| | Joan Bender Star Eyes CD Joan Bender Discography of CDs
(1 Customer Review)
Live Recording
Personnel: Joan Bender (vocals); Ian McDonald (piano); Ben Rubin (bass); Saul Rubin (guitar); Jimmy Wormworth (drums). New York-based Joan Bender has played classical clarinet, run track, and has been active in women's causes. Along the way, she has become a fine vocalist as she shows on this, her initial album. Possessed with a voice of considerable strength and range, Bender has a way with each of the songs included on the play list. Running from classic romantic standards, bossa nova, samba, and two of her originals, the singer throws herself completely into each tune, holding nothing back. The Latin "My Little Boat (O Barquinho)" becomes a rostrum of her scatting skills. She is alternatively coy and sassy on the Mary Martin vehicle "My Heart Belongs to Daddy"; disappointed and hurt on "You've Changed," which features some fine bass solo by Ben Rubin; and hopeful on "Time After Time," which is enhanced by Saul Rubin's guitar. In short, Bender is at hope with each tune. The Rubins and the rest of the quartet recruited to back Bender on this CD are fine musicians. The problem is that the two, Bender's voice and the quartet, don't mix well. With her strong, relatively high-pitched voice, she is in desperate need of a horn or two, such as a muted trumpet or a tenor sax, to add body and a softer tone to the proceedings. This is a case where the singer overwhelms the sidemen, as on such cuts as "Poinciana," instead of the other way around, which sometimes happens. This situation needlessly distorts performance by throwing it off balance. This lacking is in no way a fatal defect. There is still much to commend this album. But some meatier instrumental support would have moved this album from the good to the excellent category. ~ Dave Nathan
Joan Bender Star Eyes Songs | 1. | My Heart Belongs to Daddy |
| 2. | Cherokee |
| 3. | So Nice (Summer Samba) |
| 4. | Laura |
| 5. | Credit Card Blues |
| 6. | Time After Time |
| 7. | My Little Boat (O Barquinho) |
| 8. | Lullaby of Birdland |
| 9. | Alfie |
| 10. | Star Eyes |
| 11. | You've Changed |
| 12. | If I Should Lose You |
| 13. | Medley: Madalena - Poinciana |
| 14. | Bird Alone |
| 15. | Shimmeshwabble |
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| | Peter, Paul, and Mary Lifelines CD (1995)
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Peter, Paul & Mary: Peter Yarrow, Paul Stookey (vocals, acoustic guitar); Mary Travers (vocals). Additional personnel: Lucy Simon, Fred Hellerman (vocals); Dean Parks (guitar); David Nadian, Matthew Raimondi (violin); Lamar Alsop (viola); Charles McCracken (cello); Dominick Cortese (accordion); Sean McNamara (alto saxophone); Doug Katsaros (keyboards, synthesizer, background vocals); David Finck, Dick Kniss (bass); Tony Beard (drums); Sue Evans, Bashiri Johnson (percussion); Jill Dell'Abate, Diva Gray, Karen Ramone, Elise Morris, Vaneese Thomas (background vocals). Additional guest artists: Ramblin' Jack Elliott, Ronnie Gilbert (vocals); Pete Seeger (banjo); John Sebastian (harmonica); Darryl Tookes (background vocals); Tom Paxton. Engineers: Roy Hendrickson, John Patterson, Larry Alexander. Includes liner notes by Peter, Paul & Mary, Studs Terkel and David Halberstam. After leaving their longtime label home at Warner Bros. Records following the 1978 LP Reunion, Peter, Paul & Mary went the independent, self-releasing route before signing to start-up company Gold Castle for 1986's No Easy to Walk to Freedom. Two albums later, Gold Castle had gone belly up, and the trio returned to Warner on a one-off basis for their second children's album, Peter, Paul & Mommy, Too, in 1993. The project went sufficiently well for the group to re-sign to Warner for a lengthier term, and the first fruits of that contract is LifeLines, which seems intended as something of a rebirth of Peter, Paul & Mary as well as a re-affirmation of their place in popular music. The format is the familiar one of filling a disc with guest stars, but this time that format has been used not to add a sense of trendiness to a veteran act, but rather to position it within a tradition. Peter, Paul & Mary always served as a bridge, connecting the older folk tradition of the Weavers and Woody Guthrie to the '60s folk revival, connecting the commercial and topical wings of that revival, and connecting developing artists to larger audiences. They do all those things deliberately on LifeLines, and a few other things besides. Peter Yarrow's anthemic "River of Jordan," which first appeared on his solo album Peter in 1972, concludes the album by combining Peter, Paul & Mary with the surviving ...
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$11.49 Alan spent hours at the piano with his mother, Nellie Edwards Bedford, a concert pianist, learning piano fundamentals and classical music performance at a very young age. His first taste of ragtime awakened him to the upbeat, bluesy rhythms of “stride” ...
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