Tom Petty Last DJ CD

Additional Tracks; Deluxe Edition



This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Tom Petty & The Heartbreakers: Tom Petty (vocals, guitar, ukelele, piano, bass); Scott Thurston (guitar, lap steel guitar, ukelele); Mike Campbell (guitar, bass); Benmont Tench (piano, organ, keyboards); Ron Blair (bass); Steve Ferrone (drums).
Additional personnel includes: Lenny Castro (percussion); Lindsey Buckingham (background vocals).
Producers: George Drakoulias, Tom Petty, Mike Campbell.
Contains an Enhanced CD which contains regular audio tracks and multimedia computer files, as well as a bonus DVD.
Tom Petty & The Heartbreakers: Tom Petty (vocals, guitar, ukelele, piano, bass); Scott Thurston (guitar, lap steel guitar, ukelele); Mike Campbell (guitar, bass); Benmont Tench (piano, organ, keyboards); Ron Blair (bass); Steve Ferrone (drums).
Additional personnel includes: Lenny Castro (percussion); Lindsey Buckingham (background vocals).
Producers: George Drakoulias, Tom Petty, Mike Campbell.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel: Tom Petty (vocals, guitar, ukulele, piano); Scott Thurston (guitar, lap steel guitar, ukulele); Benmont Tench (piano, organ, keyboards); Steve Ferrone (drums); Lenny Castro (percussion); Lindsey Buckingham (background vocals).
Audio Mixer: Richard Dodd.
Recording information: Cello Studios, Hollywood, CA.
Authors: David Dieckmann; Spencer Chrislu.
Director: Martyn Atkins.
Arrangers: Jon Brion; Tom Petty.
Tom Petty has always battled corporations and the music industry -- fighting for lower retail prices for Hard Promises, complaining about videos, and always fighting for old-school, artist-first '60s rock aesthetics. There's a lot to admire about this stance, especially since he's essentially right about corporations having too much of a stranglehold on pop music, but it doesn't provide a solid foundation for an album, as the stultifying The Last DJ illustrates. Not every song on the record is about the death of rock & roll and the evils that corporations do, but it sure feels that way, since it begins with the one-two punch of "The Last DJ" and "Money Becomes King." The former is a bitter lament for the loss of free thought in pop culture, using the DJ as a truth-telling seer; the latter is a rewrite of "Into the Great Wide Open," all about a favorite artist who sells out. Both are didactic with their tortured metaphors and stretched narratives, but they seem subtle compared to the fourth song, "Joe," a heavy-handed tirade about a record company CEO that is unbearable in its awful, vulgar lyrics and is rendered unlistenable by Petty's hammy vocals; it is easily the worst song he's ever written. These front-loaded tracks obscure the lovely "Dreamville," the best song here, and effectively offer an early deathblow to an album that alternately finds Petty muddling through ballads and stumbling through rockers. Though his songcraft serves him well on occasion, it's only on occasion -- the aforementioned "Dreamville," "You and Me," "Have Love Will Travel" -- and the record's spare, black-and-white production doesn't add color to compositions that need it. Throughout The Last DJ, Petty sounds utterly lost -- and instead of liberating him like it did in the past, it paralyzes him, boxing him into a corner where he can't draw on his strengths. It's the first true flop in a career that, until now, had none. ~ Stephen Thomas Erlewine
Tom Petty has always battled corporations and the music industry -- fighting for lower retail prices for Hard Promises, complaining about videos, and always fighting for old-school, artist-first '60s rock aesthetics. There's a lot to admire about this stance, especially since he's essentially right about corporations having too much of a stranglehold on pop music. Not every song on the record is about the death of rock & roll anRolling Stone (10/02, p.67) - 4 stars out of 5 - "...At once nostalgic and forward-looking, THE LAST DJ is quintessential Petty, by turns strident and starry-eyed..."
Uncut (12/02, p.130) - 3 stars out of 5 - "...[Petty sings] with rawer passion than the genre usually allows..."
Mojo (Publisher) (12/02, p.108) - "...A sage and solid record then...anyone who's ever dug Petty's considerable craftsmanship can approach it with confidence..."