| | John Lennon Mind Games CD John Lennon Discography of CDs
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This remastered version contains 3 bonus tracks and a new 32-page booklet. Personnel: John Lennon (vocals); John Lennon (guitar, Clavinet); Dr. Winston O'Boogie, Dr. Winston O Boogie & Los Paranoias (guitar, Clavinet, percussion); Sneaky Pete Kleinow (pedal steel guitar); Gordon Edwards (bass instrument); Yoko Ono, Something Different (background vocals); David Spinozza (guitar); Michael Brecker (saxophone); Kenny Ascher (piano, organ, Mellotron); Jim Keltner, Rick Marotta (drums). Audio Remixer: Peter Cobbin. Liner Note Author: John Lennon. Recording information: Record Plant, New York, NY (1973). Arranger: John Lennon. After the hostile reaction to the politically charged Sometime in New York City, John Lennon moved away from explicit protest songs and returned to introspective songwriting with Mind Games. Lennon didn't leave politics behind -- he just tempered his opinions with humor on songs like "Bring on the Lucie (Freda Peeple)," which happened to undercut the intention of the song. It also indicated the confusion that lies at the heart of the album. Lennon doesn't know which way to go, so he tries everything. There are lovely ballads like "Out of the Blue" and "One Day (At a Time)," forced, ham-fisted rockers like "Meat City" and "Tight A$," sweeping Spectoresque pop on "Mind Games," and many mid-tempo, indistinguishable pop/rockers. While the best numbers are among Lennon's finest, there's only a handful of them, and the remainder of the record is simply pleasant. But compared to Sometime in New York City, as well as the subsequent Walls and Bridges, Mind Games sounded like a return to form. ~ Stephen Thomas Erlewine On this disc, Lennon tackles his usual messages including love (of Yoko and mankind in general), peppy optimism in the face of dire circumstances, and humorous observations of crazy times and conditions. The breadth of his interests has always been gargantuan, and somehow when Lennon switches between the global focus of the title track to the personal "Yoko (I'm Sorry, I'm Sorry, Yoko)," he convinces us that these sentiments are not all that far apart. The playful, sexy "Tight As" is a jaunty rockabilly number reminding us that Lennon knows where he comes from. On "One Day At A Time," a love song with nursery rhyme metaphors, Lennon's silvery falsetto, usually featured in Beatle background vocals, takes the lead and is truly heart-wrenching. The surreal, country dream pop of "You Are Here," with its steel guitars and leisurely tempo, pre-dates the luxurious kd lang/Ben Mink approach. To resist chanting along with the chorus on "Bring On The Lucie (Freeda Peeple)" would be near impossible--it is as infectious as it is politically correct. Special kudos to Gordon Edwards, whose sure and melodic bass playing could turn Paul McCartney's head. After the hostile reaction to the politically charged Sometime in New York City, John Lennon moved away from explicit protest songs and returned to introspective songwriting with Mind Games. Lennon didn't leave politics behind -- he just tempered his opinions with humor on songs like "Bring on the Lucie (Freda Peeple)," which happened to undercut the intention of the song. It also indicated the confusion that lies at the heart of the album. Lennon doesn't know which way to go, so he tries everything. There are lovely ballads like "Out of the Blue" and "One Day (At a Time)," forced, ham-fisted rockers like "Meat City" and "Tight As," sweeping Spectoresque pop on "Mind Games," and many mid-tempo, indistinguishable pop/rockers. While the best numbers are among Lennon's finest, there's only a handful of them, and the remainder of the record is simply pleasant. But compared to Sometime in New York City, as well as the subsequent Walls and Bridges, Mind Games sounded like a return to form. [The edition reissued in 2002 appended three extra tracks, the "home versions" of "Aisumasen," "Bring on the Lucie," and "Meat City."] ~ Stephen Thomas Erlewine
PRolling Stone (1/23/03, p.68) - 4 stars out of 5 - "...This new version brings out welcome sonic detail..." Mojo (Publisher) (12/02, p.125) - "...On MIND GAMES, Lennon is back in touch with the subtler part of his musical craft..." Mind Games Music | List Price | $17.98 (You save $4.23) | | Category | Rock/Pop Albums, Rock CDs, Pop | | Label | Capitol / EMI | | Orig Year | 1973 | | All Time Sales Rank | 8429  | | CD Universe Part number | 5323701 | | Catalog number | 42425 | | Discs | 1 | | Release Date | Nov 05, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | John Lennon | | Engineer | Roy Cicala; Dan Barbiero | | Recording Time | 47 minutes | | Personnel | John Lennon - vocals, guitar, Clavinet Jim Keltner Rick Marotta - drums David Spinozza - guitar Gordon Edwards - bass instrument Ken Ascher - piano, organ, Mellotron Dr. Winston O Boogie & Los Paranoias - guitar, Clavinet, percussion Something Different - background vocals
Also: Michael Brecker, Yoko Ono, Yoko Ono | | Additional Info | Bonus Tracks; Remastered |
John Lennon Mind Games Songs Mind Games Music Review Average Rating: (4.4 out of 5 stars)    List All Reviews Mind Games Improves with Age Having purchased "Mind Games" back in 1973 and being slightly disappointed, I approached this re-issue with uncertainty. First Impressions: The packaging of the CD is excellent. The re-mastered music has aged very well. "Mind Games", "Tight A$", "Bring on the Lucie (Freda Peeple)", "You Are Here" and "Meat City" were my favorites back in 1973 and still have that great Lennon quality - even with the voice "reverb".
The surprise on this CD is the "home" version of "Aisumassen (I'm Sorry)" which could have been named "I'll Be There". It is basically the same song but without all of the Yoko references and with a twist. In this version Lennon takes on the roll of the "helper" as opposed to the person in need of help. He sings "When YOU'RE down and out" as opposed to on the official release; "When I'M Down". It's very revealing in that when originally written, it portrays him as the strong one but when released, that label was attributed to Yoko. It's a much stronger song in that without the Yoko references, average people can relate to it as opposed to it being too personal. It would have been interesting to know why the change was made from it's original form.
It would also have been preferable, although not in keeping with John's original production so maybe impossible, if that heavy reverb were removed from his voice. I always believed that John had a great R&R voice - probably the best of the Fab Four and the production on his albums from 1973-75 was always disappointing due to his "experimentation" in this regard.
For those who enjoyed "Mind Games" in it's original 1973 form, this CD is a good buy. For those who were slightly disappointed, the re-issue provides a chance to revisit the album and grow to appreciate it even more. Submitted by a reviewer (Mohegan Lake, NY, USA)  Was This Review Helpful? Yes No
Some of Lennon's best songs The bonus track of Aisumasen (I'm sorry) makes this CD worth it. Remastering this CD doesn't really improve the sound that much, but almost 30 years later ( Am I that old?) these songs are amazing. Submitted by a reviewer (Silver Spring, MD, USA)  Was This Review Helpful? Yes No
Remix Does the Trick The problem I had with Mind Games on its first release was overproduction. This was the first time John worked with 64 tracks and the sound seems muddy. The lead vocal tracks seemed piled on top of each other, along with instruments all over the place that brought a sterile, far away sound.
On the remix, everything seemes much closer and intimate. The vocal has been cleaned up immensely and you can really hear John along with other instruments having more separation, bringing out sounds you never heard before.
As for the songs themselves, with this fresh listen, you can really hear the beauty in them. John seems finally willing to embrace the Beatle-esque melodies he wrote so well, making this collection almost an early Double Fantasy/Milk and Honey collection.
There are also some good rockers as well. All in all one of John's stronger solo efforts and definately worth a re-listen with the great remix. Submitted by a reviewer (Los Angeles, CA)  Was This Review Helpful? Yes No
Diego Cruz This is a very good album, by this one i started to hear rock music almost ten years ago; by 1999 or 2000, something like that; i used to hear an old vinil version that my brother got from a friend, and i got absolutely amazed by the whole record, but the sound wasn`t enough good, so this cd remaster it's a perfect way to hear in the cleanest posible way this 1.973 lovely album, this one means a lot for me and reminds me some of the best moments of my chilhood; finally, i agree... one of the best things of this album was that Ono wasn't there!!, it's only John, the true and pure John. Submitted by itoirken (Bogota D.C, Colombia) Was This Review Helpful? Yes No
Original Title: How To Make Music This is my favorite John Lennon album. It seems like a Beatles album: beautiful and catchy melodies, excellent arrangements (made by John Lennon, of course) and absolutely gorgeous singing. I think how much envy the others singers of his time had on him...'bout the remix: I confess that I don't like remixes. I always prefer the original, even if the sound is inferior (who likes the heavy echo on the Beatles vocals on the remastered-remixed Help! CD???) but Mind Games really deserved a new remixed version because the original sound was really bad and made some tracks seem not as good as they was because of the muddy mix. The original mix seems like mono because the vocals and instruments are mixed centered in stereo. The new remixed version has more separation and you will her the vocals and the instruments clearer. For instance, the title track has an organ that was buried in the original mix. Meat City is the best remix. If you compare the old and new mix of this particular song you certainly will have a great surprise...BUT: if you are a serious Beatle fan you must have the original CD version with the original LP mix made by John himself. The only thing that I didn't like is about the bonus tracks: I think that Yoko could put more tracks instead of just three. And these tracks could be out-takes instead of demos. The fans that collect bootlegs know that are available a good number of Mind Games excellent out-takes like the complete unedited version of Tight A$ for instance. Rock And Roll People, a song John recorded for Mind Games but decided to throw it away (and that was released in 1986 on the album Menlove Ave), could be included as a CD bonus track, after all, Mind Games is its original place to be...Other thing to remember is that this album is the first John Lennon album with no influence by Yoko...OK, a few songs is dedicated to her, but she wasn't in the recording sessions giving her opinions about every little thing as she did in Imagine...BUY IT NOW!!! Submitted by leonardo.conde (Rio, Brasil) Was This Review Helpful? Yes No
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