| | Christopher Lawrence Exposure IV CD Christopher Lawrence Discography of CDs
 (1 Customer Review)
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Our Price: $14.49  CDFor Sale Usually ships in 1-2 days
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This is a continuous in-the-mix CD compiled and mixed by Christopher Lawrence.
Photographer: Kate Garner.
Arrangers: Ben Keen; Johnson Bell; Pablo Gargano. Christopher Lawrence Exposure IV Songs | 1. | Nightstalker |
| 2. | Bent Revolution |
| 3. | Sign of the Sun |
| 4. | Bohemian Groove |
| 5. | Outbreak |
| 6. | Expander |
| 7. | Eminority |
| 8. | Revolution, The |
| 9. | Touch the Lazer |
| 10. | Pray - (TRUE instrumental) |
| 11. | Mxm Overdrive - (1st Mix) |
| 12. | Forever |
| 13. | Weekender - (Chill Mix) |
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Purchase Exposure IV CD To buy, Click on price to add to cart | Christopher Lawrence All Or Nothing CD (2004)
Exposure IV album
 $14.29 
Christopher Lawrence is a globetrotting house DJ whose singles and mix albums have achieved significant success in the U.K. and who is in constant demand as a touring artist and party DJ, but who, until this release, had yet to release an album of his own compositions. All or Nothing marks his debut as a purveyor of original trance music, and if he ...
| | Various Artists Amnesia Ibiza 2006 Essential CDs (2006)
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| | Armada At Ibiza CDs (2006)
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| | Anjunabeats Worldwide, Vol. 1 CDs (2007)
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| | DJ Masters Unmixed V12 CDs (2007) (Import) Boxed Set
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| | Marco V Combi:Nations 3 CD (2007) (Import)
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| | Boss Hog Whiteout CD (2000)
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| | Rig Rock Deluxe: A Musical Salute To The American Truck Drivers CD (1996)
Exposure IV songs
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Includes liner notes by Holly George-Warren and Jeremy Tepper.
The advantage Rig Rock Deluxe has over other tribute albums is that, for the most part, we either don't know the original versions of these songs, or they're new. That, combined with the genuine fun most of these artists seem to be having, makes Rig Rock Deluxe a hoot. Don Walser kicks things off inimitably with "Truck Driving Man." He's a tough act to follow, but artists including (but not limited to) Buck Owens, Red Simpson, Junior Brown, Shaver, Steve Earle, Son Volt, and the Bottle Rockets do their caffeinated best. Only a couple of songs don't make the grade: Kelly Willis' "Truckstop Girl" for not using a pocka-chicka backbeat and Nick Lowe's "I'm Coming Home" for being recorded in Stockholm. The whole shebang winds up with Dale Watson, Rosie Flores, Wayne Hancock, Toni Price, Kim Richey and many others performing as Rig Rock Deluxe on "Six Days on the Road." Makes for a great ride. ~ Brian Briscoe
A Musical Salute To The Ameri- Can Truck
Producers include: Buck Owens, Kelly Willis, Eric "Roscoe" Ambel.
Personnel: Junior Brown (vocals, guitar, steel guitar); Dan Baird, Eric Ambel, Nick Lowe, Steve Earle, Brian Henneman (vocals, guitar); Gary Bennett, Jay Farrar, Buck Owens (vocals, acoustic guitar); Terry Christoffersen (vocals, electric guitar, dobro, banjo); Chuck Mead, Dave Boquist, Bill Kirchen (vocals, electric guitar); Hawk Shaw Wilson, ...
| | Mike Mainieri Man Behind Bars CD (1999)
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| | Landslide Drum & Bossa CD (2001)
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What would normally be another in a line of bored junglists ...
| | Drowning Pool Sinner CD (2001)
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| | Showaddywaddy Arista Singles Vol. 1 CD (2002) (Import) United Kingdom
Exposure IV songs
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Although Showaddywaddy's best-remembered hits were on the Bell label, some of their biggest were scored with Arista following the latter's absorption of its glam-era cousin in 1976. That was the year in which Showaddywaddy took "Under the Moon of Love" to number one in Britain; The Arista Singles, Vol. 1 opens with the follow-up to that particular monster, March 1977's cover of the Kalin Twins' "When," then follows through with "You Got What It Takes," "Dancin' Party," "I Wonder Why," and "A Little Bit of Soap," before it even sniffs a song that didn't make the British Top Five. That was 1979's "Remember When," whose number 17 peak marked the end of Showaddywaddy's period of absolute domination. But the group kept on going regardless, with their '80s output covered by volume two of this release. Interspersed with the nine A-sides included here, of course, are their respective B-sides, many of which have never previously appeared on CD, and all of which are band compositions. And it is among these that the true joys of this collection will be found. Despite a white-hot start, Showaddywaddy's faith in the ability of their own material to hit the charts was subverted by more retro tendencies very early on, and, while their taste in covers ...
| | Gaz Mayall Presents: Top Ska! CDs (2004) Remastered
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| | Electro Goth Tribute To Prince CD (2005) (Import) United Kingdom
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| | Idlewild Make Another World CD (2007)
Exposure IV music CDs
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Though not as successful in the U.K. as preceding albums, 2007's MAKE ANOTHER WORLD is one of Idlewild's strongest outings. Bristling with immediacy, the record is easily the Scottish alternative-rock ensemble's heaviest offering, as evinced on the driving rhythms and barbed guitar parts of "If It Takes You Home" and "A Ghost in the Arcade."
Once again working with producer Dave Eringa, Idlewild offer what is perhaps their most accessible, radio-friendly album their fifth time out. While their previous effort Warnings/Promises had its moments, it was burdened by a certain inert sludginess and anemic pacing. Make Another World clears the air from the get-go with a chugging trio of rockers "In Competition for the Worst Time," "Everything (As It Moves)," and "No Emotion." All three of these tracks would be first-rate choices for singles, but the entire album seems ripe for the plucking. Frontman Roddy Woomble's jones for R.E.M. crops up repeatedly, particularly in the title track with its heavy Green-era influences, in the chime and jangle of "Future Works," and "Once in Your Life," which is a melodic dead-ringer for Michael Stipe and company's "Country Feedback." Mining late-'80s and early-'90s R.E.M. is definitely not a bad thing, as Woomble's accent sits nicely amid the R.E.M.-isms. Just to make it clear that Idlewild is back to its rocking roots, the album even closes with its quickest song; one where Woomble's affects his greatest-ever Stipe impersonation in its chorus. Some criticism could be leveled at Eringa's gruff, aggressive production, which frequently piles on too many guitar effects ...
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