| | Vega 4 Satellites CD Vega 4 Discography of CDs
Vega 4 delivers a distinctive brand of slow, emotional-laced pop-rock on their release, SATELLITES.
This Japanese import includes the bonus track, "Better Life."
Additional Tracks Satellites Music | List Price | $48.98 (You save $11.99) | | Category | Rock/Pop Albums, Rock CDs | | Label | Avex Trax | | Orig Year | 2003 | | All Time Sales Rank |  394598  | | CD Universe Part number | 4997946 | | Catalog number | 65023 | | Discs | 1 | | Release Date | Jun 26, 2002 | | Mono/Stereo | Stereo | | Additional Info | Bonus Track; Japan |
Vega 4 Satellites Songs | 1. | Drifting Away Violently |
| 2. | Sing |
| 3. | Radio Song |
| 4. | Caterpillar Song |
| 5. | When Love Breaks Down |
| 6. | Our Today |
| 7. | Better Life |
| 8. | Love You Had |
| 9. | Satellites |
| 10. | Shoot up Hill |
| 11. | Burn & Fade Away |
| 12. | Hallelujah |
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Satellites Review
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Purchase Satellites CD To buy, Click on price to add to cart | Beatles - A Hard Day's Night DVDs (1964)
Satellites album
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A HARD DAY'S NIGHT presents a fictionalized day in the life of the Beatles as they give a performance on a live television show. Filmed just a month after their appearance on the Ed Sullivan Show in February 1964, this film--the Beatles' first--introduces us to the unique personalities of each member of the band. The film opens with the Fab Four boarding a train mobbed with adoring young fans (mostly women) as they attempt to travel to the television ...
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| | Tom Waits Glitter And Doom Live CDs (2009) Digipak
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Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, and a haunting version of Leadbelly's "Fannin Street" from Orphans: Brawlers, Bawlers & Bastards, to mention just three of the 17 cuts here. But he goes back to his Island albums too. For instance, there are completely re-visioned readings of "Lucky Day" and "I'll Shoot the Moon" from 1993's Black Rider, and a killer -- though equally revamped -- version of "Singapore" from 1985's Rain Dogs. Musically, the performances are flawless, as is the sound on this set. The killer stage band includes Vincent Henry on woodwinds ...
| | Pink Floyd Wish You Were Here CD (1975) Remastered
Satellites CD music
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Digitally remastered by Doug Sax (The Mastering Lab, Los Angeles, California).
Master Sound releases are 24-karat gold CDs remastered from first-generation masters. This process utilizes 20-bit technology and Sony's "Super Bit Mapping" system.
The breakthrough success of DARK SIDE OF THE MOON made WISH YOU WERE HERE a crucial follow-up in strictly commercial terms. Further pressure came from it being Pink Floyd's first recording for a new label, Columbia. Yet the demands on the band only provided Roger Waters with more fodder for his lyrics, which glanced at the band's roots as well as their new responsibilities.
The mechanized throb of a VCS3 synthesizer, fed through a repeat-echo unit, signals ...
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| | Human Drama 14,384 Days Later CD (1997)
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Supported by most of the musical crew from the Songs of Betrayal album, Johnny Indovina leads Human Drama through an excellent, fascinating set of old and new songs on 14,384 Days Later, demonstrating that the near-obsessive focus he brings to his music in the studio is equally matched in concert. The unquestioned revelation lies with all the Feel-era tunes, here given truly wonderful renditions and arrangements that leave the overwrought studio versions well in the dust. "Death of an Angel" gives a new, prominent place to electric violin courtesy of Jamil Szmadzinski, who carries out work on that instrument excellently throughout the set, while Indovina's guitar work is simply soaring. The almost too heavy-handed for words "Dying in a Moment of Splendor" and "There Is Only You" similarly sparkle via lighter, dreamier enough takes, while the even earlier songs "Wave of Darkness" and "I Bleed for You" are at once harrowing and powerful, very human, very dramatic indeed. More recent songs such as "This Tangled Web" and "Tired," meanwhile, receive the excellent charge they deserve in a live setting -- check out the ravishing ...
| | Billie Holiday Collection, Vol. 1 CD (2003) Remastered
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Recorded between 1935 & 1936. Includes liner notes by Michael Brooks.
Although she didn't technically have the greatest voice and range, the legendary Billie Holiday had an intangible ability to bring the full of her life to bear on whatever she sang, and every song she touched, no matter how trite, gained poignancy because of it. This set is the first of four single discs drawing highlights from the ten-CD Lady Day box that chronicles Holiday's time at Columbia Records and covers the years 1934 to 1936. ~ Steve Leggett
Compilation producer: Michael Brooks.
Personnel: ...
| | Dusty Springfield For Cafe Apres-Midi CD (2003) Japan
Satellites CD music
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This Japanese compilation collects 29 tracks from the sultry blue-eyed soul British invader who gave the world "Spooky," "Son of a Preacher Man," "(They Long to Be) Close to You," "Look of Love," "Sunny," and "This Girl's in Love with You," all of which appear here. All of the tracks ...
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| | Jon English Music For Film CD (2009)
Satellites album
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Jon English: Music for FilmThe music heard on this CD, written for films by award-winning independent filmmaker Jon Jost, reveals the breadth of Jon's musical interests and the depth of his knowledge, not only of jazz greats like Coltrane and Gil Evans, but also of other American pioneers including Harry Partch, John Cage and Charles Ives. Performed by the Bay Area Jazz Composers Orchestra, which Jon played in and conducted, these scores are unusual for film music in that they are grounded in the feeling and sense of improvisation, the life-blood of jazz. Jon valued the quality ...
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