| | Pop CD - Import
This Japanese compilation includes 14 U.S. pop hits by bands like Backstreet Boys, Britney Spears, and N Sync.
Japanese exclusive compilation featuring the top Pop hits from the Backstreet Boys, Britney Spears, N Sync, Dido, Steps, Aaron Carter, & more! Include 3 CD-rom videos for: Backstreet Boys "Drowning", Britney Spears "Overprotected", & Pink "Get The Party Started".
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Pop Music | List Price | $46.98 (You save $8.09) | | Category | Rock/Pop Albums, Teen Pop CDs, Rock, Enhanced CD | | Label | Funhouse | | Orig Year | 2002 | | CD Universe Part number | 4981881 | | Catalog number | 31011 | | Discs | 1 | | Release Date | Oct 29, 2002 | | Mono/Stereo | Stereo | | Additional Info | Japan |
Pop Songs | 1. | Overprotected - Britney Spears |
| 2. | Get the Party Started - Pink |
| 3. | Girlfriend - *NSYNC |
| 4. | Drowning - Backstreet Boys |
| 5. | Angel - Westlife |
| 6. | Come on Over Baby - Christina Aguilera |
| 7. | Every Other Time - LFO |
| 8. | I'm All About You - Los Sonadores De Cartagena |
| 9. | All or Nothing - O-Town |
| 10. | Fallin' |
| 11. | Hunter - Dido |
| 12. | Rock the Party - Five |
| 13. | Chain Reaction - Steps |
| 14. | On a Night Like This - Kylie Minogue |
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Purchase Pop CD To buy, Click on price to add to cart | Alice In Chains Black Gives Way To Blue CD (2009) Limited Edition; Digipak
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When Layne Staley died from a drug overdose in 2002, it had already been several years since most Alice in Chains fans stopped hoping for a new album. The singer had become a recluse since the late-`90s, and there was little indication that AIC would ever again produce much in the way of new music. As a result, when the remaining members reunited to release BLACK GIVES WAY TO BLUE in 2009, expectations were low. To the delight of all however, the album proved to be perhaps the Seattle combo's most energetic and consistent effort since its masterpiece DIRT. Perhaps the most surprising element of the new record was how much it sounded exactly like Alice in Chains. While new singer William DuVall was not an ...
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After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as much as it belongs to her, a beautiful restatement of her father's passions, only now, they've become his daughter's treasures, as well. It's an affirming story, but that's all it would be if Cash didn't sing her heart out here. The opener, a version of Jimmie Rodgers' "Miss the Mississippi and You," is full of comfortable grace and sentiment, and Cash keeps that fine emotional tone throughout this set. Songs like the folk classic "500 Miles" feel at once both lovingly rendered and reborn for a new century in Cash's hands. There's also her fine rendering of Bob Dylan's "Girl from the North Country," a nice turn at Harlan Howard's "Heartaches by the Number" (which features Elvis Costello), ...
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
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Functioning as something of a replacement for the 2001 collection Their Greatest Hits: The Record, The Ultimate Bee Gees covers much of the same ground as that double-disc set, albeit in not quite so linear a fashion. The Record marched through its 40 tracks chronologically, opening with the stately baroque Beatlesque pop of the '60s and then winding through the '70s, whereas this opens with the bright, fabulous blast of "You Should Be Dancing" and remains in their late-'70s heyday for a while before fast-forwarding to such latter-day adult contemporary hits as "One." We don't get to ...
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In the early to mid 1980s, northeast Ohio had a strivingroots/rockabilly scene with acts such as Alan Leatherwood, TheSwingin' Caddilacs, David Loy & the Ramrods, The Walking Clampetts andmore. One of these bands, Tempo Tantrum, was lead by a cat namedAllen Jeffries (aka Jeff Pollock). Tempo Tantrum built its name oncombining a hard-rocking sensibility with classic rockabilly and surfsounds. All good things come to an end, and by the late 1980s, most of thesebands were gone, as was the rockabilly 'scene'. Allen Jeffries, alifelong rockabilly addict, never stopped collecting rockabilly sidesand longed to return to singing. Fast forward to 2008: Allen Jeffriesfelt it was time! He contacted his old friend, cult rockabilly legendMemphis Mike to produce this, his debut CD. The two picked out acollection of classic rockin' tracks and Memphis Mike put together astudio band featuring himself (guitars and upright bass), LegendaryTremblers bassist Rob Jacob (electric bass) and former LinkWray/Vibrochamps drummer Gary Weiss. Rounding out the sounds are westcoast ...
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Reggae instrumental jazz pretty much sums it up . The catchy melodies , simple arrangements and bouncy grooves keep it all fresh and interesting throughout . My ...
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