| | Lonie Walker Change Is Good CD Lonie Walker Discography of CDs
& Her Big Bad Ass Company Band.
Recorded at ACME Studio, Chicago, Illinois.
Personnel: Lonie Walker (vocals, piano); Hank Ford (saxophone); Kenny Anderson (trumpet); John Lawler (harmonica); Herb Walker (guitar); Joe Thomas (bass); Corey Radford (drums); Kevin Patrick (congas, percussion).
Personnel: Lonie Walker (vocals, piano); Danny Leake, Bill Ruppert, Herb Walker (guitar); Heather Horton (violin); John Lawler (harmonica); Hank Ford (saxophone); Kenny Anderson (trumpet); Joe "Cornbread" Thomas (electric bass); Kevin Patrick (congas, percussion); Byron Woods, Diane Madison, Robin Kay, Mae Koen (background vocals).
Audio Mixer: Danny Leake.
Recording information: ACME Recording, Chicago, IL. Change Is Good Music | List Price | $18.97 (You save $3.48) | | Category | Rock/Pop Albums, Contemporary Jazz Vocals CDs, Jazz | | Label | United One | | Orig Year | 2002 | | CD Universe Part number | 5025972 | | Discs | 1 | | Release Date | Sep 03, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Fran Allen; Fran Allen | | Engineer | Danny Leake | | Personnel | Kenny Anderson, Danny Leake, Hank Ford, Diane Madison, John Lawler, Bill Ruppert, Joe "Cornbread" Thomas, Herb Walker, Kevin Patrick, Mae Koen, Byron Woods, Heather Horton, Lonie Walker, Robin Kay, Robin Kay, Corey Radford |
Lonie Walker Change Is Good Songs | 1. | Living (Honeybee) |
| 2. | False Security |
| 3. | Once in Awhile |
| 4. | I'll Drop My Pride |
| 5. | Change Is Good |
| 6. | Song for Raphael |
| 7. | Summer Solstice |
| 8. | Your Smile |
| 9. | Baby Blue Blues (The Chonka Chonk Song) |
| 10. | Who's Gonna Tell Her the Ship Is Sinking? (Ghosts) |
| 11. | Dreamin' |
| 12. | Earthquake and Sugar |
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Change Is Good Review
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At age six, when his friends were getting G.I. Joe for Christmas, young Kieran McGee's father gave him a cassette of Robert Johnson, and gave Kieran's older brother a Guns N' Roses cassette. "I immediately liked both albums," Kieran recalls, "but Robert Johnson was the more lasting impression, I think." The bipolar extremes of rock and folk - the King Of the Delta Blues and hair-metal's primal scream - have been the heart and soul of Kieran's music ever since. Along with the influences that have washed up on the rocky shore of his life - Woody Guthrie, Skip James, Black Flag, Nirvana, the Carter Family, and of course Bob Dylan and the Rolling Stones - Kieran McGee is, as one New York journalist proclaimed, "the real thing."ANONYMOUS, the third full-length album by 23-year old Kieran McGee, builds on the experiences that coursed through his 1997 debut, Left For Dead, and its independently released follow-up of 2001, Ash Wednesday. The new album picks up on themes of faith (religious and otherwise, in "Faithless" and "Good Enough"), self-worth ("Waiting For a Friend," "I Guess I Lied Again"), dangerous girls ("Odessa," "Big Surprise"), the stillness of death ("Quiet"), ghosts ("The Second Time"), guilt ("Hope"), more than one breakup ("Losing You Again"), more than one drug overdose of a close friend ("Don't Lie Down," "Anonymous"), and the Myth Of Sisyphus ("Lonesome Road"). The new album was produced by Steve Rosenthal, known for his recent work in the studio with Ollabelle, the homegrown group signed to T-Bone Burnett's DMZ label (via Columbia Records). Ollabelle's rhythm section (bassist Byron Isaacs, keyboardist and guitarist Jimi Zhivago, drummer Tony Leone) accompanies Kieran throughout most of ANONYMOUS, proving themselves on tunes that range from twangy country ballads to bashing rock numbers to the bruised and bloody title track. "Lonesome Road" turns into a Woody Guthrie road song hootenanny with banjo, guitar, mandolin, dobro and a spirited singalong chorus.The drum seat for the opening number, "Faithless," is taken over by the legendary Levon Helm of The Band. Levon's daughter Amy Helm is one of the two female vocalists in Ollabelle, and she adds a sweet Virginia touch to "Odessa." Sonic Youth drummer Steve Shelley shows up on four tracks, and lets it thrash on "The Second Time" and "Big Surprise." "Don't Lie Down" ...
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Ruffians was born out of friendship and the mutual musical interests of its founding members Craig Behrhorst (Guitar/Background Vocals), Luke Bowman (Drums) and Chris Atchison (Guitar/Background Vocals). The band debuted at the famed San Francisco punk rock venue the Mabuhay Gardens in December ’83. Soon after, the band changed their line-up and recruited long time friend Dan Moura on bass. It then became evident that the group was in need of a stronger front man who would be able to take them to the next level. After placing numerous “vocalist wanted” ads and too many auditions to count, they finally found a singer/front-man in that of Carl Albert. Management and Band agreed that Carl was the stuff that legends are made of… and just in the nick of time. The band was scheduled to play a gig in less than 2 weeks opening up for Alcatrazz at the Kabuki Theatre in San Francisco.Hailing from the mountain town of Sonora California, Carl was more than anyone could ask for. With the dual guitar sound of Craig and Chris along with Luke’s powerhouse drumming, Carl’s powerful and melodic vocals had given the band the sound they had been looking for. Ruffians then hit the Bay Area club circuit with a bang! Ruffians played many shows throughout 1984 and were definitely on their way, securing support slots for bands such as Loudness, Y&T, Dokken, U.F.O., Saxon, and Savatage. The band began to headline shows throughout the Bay Area, as well as co-headline shows with their hometown friends Exodus, Death Angel, and Vicious Rumors.In 1984 Ruffians recorded a 4-track demo tape featuring the tracks “Fight For Your Life,” Wasteland,” “Bad Boys Cut Loose,” and “Eyes of Fire.” The demo was well received in the States and abroad, by Fans and the Metal Press alike. However, Ruffians were neither a “big hair” band nor were they thrash metal. They were a difficult act to sell to the major label executives at the time. This was the early days of heavy metal, prior to the genre becoming part of the mainstream as it is today.As such, Ruffians’ management decided to take matters into their own hands by forming it’s own label, Victory Records, to release the band’s debut album. In January 1985 Ruffians entered Studio D in Sausalito, California to ...
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