| | Metamorphosis CD Jeanrenaud, Joan CDS
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Our Price: $13.25 CDFor Sale Usually ships in 1-2 days
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Live Recording Metamorphosis Music | List Price | $15.97 (You save $2.72) | | Label | New Albion | | Orig Year | 10/22/2002 | | All Time Sales Rank | 15961  | | CD Universe Part number | 5038041 | | Catalog number | 120 | | Discs | 1 | | Release Date | Nov 12, 2002 | | Recording Time | 1 2 |
Metamorphosis Review
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Purchase Metamorphosis To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
Metamorphosis
$38.49 DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's most devoted fans. As a result, DREAMS is neither the definitive Allman Brothers collection nor the gift to hardcore fans that, say, THE BOOTLEG SERIES is to Dylan-philes.
DREAMS' strengths are considerable. First and foremost, the box contains nearly five wall-to-wall hours of great music. By including everything from early demos to Gregg Allman and Dickie Betts' solo material, DREAMS does a great job of tracing ...
| | Poco Forgotten Trail (1969-1974) CDs (1990)
Metamorphosis
$16.09 This compilation contains 38 songs, including many new remixes from original master tapes, 6 previously unreleased songs, alternate versions of 3 others, and a comprehensive 36 page booklet, with historic liner notes and photos.
This excellent two-disc collection captures Poco's finest moments from the days when they were laying down the template for all the country-rock music that was to follow. It's hard to remember, but when the Eagles first hit the scene, they were thought by many to be a Poco-wannabe band. Listen to this set and you'll hear why. The Forgotten Trail (1969-1974) culls tracks from Poco's first eight albums, as well as unreleased cuts and singles. From the classic anthem "Pickin' Up the Pieces," which kicks things off, through "You Better Think Twice," "C'mon," "Kind Woman," "From the Inside," "A Good Feelin' to Know," "Crazy Eyes," and on and on, this is wonderful music, ahead of its time in many ways. If Poco had arrived on the scene in the early '90s, they would have ...
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| | Doors Legacy: The Absolute Best CDs (1967)
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$21.19 Recorded between 1967 & 1983. Includes liner notes by Jim Ladd.
Released to celebrate the 40th anniversary of the release of the first Doors album, THE VERY BEST OF THE DOORS supercedes all former Doors compilations. At two discs and 34 tracks, this is quite comprehensive for a band whose key lineup released only half a dozen albums. In addition to all the expected hits like "Light My Fire," "Hello I Love You," and "Roadhouse Blues," this compilation delves much deeper into the catalogue with fan favorites such as "Not To Touch the Earth" and "Wishful Sinful," as well as a handful ...
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$15.65 | | Fantastic Four: Rise Of The Silver Surfer CD (2007)
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$10.95 Track Listing of songs: Fantastic Four: Rise of the Silver Surfer, film score: Silver Surfer Theme; Fantastic Four: Rise of the Silver Surfer, film score: Galactus Destroys / Opening; Fantastic Four: Rise of the Silver Surfer, film score: Pursuing Doom; Fantastic Four: Rise of the Silver Surfer, film score: Wedding Day Jitters; Fantastic Four: Rise of the Silver Surfer, film score: Chasing The Surfer; Fantastic Four: Rise of the Silver Surfer, film score: Camp Testosterone / Meeting The Surfer; Fantastic Four: Rise of the Silver Surfer, ...
| | Deltcho Deltchev Fantasy CD (2008)
Metamorphosis
$7.99 The genre of the Fantasy uniquely signifies the freedom of self-expression and the liberation of the composer from the historic rules and boundaries of musical tradition. In this newly found freedom, the composer becomes limitless in his creative expression. Themes, keys, notation and tempi are revolutionized, permitting the composer to express his own identity, inner most thoughts, and, as in the visual arts, to comment on one's personal outlook on life. The Fantasy is a testament to the courage of each composer to take risks since often, as in most avant-garde situations, the audience may not understand or may misinterpret what is presented before them and reject it. Of course it is hoped that with the passage of time and changing attitudes, that which was originally interpreted as bizarre and incomprehensible, becomes recognizable, accepted and rather viewed as groundbreaking and revolutionizing. There are few guarantees. This program of fantasies which I have selected portrays some of the finest examples throughout the centuries. Since the inception of this genre in the 16th and 17th centuries, composers have used the Fantasy to compose music freely, thereby creating their own signature style. The greatest composers were unafraid of how others would respond to them or their music and they explored and pushed their own views well beyond those of their contemporaries.One of the colossi of western classical music, J.S. Bach, declared himself to be free of all rules of composition at a time when it was not popular to express such personal views. Most art forms were under the control of the church. In the compositions of J.S. Bach, the listener can hear the spiritual idealism maintained by the Church; however, it is incorporated within his unique and complex style. He elevated music of the Baroque to a level that few of his contemporaries could understand or respect and it was not until the Romantic era that Bach's Chromatic Fantasy was rediscovered and appreciated. 200 years later, Schoenberg adapted Bach's idea of avoiding tonality and used it in his own serial music, unleashing yet another revolution in musical composition. Wolfgang Amadeus Mozart's idea of composing the Fantasy was quitedifferent from others composers of his time. By choosing to write in the key of a minor, many musicologists interpret this as a reflection of Mozart's most personal commentary on life: his feelings of depression and sarcasm, as well as illustrating his sensitivity, loneliness and romantic nature, which was a very different perception of his persona as seen by his contemporaries. Robert Schumann's most personal work, Fantasy in C major, was composed and dedicated to his beloved wife, Clara Witt Schumann, herself a renowned concert pianist. This composition is structured around three musical scenes, similar to a triptych, each one a declaration of the couple's deep affection for one another and of ...
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