| | Schumann: Cello Concerto; Dvorák: Cello Concerto CD Rostropovich, Mstisl CDS
Schumann: Cello Concerto; Dvorák: Cello Concerto Music | List Price | $17.98 (You save $2.93) | | Label | BBC Music | | Orig Year | 2/25/2003 | | All Time Sales Rank | 24405  | | CD Universe Part number | 5306961 | | Discs | 1 | | Release Date | Feb 25, 2003 | | Recording Time | 1 11 |
Schumann: Cello Concerto; Dvorák: Cello Concerto Review
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Purchase Schumann: Cello Concerto; Dvorák: Cello Concerto To buy, Click on price to add to cart | Joao Gilberto Amoroso/Brasil CD (1993)
Schumann: Cello Concerto; Dvorák: Cello Concerto
$11.99 Joao Gilberto is perhaps forever destined to be lesser known to casual jazz fans than his occasional collaborator Stan Getz (whose GETZ/GILBERTO albums introduced the United States to bossa nova) and his ex-wife Astrud Gilberto (whose shy, delicate voice made her one of the most distinctive and beloved jazz vocalists of the '60s). However, true fans of Brazilian music recognize that Gilberto is second only to Antonio Carlos Jobim as a writer and interpreter of traditional Brazilian music and Brazilian-influenced jazz.
These two albums, collected in full on one CD, are among Gilberto's best solo albums. Alternating between standards like "'S Wonderful" ...
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$10.79 The record that started the bossa nova craze of the mid-'60s, GETZ-GILBERTO is a justly recognized classic. The disc's success is attributable to its spectacular personnel: the man who basically invented bossa nova, Antonio Carlos Jobim; the man who defined and perfected the genre, Joao Gilberto; his charmingly waifish-sounding wife, Astrud Gilberto; and American tenor saxophonist extraordinaire Stan Getz. Jobim plays guitar and piano; Getz provides remarkably lyrical, complementary lead lines, and Joao Gilberto plays and sings in Portuguese with the most understated, romantic, and artful vocal delivery imaginable. It's a hard combination to beat.
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Schumann: Cello Concerto; Dvorák: Cello Concerto
$12.39 I REMEMBER MILES won the 1999 Grammy Award for Best Jazz Vocal Performance.
This stunning album is Shirley Horn's loving tribute to her friend and colleague, the legendary late Miles Davis. Davis was so taken by Horn's first album EMBERS AND ASHES that he forced The Village Vanguard to let her virtually-unknown trio open for him during his 1961 run there. Their friendship and admiration for each other's music lasted through the years, and Shirley Horn's 1991 recording YOU WON'T FORGET ME, was one of the last recordings Miles Davis made.
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$10.25 The next period film that wants a rock soundtrack would do well to include this hearty and versatile disc. Fun, sloppy, festive, dreamy, alternatingly irreverent, and respectful, this seven-song EP starts with a punch that, on occasion, softens to a gentle tap on the shoulder. Marty Matteson (who's all aces on the viola) clearly has a love for classical music, but refuses to let it stay dusty on the shelves. Reworking pieces from Bach, Telemann, and Leclair, Matteson and his merry men find new hooks in old places, with Chris Verne pounding justly on his drums, Everett Young on the keys, Justin Hughes on guitar, and bassman Tim DeLaney, who keeps the foundation secure (DeLaney, along with executive producers Brad Lewis and Zollie Maynard, are also part of Atlanta pop group the Sight-seers). The first two tracks are joyously engaging, with several other bright spots along the way. Clocking in at 33 minutes total, there are a few times where the ambience overpowers the structure and listeners may let a couple minutes go by undetected, but only to be yanked back into Ye Olde Ale House where the festivities continue. The final track, "Song of the Way," sticks out as the morning-after hangover -- groggy, moody, and eventually thunderous. A unique release; perhaps what Mozart listened to in college. ~ Ken Tataki
Bach on a Hook was born in 1990 with violist Marty ...
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