| | Bryan Lee Six String Therapy CD - Import Bryan Lee Discography of CDs
Recorded at Duke's Mood Room, Pawtucket, Rhode Island. Includes liner notes by Duke Robillard.
Personnel includes: Bryan Lee (vocals, guitar); Duke Robillard (guitar); Bruce Katz (piano, organ); Sax Gordon (tenor saxophone); Doug James (tenor saxophone, baritone saxophone); Jesse Williams (acoustic & electric basses);Mark Teixeira (drums, percussion).
Living Blues (5/03, pp.75-6) - "...Bryan Lee never forces anything, it simply sounds like he's having the time of his life on SIX STRING THERAPY, and with the gang he has in tow, he's sounding better than ever..." Bryan Lee Six String Therapy Songs Six String Therapy Review
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Purchase Six String Therapy CD To buy, Click on price to add to cart | Smokin Joe Kubek Roadhouse Research CD (2003)
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Guitarist Ronnie Earl's realization that you don't need a vocalist to sing the blues freed him up to roam across the vernacular music landscape, dipping into jazz, gospel, and soul, and has made him one of the most innovative and interesting musicians working in contemporary blues. It's hardly a radical step, since scores of jazz musicians have been mining the blues for 80 years without vocalists, and in Earl's case it was a natural shift -- maybe even an obvious one given that he has often cited John Coltrane as a predominant influence. ...
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The Canadian label Justin Time can always be counted upon to produce a diverse sounding Christmas CD, and this third compilation is no exception. Bassist Dave Young is joined by Cedar Walton and Barry Elmes for a bluesy take of "The Christmas Song while pianist John Stetch's approach to "Christmas Time Is Here" gradually takes a slightly dissonant ...
| | Moises Santana CD (2002) (Import) Brazil
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| | Phat Fred Don't Spoil The Soup! CD (2006)
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Spanish retro-funk groove merchants Phat Fred are a bit of a puzzlement: although their sound is proudly, blatantly derivative, the quartet bite from so many different sources that they end up sounding more unique than they perhaps intended. On the vocal tracks, the sound is as unapologetically white and beat-oriented as Steve Marriott in the early Small Faces days, but musically, the primary influences seem to be '70s soul-jazz outfits like the Blackbyrds and, oddly, the brittle, jerky Brit-funk of early-'80s outfits like Pigbag and A Certain Ratio (especially on the hyper "Home Sweet Home"). As a result, Don't Spoil the Soup ends up being a pretty oddball blend of sounds that don't fit neatly into any particular or easy retro bandwagon. The combination of a solid Hammond organist and a funky chicken-scratch guitar player is always welcome, however, so Phat Fred deliver on that score, at least. ~ Stewart Mason
Fans of ragged, heavily amplified country blues, take note: Searching for Odell Harris, is now available!Harris is a 66-year-old singer and electric blues guitarist from the hills of North Mississippi. His music shares much in common with that of his late friends, R.L. Burnside and Junior Kimbrough. But he also was influenced as a young man by the blues of his uncle-by-marriage Albert King and his cousin William Bell, who went on to become a soul legend at Stax Records in the 1960s and 1970s. Harris' sound manages to marry the primal hill-funk of the Burnside/Kimbrough nexus and the greasy strut of a century of coarse Memphis blues. The 12 tracks that make up Searching for Odell Harris range from gripping solo performances of blues standards like '.44 Blues,' 'Laughing To Keep From Crying' and 'Sitting on Top of the World,' to raucous band performances featuring support from Mississippi native Bill Abel on guitar and Steve Lightnin' Malcolm on drums and bass. Abel has backed everyone from David 'Honeyboy' Edwards and Henry Townsend to Sam Carr and Big George Brock. Malcolm has worked extensively with Jimbo Mathus, the Burnside Exploration and such elder statesmen of the blues as T Model Ford, Cedell Davis, Robert Belfour and Jimmy 'Duck' Holmes. Searching for Odell Harris was recorded during a single all-night recording session on the gulf coast of Mississippi. The name of the disc alludes to Harris' legendary elusiveness. He rarely performs in spaces more public than a friend's living room or front porch. The CD is the first for Harris and the second for the label, which made waves earlier this year with the release of Back to Bentonia by Jimmy 'Duck' Holmes. *******Searching for Odell Harris is profiled on the cover of the new Red Lick catalog. For those who don't know Red Lick, it's a mammoth mail ...
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Celtic based folk music. We are featuring our vocal harmonic blend with guitar, bass, celtic harp and flute on this projectPhil Cooper grew up with folk music, opera, and Evangelical Lutheran church music. He began his career as a guitarist in 1969 with a Sears Silvertone guitar, a photocopied sheet of chords, and a Phil Ochs songbook. Exposure in college to the folk-rock of Steeleye Span and Fairport Convention led him straight back to traditional ballads and the vigorous finger-picked guitar playing of Richard Thompson, Martin Carthy, Nic Jones, Dick Gaughan, and Bert Jansch. Phil performed in the 1970's with guitarist Brent Chilton and fiddler Kirk Chilton. In 1981 Depot Records released his solo album "Hawk in the Morn." Since 1982 Phil has travelled, performed, and recorded seventeen albums with singer Margaret Nelson, who shares his enthusiasm for a strong story paired with a lovely melody. Phil is also an ardent admirer ...
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