| | Liars Academy Trading My Life CD Liars Academy Discography of CDs
(1 Customer Review)
Liars Academy: Ryan Shelkett, Matt Smith (vocals, guitar); Chris Camden (vocals, bass); Evan Tanner (drums).
2nd Rel
CMJ (10/28/02, p.6) - "...This release represents the talent and potential that still exists in a constantly expanding, but too-often diluted style of music..." Liars Academy Trading My Life Songs | 1. | Trading My Life |
| 2. | Chainsmoke the Night Away |
| 3. | Now Is the Time |
| 4. | It's Not Me It's You |
| Trading My Life Music Review Average Rating: (4 out of 5 stars)   Nothing too deep here, but catchy and enjoyable nonetheless Liar's Academy's second major release, Trading My Life, is similar to the band's full length album No News Is Good News. It doesn't break any new ground in the pop-punk genre, and the lyrics don't possess much depth, but like the debut album, it's inexplicably addictive to listen to. These four songs, in particular the soaring title track, have been stuck in my head almost from the first time I put this CD on. If you liked No News Is Good News, you'll like this one, too; the only major difference between the two releases is that Trading My Life is a bit more layered-sounding, a little less punk and a little more pop. This EP's not awe-inspiring, but it is highly recommended if you're looking for something simple and catchy. Submitted by commodore_wheeler (Novato, CA, USA)  Was This Review Helpful? Yes No
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Purchase Trading My Life CD To buy, Click on price to add to cart | Transatlantic The Whirlwind CDs (2009)
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$15.89 In the realm of North Indian classical music, families have historically carried forth the traditions of specific lineages of singers, musicians and dancers teaching and innovating through the generations, sons (and more recently daughters) learning the secrets of their trade from fathers and grandfathers before them. Mita Nag hails from such a family, her father being Pandit Manilal Nag and grandfather the legendary sitarist Pandit Gokul Nag of the Vishnupur Gharana, or style of sitar playing of ragas. Mita Nag began her training in sitar starting as a very young child and has steadily practiced and progressed to this day, when she is recognized as a leading exponent of sitar among her generation. Mita maintains a busy concert and recording schedule performing all over India and internationally as well. She is also well known for her duet concerts with her illustrious father, Manilal Nag. The expertise, wisdom, sensitivity, and technical mastery of her sitar playing is sure to enthrall and enchant all listeners.Ray Spiegel~Tabla; After a lifelong fascination with music, Japanese-American percussionist Ray Spiegel began playing the tabla as a young teenager in New York. He was introduced to the tabla by John Cooper, a composer/pianist who had traveled to India and collaborated with Indian classical musicians, especially Ustad Ali Akbar Khan in the mid nineteen sixties. He began lessons with Pandit Shankar Ghosh at the Ali Akbar College of Music in San Rafael, CA in 1970. Ray toured India with John Cooper’s East West Chamber Ensemble in 1971 and studied tabla with Sri B. S. Ramanna for one year in New Delhi. He then studied with Ustad Zakir Hussain for several years beginning 1973, and was introduced to Zakir’s father, Ustad Alla Rakha in 1975. He began a twenty five year relationship with Alla Rakha as his guru until the great master’s passing in 2000.Ray has performed and/or recorded with many of India’s great artists including: Alla Rakha and Zakir Hussain (tabla), Ravi Shankar (sitar), Sultan Khan (Sarangi), Aashish Khan, Geoffery Lipner, Stephen James, Buddhadev Das Gupta, Steve Oda, and Ken Zuckerman (Sarode), Vidyadhar Vyas, Raka Mukherjee, Warren Senders, Stan Scott, Sheila Dhar, Esha Bandopadhaya, Pran Nath, LaMonte Young, and Balram Puri (vocalists), Irshad Khan, Manilal Nag, Mita Nag, James Pomerantz, and Partha Bose (Sitar), Paul Alexandre John, Steve Gorn and Ragunath Seth (Bansuri flute), Barun Kumar Pal (Hindustani Guitar), and Chitresh Das (Kathak dance).Outside the realm of traditional ...
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