, Lucky Thompson (tenor saxophone); Miles Davis, Dizzy Gillespie, Howard McGhee (trumpet); J.J. Johnson (trombone); Clyde Hart, Sadik Hakim, George Handy, Jimmy Bunn, Erroll Garner, Dodo Marmarosa, Bud Powell, John Lewis, Duke Jordan (piano); Tiny Grimes, Arvin Garrison, Barney Kessel (guitar); Jimmy Butts, Curly Russell, Red Callender, Tommy Potter, Nelson Boyd, Ray Brown, Vic McMillan, Robert Kesterton (bass); Harold "Doc" West, Max Roach, Stan Levey, Roy Porter, Don Lamond, Max Roach (drums).
Producers: Teddy Reig, Buck Ram, Ross Russell.
Recorded between 1944 & 1948. Includes liner notes by Stanley Crouch.
All tracks have been digitally remastered.
Through the miracle of high-resolution digital transfer and mastering technology, Bird enthusiasts can now get an earful of the shape of Charlie Parker's musical accomplishments for Savoy and Dial in the 1940s. Available as a three-disc box set, the alto saxophonist is recorded in various configurations as performer and bandleader with such mainstream jazz greats as trumpeters Dizzy Gillespie and Miles Davis, pianists Bud Powell and Erroll Garner, drummer Max Roach, trombonist J.J. Johnson, and bassist Ray Brown, to name but a few. Charlie Parker draws on his pungent roots and rhythms of the Kansas City jazz scene on "Parker's Mood" and makes a deep statement of the existence of the blues in the jazz tradition. His freedom and rapid-fire sax lines on "Yardbird Suite" serve to confirm his excellence in crafting polished improvisations and solos. One of Parker's strongest compositions, "Orinithology," is pure, unadulterated bebop, and the unique sound of Parker's alto saxophone is clearly articulated through smoothly executed phrasings and cutting, focused energy. Parker picks up the tenor saxophone with the Miles Davis All-Stars on such great songs as "Milestones" and "Sippin' at Bell's." Overall, Bird audiophiles, jazz educators, and historians should be prepared to be impressed. This collection is arguably Bird's most important recording studio work. ~ Paula Edelstein