Elton John - Greatest Hits 1970-2002 MP3 Download

Greatest Hits 1970-2002 album for sale Digitally remastered by Gary Hobish (1994, Fantasy Studios, Berkeley, California). Digitally remastered by George Horn (Fantasy Studios, Berkeley, California). Digitally remastered by George Horn (1995, Fantasy Studios, Berkeley, California). Guided, perhaps, by musical snobbery or roots-rock phobia, some people inexplicably don't like Creedence Clearwater Revival. As the kings of earnest country-inflected rock in an age when radical stances were de rigueur, CCR sported straight-ahead tunes, and may have seemed a bit unhip. But their music stands the test of time with a vengeance. For the doubtful listener, this outstanding, 20-track hits collection has evidence of their greatness in staggering abundance. Though they produced several excellent albums, Creedence was predominantly a singles band, and CHRONICLE compiles many of their biggest hits. From the slowly building saunter of "Suzie Q" and the spooky, R&B-soaked "I Put a Spell on You" to the fierce "Fortunate Son" and the swampy blues of "Run Through the Jungle," CHRONICLE features the ensemble's signature tunes. Beautifully melancholy songs "Who'll Stop the Rain" and "Someday Never Comes" play off sunny, melodic anthems "Down on the Corner" and "Lookin' Out My Back Door," fully revealing the band's wide range. The group's tight, no-frills musicianship leaves John Fogerty's keening voice and superb songwriting at the fore, and the results--brought together here on one of rock's best greatest-hits packages--make for some of the genre's most endearing and enduring music. Recorded 1968-1970 and includes 'Susie Q', 'I Put a Spell on You', 'Proud Mary', 'Bad Moon Rising', 'Lodi', 'Green River', 'Commotion', 'Down on the Corner', 'Fortunate Son', 'Travelin' Band', 'Who'll Stop the Rain', 'Up Around the Bend', 'Run Through the Jungle', 'Lookin' Out My Back Door', 'Long as I Can See the Light', 'I Heard It Through the Grapevine', 'Have You Ever Seen the Rain?', 'Hey Tonight', 'Sweet Hitch-Hiker' & 'Someday Never Comes'. Fantasy label. 1991. Includes liner notes by John Grissim. Includes liner notes by Greil Marcus. Creedence Clearwater Revival: John Fogerty (guitar, vocals); Tom Fogerty (guitar); Stu Cook (bass); Doug Clifford (drums). Personnel: John Fogerty (vocals, guitar); Tom Fogerty (guitar); Doug Clifford (drums). Liner Note Author: Greil Marcus. Arranger: John Fogerty. Creedence Clearwater Revival: John Fogerty (vocals, guitar); Tom Fogerty (guitar); Stu Cook (bass); Doug ...

Greatest Hits 1970-2002 songs THE VERY BEST OF includes a 46-page booklet with pictures and track information. "Hole In The World" was nominated for the 2004 Grammy Award for Best Pop Performance By A Duo Or Group With Vocal. The Eagles' founders Don Henley and Glenn Frey were forthright in their desire to bring then-emerging country rock to new heights of commercial success. Formed in Los Angeles in 1971, they learned from their observations of the scene around them, and subsequently took their music to the top of the charts. They stayed there throughout the '70s, becoming synonymous with the sound of Southern California rock. The band's first hit was with a song by Jackson Browne, and their first album also included a cover of "Ol' 55" by Tom Waits, but the bulk of the material they're known for was penned by Henley and Frey. This two-disc set wisely expands the original VERY BEST OF collection with important album tracks that have also long been band staples and favorites (such as the aforementioned Waits tune and a number of other songs from their pre-platinum first three releases). As is often the common industry-wide practice, there's also a new song, "Hole in the World." A 2-CD retrospective from the multiplatinum superstars whose 1976 "Greatest Hits" is the #1 album of all time! Special Limited Edition bonus DVD included with a music video, outtakes from the video and backstage pass to Farewell 1. Initial pressings included a bonus DVD. Recorded between 1972 & 2003. The Eagles: Bernie Leadon (vocals, guitar, slide guitar, pedal steel guitar, banjo, mandolin); Don Felder (vocals, guitar, slide guitar, steel guitar, keyboards); Glen Frey, Joe Walsh (vocals, guitar, slide guitar, keyboards); Randy Meisner (vocals, guitar, guitarron, bass); Don Henley (vocals, drums, percussion); Timothy B. Schmit (vocals, bass). Producers: Glyn Johns, Bill Szymczyk, Eagles, Elliot Scheiner, Rob Jacobs. Compilation producer: The Eagles. Eagles: Don Felder (vocals, guitars, slide guitar, steel guitar, keyboards); Bernie Leadon (vocals, guitars, slide guitar, pedal steel guitar, banjo, mandolin); Glenn Frey, Joe Walsh (vocals, guitars, slide guitar, keyboards); Randy Meisner (vocals, guitarron, bass guitar); Timothy B. Schmit (vocals, bass guitar); Don Henley (vocals, drums, percussion). Additional personnel: Steuart Smith (electric guitar); Al Perkins (pedal steel guitar); David Sanborn (alto saxophone); Jim Ed Norman, Willie Hollis (piano); Jay Oliver (keyboards); Scott Crago (drums, percussion).

Greatest Hits 1970-2002 CD music Detroit has produced more than its share of great music: from jazz stars like Hank, Thad & Elvin Jones; to the Motown stable of vocal artists, and legendary rhythm players Benny Benjamin and James Jamerson. Not to mention a whole lot of hard funk and primal metal, everyone from Funkadelic and Ted Nugent, to Iggy & The Stooges and the MC5--hard driving, rugged rock and roll. Put it all together with a touch of pop, and a lot of soul, and you've got Bob Seger & The Silver Bullet Band. It's easy to divine Seger's influence on the music of Bruce Springsteen, and draw parallels with the vocal style of Van Morrison. The epic themes of Seger's characters on "Night Moves" certainly parallel those of the folk heroes who populate Springsteen songs (though he began developing his menagerie a good decade before the Boss). The chant-like, testifying cadences of Seger's blowtorch voice, and his predilection for gospelish motifs, puts one in mind of the mighty Celt's visionary flights. And as the fine GREATEST HITS makes clear, Bob Seger's influence on contemporary roots music is enormous. A song such as "Like A Rock" practically defines a roots approach to power pop, while "Old Time Rock & Roll" finds Seger in an upbeat, Little Richard mode. Celebrations notwithstanding, "Still The Same" and "Turn The Page" are dark, unstinting unsentimental looks at the underbelly of the showbiz animal and the road. Includes liner notes by Bob Seger. Engineers include: Shelly Yakus, Brian Christian, Jim Bruzzese. Personnel: Bob Seger (vocals, guitar, acoustic guitar, piano, electric piano, synthesizer, background vocals); Drew Abbott (guitar, electric guitar); Rick Vito (guitar, slide guitar); Ken Bell, Waddy Wachtel (guitar); Dawayne Bailey, Steve Lukather (acoustic guitar); Joe Miquelon (electric guitar); Crystal Taliefero, Alto Reed, Jimmy Romeo (saxophone); Bill Payne (piano, organ, keyboards, synthesizer); Craig Frost, Doug Riley (piano, organ); Randy McCormick, Roy Bittan (piano); Jai Winding (organ); Barry Beckett (keyboards); Michael Boddicker (synthesizer); Roger Hawkins, Russ Kunkel, David Teegarden (drums, percussion); Charlie Allen Martin (drums); Sam Clayton, Bobbye Hall (percussion); Clydie King, Luther Waters, Donny Gerrard, Julie Waters, Rhonda Silver, Glenn Frey, Ginger Blake, Stanley Carter, Izora Armstead, Douglas Kibble, Linda Dillard, Laurel Ward, Laura Creamer, Martha Wash, Rosemary Butler, Shaun Murphy, Venetta Fields, Shirley Matthews (background vocals). Audio Mixers: Ed Cherney ; Greg Edward; Jim Bruzzese; John Arrias; Bill Szymczyk; Bob Seger. Recording information: A & M Studios, Hollywood, California; Ambience Recordings, Farmington Hills, Michigan; Bayshore Studios, Coconut Grove, Florida; Cherokee Studios, Hollywood, California; Cobo Hall, Detroit, MI; Criteria Studios, Mia; Muscle Shoals Sound Studios, Sheffield, AL; Nimbus Nine Studios, Toronto, Ontario, Canada; Studio 55, Hollywood, CA; Woodland Digital Sutdios, Nashville, Tennessee. Photographer: Brad Stanley. Personnel includes: Bob Seger (vocals, guitar, piano); Glen Frey (vocals); Joe Miquelon (electric guitar); Steve Lukather, Waddy Wachtel, Drew Abbott (guitar); Rick Vito (slide guitar); Alto Reed (saxophone); Roy Bittan (piano); Bill Payne (piano, organ, synthesizer); Doug Riley (piano, organ); Robyn Robbins (Mellotron, organ); Craig Frost (organ); Michael Boddicker (synthesizer); Chris Campbell, Bob Glaub (bass); Russ Kunkel, Charlie Allen Martin, David Teegarden (drums, percussion). Producers include: Jimmy Iovine, Jack Richardson, Bob Seger, Punch, Bill Szymczyk.

Greatest Hits 1970-2002 buy CD music East, Leland Sklar, Cornelius Mims, John Giblin, Freddie Washington (bass); Sheila E.(percussion); Peter Gabriel, Sting, Marva King (background vocals). In the early '80s, Collins took a break from the helm of Genesis to inaugurate a solo career that abandoned his group's art-rock agenda for a mainstream pop approach. In the ensuing years, the king of Nice Guy Pop established himself as one of the world's premier top 40 balladeers, as evidenced by the wall-to-wall hits that make up the balance of this appropriately titled collection. HITS walks the listener through the smooth, well-produced Collins hits that have worked their way into the collective consciousness of radio listeners (even casual ones) over the years. There are majestic power ballads ("I Wish It Would Rain") to light-hearted, infectious pop-funk ("Sussudio") and moody atmospheric pieces ("In the Air Tonight") HITS represents the full range of material this prolific performer has turned out over the course of his wildly successful career. (piano, vibraphone, glockenspiel); David Frank (keyboards, Mini-Moog synthesizer, bass, DMX); Babyface (keyboards, drum programming, background vocals); Nick Glennie-Smith, Rob Mousney, Lesette Wilson (keyboards); Nathan Live Recording The Phoenix Horns: Don Myrick (saxophone); Michael Harris, Rhamlee Michael Davis (trumpet); Louis Satterfield (trombone). The Vine Street Horns: Andrew Woolfolk (saxophone); Harry Kim, Daniel Fornero (trumpet); Arturo Velasco (trombone). Producers include: Phil Collins, Hugh Padgham, Babyface, Lamont Dozier, Arif Mardin. Personnel: Phil Collins (vocals, keyboards, drums, drum machine, tambourine, background vocals); David Crosby, Amy Keyes, Amy Keys, Philip Bailey, Arnold McCuller (vocals); Daryl Stuermer, Dominic Miller, Eric Clapton, Michael Hart Thompson , Michael Landau, Michael Thompson (guitar); Lakshminarayana Shankar (violin); Eric Rigler (Uilleann pipe); Don Myrick, Andrew Woolfolk (saxophone); Daniel Fornero, Harry Kim, Rahmlee Michael Davis (trumpet); Arturo Velasco, Louis Satterfield (trombone); Vine Street Horns (horns); Greg Phillinganes (piano, Wurlitzer organ); Peter Robinson (piano, vibraphone, glockenspiel); David Frank (keyboards, mini-Moog synthesizer); Babyface (keyboards, drum programming, background vocals); Lesette Wilson, Rob Mounsey, Brad Cole (keyboards); Paulinho Da Costa, Sheila E. (percussion); Lynn Fiddmont, Helen Terry, Alex Brown, Marva King, Peter Gabriel, Sting (background vocals). Illustrator: Janfranco Caro. Arrangers: Tom Tom 84; Harry Kim; Phil Collins. Personnel includes: Phil Collins (vocals, keyboards, drums, tambourine, drum programming); Philip Bailey, David Crosby, Marilyn Martin, Amy Keys, Arnold McCuller (vocals); Dominic Miller, Daryl Stuermer, Michael Thompson, Michael Landau, Ronnie Caryl, Eric Clapton (guitar); L. Shankar (violin); Eric Rigler (Uileann pipes); Greg Phillinganes (piano, Wurlitzer piano); Peter Robinson

Greatest Hits 1970-2002 songs Recorded between 1974 & 1997. Includes liner notes by Jim Jenkins, Jacky Smith, Andy Davis, Phil Symes. With Queen officially enshrined in the Rock & Roll Hall of Fame, Hollywood Records reintroduces the band yet again with the release of Platinum Collection, Vols. 1-3. While Vols. I & II are full of Queen classics you already know by heart, the third cobbles together odds and sods from the far corners of Queen's canon along with solo cuts from Freddie Mercury and Brian May. Opening with the operatic rock classic "Bohemian Rhapsody," it's easy to hear not only how this British quartet achieved the kind of global acclaim that ensured they'd be enshrined alongside the likes of the Beatles and Led Zeppelin. When they weren't dabbling in playful, '50s-flavored rock & roll ("Crazy Little Thing Called Love"), catchy glam ("Killer Queen"), or hard-edged funk ("Another One Bites the Dust"), Queen was capable of delivering heartfelt love letters ("You're My Best Friend"). The band's '80s output is equally intriguing, ranging from the hard-hitting "Headlong" to duets with David Bowie ("Under Pressure") and soaring movie anthems ("One Vision"). The third volume features more movie themes ("Princes of the Universe"), Freddie Mercury covering the Platters ("The Great Pretender"), and cameos by contemporary artists like Wyclef Jean, George Michael, and Elton John. All tracks have been digitally remastered. Producers include: Queen, David Bowie, Freddie Mercury, David Richards, Mike Moran. Queen: Freddie Mercury, Brian May, Roger Taylor, John Deacon. Additional personnel: Elton John, George Michael, David Bowie, Montserrat Caballe (vocals); Wyclef Jean, Pras (rap vocals). 3 CDs

Greatest Hits 1970-2002 album for sale Initial pressings of THE ULTIMATE COLLECTION included a limited edition bonus disc featuring four previously unreleased tracks. Recorded between November 1964 and June 1982. Includes liner notes by Matt Kent and Andy Neill. When it comes to a ground-breaking, iconic band like the Who, dubbing an anthology THE ULTIMATE COLLECTION is no small claim. The kicker here is that it happens to be the truth. Without venturing into the realm of the box set, there's never been such a definitive batch of Who tunes all under one roof before. Virtually all the bases are covered here, from such attitude-laden mid-'60s mod anthems as "My Generation" and "Anyway, Anyhow, Anywhere" to the conceptual expansiveness of TOMMY-era tunes ("I'm Free," "See Me Feel Me"). We get the full-on long-haired, bare-chested glory of the early '70s ("Won't Get Fooled Again") as well as the tapered, synth-flecked smartness of the early '80s ("Eminence Front," "You Better You Bet." For someone looking for an entry point into the work of this larger-than-life group, or just somebody who wants a great all-purpose who disc, THE ULTIMATE COLLECTION is truly a case of truth in advertising. Get one. Keith Moon, Kenney Jones (drums). Additional Tracks The Who: Roger Daltrey (vocals, harmonica); Pete Townsend (guitar, keyboards, background vocals); John Entwistle (bass, background vocals); Producers include: Shel Talmy, The Who, Kit Lambert, Glyn Johns, Jon Astley. Compilation producers: Andy McKaie, Bill Levenson. Recording information: 1964-1982.