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Adams, Ryan - Demolition CD Cover Art
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Ryan Adams Demolition CD

 Ryan Adams Discography of CDs
4.5 stars (6 Customer Reviews)

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As part of the prolific flow of material that found him releasing three albums in two years, ex-Whiskeytown frontman Ryan Adams continued to surf his wave of popularity with 2002's DEMOLITION, a baker's dozen worth of demos. Culled from five separate demo recording sessions, these songs find Adams all over the stylistic map indulging in some twangy, pedal-steel-soaked tendencies ("Hallelujah"), making like Paul Westerberg with a Byrds Jones ("Gimme A Sign"), and tucking into echoey ballads ("Dear Chicago").

Adams also delicately duets with fellow y'alternative stalwart Gillian Welch ("Tomorrow"), mixes it up with Dylan's pedal steel player Bucky Baxter ("Chin Up, Cheer Up"), and still manages to get the girls to swoon on solo-acoustic odes laced with plenty of yearning and a forlorn harmonica solo ("Desire"). Until Adams finds time to bang out another double album in-between touring, rubbing elbows with Elton John, and curing cancer, DEMOLITION makes a fine stopgap for both diehard and casual fans.

Coll. Of Demos Rec.Between Dec.2000-Oct.2001.

Recorded at Woodland and Javelina Studios, Nashville, Tennessee; Cello Studios, Hollywood, California and Nord Studio AB, Stockholm, Sweden between December 2000 and October 2001.

Personnel: Ryan Adams (guitar, electric guitar, harmonica, piano, synthesizer, drum machine); Bucky Baxter (guitar, background vocals); John Paul Keith (guitar); Chris Stills (acoustic 12-string guitar, background vocals); Ethan Johns (electric guitar, ukulele, drums, background vocals); Brad Rice (electric guitar); Greg Leisz (steel guitar, dobro); Mikael Andersson (dobro); Svante Henryson (cello); Michael Blair (djembe); Gillian Welch, Julianna Raye (background vocals).

Recording information: Cello Studios, Hollywood, CA; Javelina Recording Studios, Nashville, TN; Nord Studio AB, Stockholm, Sweden; Woodland Studio, Nashville, TN.

Photographer: Dan Donahue.

Personnel: Ryan Adams (vocals, electric guitar, guitar, harmonica, piano, synthesizer, bass, programming); Brad Rice (electric guitar); Bucky Baxter (guitar, pedal steel guitar, background vocals); John Paul Keith (guitar); Chris Stills (12 string acoustic guitar, background vocals); Greg Leisz (steel guitar, dobro); Bucky Baxter (pedal steel guitar); Michael Nord Andersson (dobro); Ethan Johns (ukelele, bass, drums); Svante Henryson (cello); Chris Stills (Hammond B-3 organ); Billy Mercer, Sheldon Gomberg (bass); Brad Pemberton (drums); Michael Blair (djembe); Juliana Raye (background vocals).

Producers indlude: Ryan Adams, Frank Callari, Luke Lewis, Michael Blair, Ethan Johns.

Rolling Stone (12/26/02, p.102) - Included in Rolling Stone's "50 Best Albums of 2002"
Rolling Stone (10/3/02, p.99) - 3 stars out of 5 - "...Unified by his gift for melody, the theme of heartbreak and his adenoidal vocal resemblance to Paul Simon....the ballads are much better than the rockers..."
Spin (1/03, p.72) - Ranked #33 on Spin's list of 2002's "Albums of the Year"
Spin (11/02, p.119) - 7 out of 10 - "...Adams at his soulful, hyperstudious peak..."
Entertainment Weekly (10/4/02, pp.150,153) - "...Dominated by intentionally underproduced acoustic ballads...Adams is very adept at this genre....[The music] wafts in the air and settles gently on the furniture..." - Rating: B-
Q (10/02, p.101) - 3 stars out of 5 - "...An album largely split between moments of hushed intimacy and gonzoid rockers....it sounds like Adams is auditioning to be the next John Cougar Mellencamp..."
Uncut (1/03, p.94) - Ranked #13 in Uncut's "100 Best Albums of the Year"
Uncut (10/02, p.100) - 4 stars out of 5 - "...DEMOLITION is further proof that his creative instincts are still intact..."
CMJ (9/30/02, p.6) - "Adams commands each musical style with ease and authority....the quality of the material makes it hard to believe these songs are all untouched demos..."
Mojo (Publisher) (1/03, p.74) - Ranked #22 in Mojo's "Best Albums of 2002"
Mojo (Publisher) (10/02, p.92) - "...A fine, multi-faceted album with very little surplus."
NME (Magazine) (9/21/02, p.39) - 8 out of 10 - "DEMOLITION finds Ryan Adams in a fittingly traditional musical setting--at a crossroads."
Demolition Music


Detailed Demolition Music Information



List Price $13.95 (You save $1.36)
Category Rock/Pop Albums, Rock CDs, Alt Country
Label Lost Highway
Orig Year 2002
All Time Sales Rank   6978  
CD Universe Part number 4974141
Catalog number 170333
Discs 1
Release Date Sep 24, 2002
Studio/Live Studio
Mono/Stereo Stereo
Producer David Domanich; Ethan Johns; Frank Callari; Luke Lewis; Michael Blair; Ryan Adams
Engineer David Domanich; Ethan Johns; Chad Brown; Warren Peterson
Personnel Greg Leisz - steel guitar, dobro
Ethan Johns - ukelele, bass, drums
Bucky Baxter - guitar, pedal steel guitar, background vocals
Ryan Adams - vocals, electric guitar, guitar, harmonica, piano, synthesizer, bass, programming
Michael Blair - djembe
Chris Stills - 12 string acoustic guitar, background vocals
Brad Rice - electric guitar
Brad Pemberton - drums
Sheldon Gomberg - bass
John Paul Keith - guitar
Svante Henryson - cello
Billy Mercer
Michael Nord Andersson - dobro

Also: Hollywood, Nashville, Gillian Welch, Tennessee, Stockholm, Julianna Raye, Cello Studios, Luke Lewis
Ryan Adams Demolition Songs


Ryan Adams Demolition Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Nuclear  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Hallelujah  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.You Will Always Be the Same$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Desire  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Cry on Demand  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Starting to Hurt  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.She Wants to Play Hearts  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Tennessee Sucks  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Dear Chicago  $0.99
10.Gimme a Sign
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Tomorrow  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Chin Up, Cheer Up  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample13.Jesus (Don't Touch My Baby)  $0.99

Demolition Music


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Demolition Music Review


Customer Demolition Reviews 




Average Rating: (4.5 out of 5 stars) 4.5 stars

List All Reviews

5 stars Simply Irresistable
I haven't heard of ryan adams till now and in him i find bits of roy orbision and bob dylan. Desire and Cry on demand are my favourites here. Most of the other songs cool too and i must say he is simply one of the best new artist i've come across. Looking forward to hearing more from him in the future. I wish there are more stars to rate this simply irresistable album :)
Submitted by a reviewer (india)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

5 stars *****(stars)
My favourite Ryan album, a real masterpiece!
Submitted by karl (Stockholm, Sweden) Verified Buyer
Was This Review Helpful? Yes No

5 stars Wow, this guy is talented.
I just got up on Ryan Adams, and his albums blow me away. This albums is great. It's basically a bunch of Demos, but it sounds better than the majority of music released in 2002. Adams has a knack for painting pictures. His songs are like mini portraits. They are hauntingly beautiful. It is unlike "Gold" or "lloR n kcoR" It is pretty much acousitc, and has a stripped down feel, giving more power to his voice and words. You need to buy this album to see what a real musician sounds like.
Submitted by mathan_e (Las Vegas) Verified Buyer
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2 stars Don't bother -get Love is Hell, Gold, Cold Roses II instead
Adams is annoyingly uneven with his albums. You can skip his lame acoustic stuff (Cold Roses I, Demolition, etc.), which feature generic or non-existant melodies, sloppy arrangements and minimal production values. It's almost as if he wrote the songs 10 minutes before getting to the recording studio and never fleshed them out. However, his electric stuff (Love is Hell, Gold, Cold Roses II) is much more interesting -- the songs are fully developed and arranged, with some tasty licks that show he actually put some effort into his work.
Submitted by Russ (Los Angeles, CA)
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5 stars excellent
if this was a vinyl record it would be worn out sensational , just gets better and better
Submitted by wayne (nsw australia)
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