| | Walter Brown 1947-1951 CD - Import Walter Brown Discography of CDs
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Our Price: $14.55 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Blues singer Walter Brown had a vocal delivery somewhere between Rubberlegs Williams and Joe Turner. Although his alcoholism and addiction to both narcotics and amphetamines resulted in a break with Jay McShann in 1943, by 1947 Brown was back in the recording studio accompanied by the Jay McShann Quartet -- with Seeward Evans on tenor sax, bassist Percy Gabriel, and legendary Kansas City drummer Jesse Price -- waxing four sides for the Mercury label in Houston, TX. Interestingly, Brown's comparatively sensitive voicings on "Just Thinkin'" sound a lot like McShann's own beautiful vocal style that was destined to flourish decades later. Brown's next four sessions took place in Kansas City, where Dave Dexter of Capitol Records sought to cash in on the developing demand for blues-based dance music. Eight sides recorded in April of 1949 feature tasty solos by tenor saxophonist Freddy Culliver and smooth lines from Jimmy Walker's electric guitar. Incredibly, both the humorous "Work Don't Bother Me" and the Wynonie Harris-styled "Play the Blues" were rejected by Capitol. "Supressin' the Blues" is a sequel to Brown's original hit of 1941, "Confessin' the Blues," on the heels of a second version recorded for Queen Records in 1946. The plot thickens as Brown's next recording date -- Halloween 1949 -- found him backed by Jay McShann's Kaycee Stompers, with John Jackson blowing alto sax, Harold Ashby on tenor, and Bob Williams holding down the baritone. This is great R&B-inflected jazz, full of Walter Brown's own brand of musical mustard and vinegar. McShann stuck with Brown right through to the end of this singer's rocky recording career. The pianist anchored a quintet on Brown's last date for Capitol -- November 1, 1949 -- with the formidable tenor saxophonist Ben Webster strutting his stuff. Walter Brown's last two recordings were made in Houston sometime during the year 1951 and issued on the Peacock label. There are plenty of anecdotes about this singer's turbulent life after he stopped making records, including getting busted in New Orleans with a sizeable load of reefer in his station wagon, and later running his own nightclub in Lawton, OK. Walter Brown passed away in June of 1956, just weeks short of his 40th birthday, a victim of alcohol, heroin, and Benzedrine. ~ arwulf arwulf 1947-1951 Review
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$10.65 One can certainly point to the high-profile guest stars who are heard on the debut album of journeyman guitarist Brad Davis, and a sticker on the shrink wrap of the CD does just that, noting the presence of Earl Scruggs (banjo on "The Clock Strikes Twice"), Tommy Shaw of Styx (vocals on "Tell Me Son"), Sam Bush (mandolin on "Old Number Nine"), and actor/singer Billy Bob Thornton (vocals on "Tell Me Son"), among others. But the guest shots give a false impression of the contents of the album, which is a solo tour de force by Davis, who overdubs several instruments on most tracks, playing guitar, mandolin, bass, drums, and percussion in addition to singing lead vocals and handling all the technical aspects of producing, engineering, mixing, and even mastering, having written or co-written all the tracks except the traditional "Rank Stranger." Davis' prominent guests are also his employers; he has served as lead guitarist for the likes of Scruggs, Thornton, and Bush, not to mention a longstanding association with Marty Stuart. And it is Davis' acoustic guitar-picking that stands out on many of these tracks, which reveals a distinctive instrumental style on his part, but one steeped in country and bluegrass tradition. Davis' songs border on the generic, but they serve as good platforms for him to pick, either with himself or one or more of his guests. He may not be ready to join his friends as a frontman quite yet, but I'm Not Gonna Let My Blues Bring ...
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