| | Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite CD Bulov / Maultsby, N CDS
Bulov (Vn)/Maultsby (Mez) Shui/Singapore So Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite Music | List Price | $19.97 (You save $3.68) | | Label | BIS | | Orig Year | 10/29/2002 | | All Time Sales Rank |  26503  | | CD Universe Part number | 5349072 | | Discs | 1 | | Release Date | Oct 08, 2002 | | Recording Time | 1 6 |
Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite Review
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Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite Songs Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite Music Composers on Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite CD : Richard Yardumian Conductors on Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite CD : Lan Shui Genres on Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite CD : Suite, Symphony Performers on Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite CD : Nancy Maultsby Purchase Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite To buy, Click on price to add to cart | Ornette Coleman Beauty Is A Rare Thing: The Complete Atlantic Recordings CDs (1993) Box Set
Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite
 $77.45 
Digitally remastered by Stephen Innocenzi (1993, Atlantic Studios, New York).
All songs written by Ornette Coleman except "Embraceable You" (George Gershwin/Ira Gershwin), "Abstraction" and "Variants On A Theme Of Thelonius Monk" (Gunther Schuller).
BEAUTY IS A RARE THING was nominated for Best Album Notes in the 37th Annual Grammy Awards.
BEAUTY IS A RARE THING contains Ornette Coleman's entire surviving recorded output for the Atlantic label from 1959-1961 (a number of other sessions were recorded, but they were destroyed, along with countless other priceless Atlantic masters, in their infamous warehouse fire of the mid-1970s.) BEAUTY IS A RARE THING features over seven hours of music, six previously unreleased tracks, and contains a booklet of photos, a discography and contemporary commentaries by Ornette Coleman and a host of supporters and detractors.
This epic 6-CD set chronicles the joy and controversy that distinguished alto saxophonist Ornette Coleman's coming out party on Atlantic Records. Coleman was a transplanted Texan, a jazzman steeped in the blues, who struggled throughout the '50s on the Los Angeles scene just to find people to play with--let alone to accept his very personal sense of pitch and form. A prodigious composer, Coleman had accumulated hundreds of tunes by the time he made his first two albums for Contemporary, and began recording for Atlantic in 1959 with THE SHAPE OF JAZZ TO COME.
As a result, this music seems suspended in time and space between epochs: casting fond backwards glances at breakthroughs of bebop ("Chronology," "Congeniality," and "Blues Connotation"), even as it foretold a more intuitive style of expression in which ...
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Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite
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This opera in four acts is based on a story written by Nikolai S. Leskov in ...
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Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite
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THE INTIMATE ART PEPPER features material originally recorded during sessions in 1979 for the albums SO IN LOVE and NEW YORK ALBUM.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Includes liner notes by Laurie Pepper.
Digitally ...
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Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite
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Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite
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Track Listing of songs: Violin Concerto No. 2 In B Minor, Op. 32: I. Allegro Maestoso; Violin Concerto No. 2 In B Minor, Op. 32: Ii. Andantino; Violin Concerto No. 2 In B Minor, Op. 32: Iii. Rondo Russe: Allegretto; Violin Concerto No. 3 In E Minor, Op. 44: I. Moderato; Violin Concerto No. 3 In E Minor, Op. 44: Ii. Adagio; Violin Concerto No. 3 In E Minor, Op. 44: Iii. Rondo: Allegretto; Violin Concerto No. 5 In D Major, Op. 55: I. Allegro Moderato; Violin Concerto No. 5 In D Major, Op. 55: Ii. Adagio; Violin Concerto No. 5 In D Major, Op. 55: Iii. Allegro; Violin Concerto No. 2 in B ...
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Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite
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Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite
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Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite
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Previn
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Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite
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This late 1968 release seemed innocent enough at the time; and actually, it was a sincere effort to use a then newly-practical interpretive instrument, the Moog synthesizer, in a decidedly traditional musical manner. Indeed, at the time, it was simply extending -- in a somewhat more forward-thinking direction -- the kind of attention that had been devoted to Johann Sebastian Bach's music as early as 1782, barely over 30 years after the composer's death, when Mozart wrote a set of string trio arrangements of some of Bach's keyboard works. Heard 40 years on, the approach here seems very tame and formal, but in 1968 it offended some Baroque purists (of whom there were relatively few) and a lot of classical music Luddites (of whom there were a lot more); but it still became the first classical music LP ever to be certified for a Platinum Record Award, by selling to hundreds of thousands of mostly younger listeners who didn't normally buy classical recordings. Wendy Carlos had come up with an artistically valid and musically legitimate approach to the most tradition-bound of all classical music that made it not only palatable but exciting to a generation of listeners more inclined toward the Beatles than Beethoven (much less Bach). Carlos' use of the Moog's oscillations, squeaks, drones, chirps, and other sounds was highly musical in ways that ordinary listeners could appreciate, itself a first in the use of this instrument, and was characterized by -- for the time -- amazing sensitivity and finely wrought nuances, in timbre, tone, and expressiveness. Carlos saw the Moog voice as valid on its own terms, which may be one reason why this album still stands out today, when compared with some of the more flamboyant work that followed from others, such as Isao Tomita -- everything here is musical, with no sound effects to speak of until near the finale (and even that is restrained); and the Moog is working in its own "voice," rather than overtly imitating other, non-electronic instruments. On the downside of the ledger in the eyes of many serious listeners, this record and its success were also to "blame" for any number of excesses by Emerson, Lake & Palmer, Rick Wakeman (especially The Six Wives of Henry VIII which, to be fair, was his best album), Tomita and others, ...
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Richard Yardumian: Symphony No. 2; Violin Concerto; Armenian Suite
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Live Recording
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Track Listing of songs: El vals de las flores de el cascanueces; Danuvio Azul; Voces de Primavera; ...
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