| | Bezerra Da Silva Malandro E Malando E Mane E Mane CD - Import Bezerra Da Silva Discography of CDs
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Our Price: $14.99  CDFor Sale Usually ships in 1-2 days
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Malandro E Malando E Mane E Mane Music Bezerra Da Silva Malandro E Malando E Mane E Mane Songs | 1. | Os Dps de Sao Paulo |
| 2. | Tem Coca ai Na Geladeira |
| 3. | Medo de Virar Galeto |
| 4. | Papo de Malandro |
| 5. | So Nao Possa Dar O Ceu |
| 6. | Ele Nao a Vossa Mas E O Papa |
| 7. | Respeito as Favelas |
| 8. | Malandro E Malandro |
| 9. | E Mane E Mane |
| 10. | Campo Minado |
| 11. | Zona Leste Somos Nos |
| 12. | Muro da Verdade |
| 13. | Tua Batata Ta Assando |
| 14. | Liquido Precioso |
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Malandro E Malando E Mane E Mane Review
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Purchase Malandro E Malando E Mane E Mane CD To buy, Click on price to add to cart | Pink Martini Splendor In The Grass CD (2009) Digipak
Malandro E Malando E Mane E Mane album
 $13.39   
Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; ...
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Claude Challe's Buddha-Bar, Vol. II compilation has elements of Far Eastern spirituality, African song, European electronica, and Spanish spice. The first album, Buddha-Bar, is very mellow for the most part. Deepak Chopra and Demi Moore, far and away the most recognizable names on the album, do a spoken word ditty on love and self-worth. People who are not fans of new age doctrine will appreciate artists such as Oliver Shanti and Consuelo Luz, both of whom contribute songs that manage to sound musical, spiritual and ethnic at once. The second album varies from hallucinatory to groovy to fairly high-energy. "Tears Inshalla" will appeal to fans of Eastern-influenced trance. Lyrics are of almost no importance on the album. They do exist on most tracks, but they bounce around from English to Portuguese to Arabic. Bits and pieces and snatches of phrases come through here and there -- just enough to make a listener feel in sync with it all. This music is intended to be an ambient journey, and while a few of the tracks seem to stray off into Never Never Land, the majority of them should appeal to fans of worldbeat. ~ L. Katz
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It was perhaps time for the obligatory live album from fado's big new star, but this was more than a gig, it was a huge concert in Lisbon. Mariza cherry-picks material from her three albums, and there's some fine stuff to choose from on Concerto em Lisboa. Her usual sympathetic group is augmented by ...
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Live, the last studio album from les Yeux Noir, isn't a completely convincing affair. There's no doubt about the power of this live disc, however. Whether they're emphasizing vocals on the poignant, aching "Lluba" or burning up their instruments on tortuous, frenetic instrumental passages, there's an absolute conviction and authority about this -- not to mention an enormous joy in the playing. The two violinists stand to the fore -- their tricky unison passages are absolutely stunning -- but everyone is superb. Marian Miu gets an outing on "Cymbalum," where he gets to show his chops on the cimbalom, or hammered ...
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