| | Vivaldi: The Four Seasons, Concertos / I Musici CD I Musici / Vivaldi CDS
Vivaldi: The Four Seasons, Concertos / I Musici Music | List Price | $7.98 (You save $0.79) | | Label | Philips | | Orig Year | 10/14/2003 | | All Time Sales Rank | 35212  | | CD Universe Part number | 5284146 | | Catalog number | 000122302 | | Discs | 1 | | Release Date | Oct 14, 2003 | | Recording Time | 1 9 |
Vivaldi: The Four Seasons, Concertos / I Musici Review
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Sarah Brightman is an example of the kind of artist that Duke Ellington would have described as "beyond category." Coming from a theatrical musical background, she combines the traditions of Broadway show-tunes (Andrew Lloyd-Webber's ex, she starred in his 'Phantom of the Opera,' among other things), opera, art song and pop to produce a fresh, unusual amalgam that is showcased to fine effect on TIME TO SAY GOODBYE. Brightman reaches into the Latin tradition here (she sings in Spanish on such tunes as 'Tu Quieres Volver,' offering a glimpse of yet another area of her talent. One of the brightest spots of the ...
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$11.49 PRESS RELEASEIVAN SPASSOV“Aishinka” – Two Bulgarian Female Choirs A CappellaBulgarian composer IVAN SPASSOV takes the distinctive Bulgarian choral sound, made famous by the Grammy-winning musical phenomenon known as Le Mystere des Voix Bulgares, to an entirely new level of sophistication.Labor Records is proud to reintroduce Aishinka, the seminal recording by IVAN SPASSOV, one of Bulgaria’s most prominent composers, who at the time set his sights on choral singing, his country’s best-known musical export.Featuring two choruses, the Women’s Folk Choir and the classically trained Women’s Chamber Choir (both of the Plovdiv Academy), the recording balances two strikingly different musical worlds and traditions.The musical phenomenon known as Le Mystère des Voix Bulgares, with its sold-out performances and Grammy-winning recording on the British pop charts, made Bulgarian women choristers unlikely musical stars. Their singular sound and emotional richness won avid fans among such diverse arbiters of artistic quality as George Harrison, David Byrne, Bobby McFerrin and the Kronos Quartet. That Bulgarian sound, with its straight-toned power, tucked traditional folk roots into carefully notated contemporary arrangements. The result was ancient yet modern, simple yet sophisticated. The classical music critic of the Boston Globe cited the “beauty snd individuality of the sound,” and “the connections of that music to universal feelings and experiences,” while the pop critic of the Los Angeles Weekly called it “the hippest show on earth.”Having introduced Western contemporary compositional styles to his country in his orchestral and chamber works, Spassov takes that distinctive choral sound to an entirely new level of sophistication. The ancient rhythmic complexity and polyphonic richness meet tone clusters, chance elements and a full range of 20th Century sonorities. From their very different perspectives, the two choruses find the common ground between folkloric freedom and Western classical expression. REVIEW / Amazon.comBetter than “Le Mystere” After “Le Mystere des Voix Bulgares” made a Bulgarian a cappella woman's choir an international favorite "sound" about fifteen years ago, it has been hard to sift through all of the sequels and imitations. Luckily, this CD is neither. "Aishinka" features two female choirs, one a folk choir and the other a classical choir, performing original songs by Ivan Spassov, one of Bulgaria's most important composers of the 2nd half of the 20th century. The sound is recognizably Bulgarian and the music is very close in spirit and content to the arranged Bulgarian folk music of the "Le Mystere" collections. But these are songs found on no other CD, and the choirs both worked closely with the composer at the Plovdiv Academy to make this definitive CD of his most hauntingly beautiful music. --Dean Georgiev (Berlin) / Amazon.com***** (highest rating)REVIEW / Miami New TimesNational Public Radio named Le Mystère des Voix Bulgares (Nonesuch) the best CD of the 1980’s, and once you’ve heard it, you know why: the pungent, nasal tones of the women’s chorus cut deep and permanent scratches into your mind’s ear, and the women’s fearless and dead-accurate negotiation of impossible, non-traditional harmonies would leave even classical choirs scratching their heads in ...
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Vivaldi: The Four Seasons, Concertos / I Musici
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