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Lins, Ivan - Perolas CD Cover Art
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Ivan Lins Perolas CD - Import

 Ivan Lins Discography of CDs

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 Our Price: $19.69  CD
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Perolas Music


Detailed Perolas Music Information



List Price $21.99 (You save $2.30)
Category Rock/Pop Albums, World CDs, International, Brazilian
Label Som Livre
Orig Year 2002
CD Universe Part number 5299536
Catalog number 3060132
Discs 1
Release Date Dec 01, 2000
Mono/Stereo Stereo
Additional Info Brazil
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Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to standards by Gershwin and Porter, Buble embraces a variety of sounds, from Motown ("How Sweet It Is") to bossa nova ("Quando, Quando, Quando" with Nelly Furtado) to the Beatles ("Can't Buy Me Love" with a "She Loves You" tag). With his smooth croon and charming persona, Buble is a natural performer, and, for fans of fearlessly romantic and infectiously swinging music, IT'S TIME is a sure bet. Although it took more than a year of concerts ...
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Personnel: Mercedes Sosa (vocals).
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Nine Open Questions
Tim Trio Stevens Nine Open Questions CD  (2008) (Import)

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Tim Stevens Trio: Nine Open Questions (Rufus Records RF068)'Recorded in March 2004 at the ABC's Melbourne Studios for the Jazztrack program, this CD is dedicated to Jim McLeod, recently retired from his longstanding role as the preeminent national jazz broadcaster. This is an impressive trio, led by the pianist Tim Stevens (now at the Victorian College of the Arts), who has contributed all nine compositions, but within a context where Ben Robertson (bass) and Dave Beck (drums) carry equal responsibilities with the pianist for the ensemble. This they all do with high skill and impeccable good taste. Stevens is a disciplined, accomplished pianist with a touch shaped by the impressionistic, introspective tradition introduced to jazz piano by Bill Evans, Robertson has a lovely sound, coupled with a strong melodic sense and accurate intonation and Beck is a sympathetic drummer, with complete control of every aspect of his kit and equally interesting whether using sticks or brushes. It is a pleasure to listen to such a well rehearsed unit wherein each player is so well tuned to the others. 'The music is challenging because none of the material is familiar and it is, moreover, characterised by pulse and structural irregularities that tease and bemuse. Those so inclined will have fun trying to decode the form for 'The Unmistaken' (irregular sections of 11 and 7 bars) or'Commuted' (bars of 5, 6, and 7 beats interspersed with bars of 4 and 3). Similar to Brad Mehldau's extension to the rhythmic interest of a style that extends from Bill Evans through Keith Jarrett, Tim Stevens explores many different ways to develop his forms beyond the traditional duple or triple pulses within regular 8-bar sequences. The trio handles 5/4 so smoothly and naturally (Stops on the road to smooth) that one is scarcely aware of the time signature,unlike experiences with pioneer attempts to break away fromubiquitous duple and triple measures (e.g. Brubeck's Time Out album). In fact, even familiar time signatures are stretched by the clever application of displaced syncopations that capture attention, while shifting the accents within the composition in unexpected ways, so that apparently new directions frequently surprise the listener. 'Repeated listening will extend the pleasure derived fromthis CD. It is a worthy tribute to a man who, in a long, distinguished broadcasting career, stayed abreast of the many stylistic directions that jazz has taken but also did so much to promote Australian jazz. And Tim Dunn (Executive Producer, Rufus Records) is to be congratulated for continuing to support talented Australian exponents of an improvised art form that sometimes struggles to gain the audience that those committed to it believe it deserves.'(Ted Nettelbeck, Music Forum February-April 2005)'GIVEN the quiet suggestiveness of Tim Stevens's music and the feeling that he's never one to ...
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