| | Echoes Of Variety CD
This is a golden 23 track collection of memorable comedy moments from the classic "Variety" era. This remastered CD contains a gaggle of the most popular and best loved names from this period of British comedy. Features Max Miller, Bernard Miles, ... Echoes Of Variety Songs | 1. | Leaning on a Lamp Post - A Dixon |
| 2. | Mary from the Dairy - Max Miller |
| 3. | P.C. Lamb - Joseph M. Davis |
| 4. | Over the Gate - Bernard Miles |
| 5. | Sport of Kings/Underneath the Arches, The - A Cornazzetto/S Clarke |
| 6. | If a Grey-Haired Lady Says "How's Yer Father?" - Jack Warner/Sophie Ellis-Bextor |
| 7. | Brahn Boots - Stanley Holloway |
| 8. | My Mother Doesn't Know I'm on the Stage - Billy Bennett |
| 9. | Elephant Never Forgets, An - Lupino Lane |
| 10. | At the Court of Good Queen Bess - Mick Foster/Missy Elliott |
| 11. | Hints on Blow-Outs for Black-Outs - Tommy Handley |
| 12. | Cooking the Dinner - David Clewett/Adam Clapham |
| 13. | Jolly Good Company - Claude Hulbert/Jack Hulbert |
| 14. | I'm an Old Norman Castle - Eg For ENC |
| 15. | Oi!/Underneath the Arches - Rick Dahrouge |
| 16. | Woman Improver, The - Max Miller |
| 17. | Cyril Fletcher Tells a Couple - R. David |
| 18. | Police Station, The - Robb Wilton |
| 19. | Green Tie on the Little Yellow Dog, The - Billy Bennett |
| 20. | Thing-Ummy-Bob, The - Arthur Askey |
| 21. | Window Cleaner, The - George Formby |
| 22. | We Must Have Another Little One - Tommy Handley |
| 23. | Champagne Charlie - Tommy Trinder |
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Ahmed Rabie is considered by many to be one of the best, if not the best, drummer in Egypt. He has been carrying the flag of the Fusion music for more than a decade, fighting his way through his journey of introducing this type of music to the Egyptian Audience. In addition to his enormous capability and command of his instrument, he is an artist with a vision….and a survival. I have attended a concert at the Cairo Opera house with Ahmed Rabie’s new group, young talented musicians who have gathered, for the first time I assume, to present Fusion music to the Egyptian audience. The performance started with a bit of free drumming from Rabie backed up lightly from the group, from the first few bars I noticed that his technique, balance and articulation are incredible. He is getting better day after day, which is the result of talent, hard work and dedication. The first number was played and each of the members took a solo spot. Tarek the keyboard player performed a solo which was a nice solo, nevertheless it was more of Deep Purple/Progressive rock solo than Jazz/fusion. We are talking of a different type of fusion, where Rabie comes from a jazz/fusion background influenced by Dave Weckle, Dennis Chambers,Vinnie Colaiuta and other members who are obviously more of rock players The piano solos were again far away from being on the jazz field, giving the feeling of R&B /Rock feel, Shereaf the guitar players was playing few million notes as if he was in a challenge to prove that it is possible to play six million guitar notes in 8 bars, totally neglecting the fact that what he is doing on the guitar is meaningless from a musical prospective.It was a bit of confusion to identify what type of music is played here, or shall I say what different type of music the boys are fusing to form ‘Fusion’ music? There were very rare elements of jazz (with an exception of Rabie’s playing and the rest were straight Rock and Heavy Metal musicians. A clearer vision is required for the musical direction. This would require hard work from the group to cement their sound as an entity. I remembered a phrase that said ‘A band sounds as good as it’s drummer’, it is a real fact that was proven on this concert. With all the comments above, the band sounded energetic, and with a positive attitude, the credit goes to Ahmad Rabie twice. First for his fascinating drumming and second for his courage to take such a challenge with younger musicians, pushing them to create an output which was pleasant most of the time.The introduction of violin was one of the evenings highlight, it added a layer of texture and a melancholy mood to the piece. Again Rabie is heading towards a more dynamic and melodic approach ...
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