| | Brent Barrett Alan Jay Lerner Album CD Brent Barrett Discography of CDs
Broadway Tenor Pays Tribute To Lerner. Guest:Lauren Bacall.
Personnel includes: Brent Barrett, Lauren Bacall, Tami Tappan.
Includes liner notes by Barry Kleinbort.
Alan Jay Lerner Album Music Brent Barrett Alan Jay Lerner Album Songs | 1. | Come Back to Me - (from "On A Clear Day You Can See Forever") |
| 2. | In the Broken Promised Land of Fifteen - (from "Lolita, My Love") |
| 3. | They Call the Wind Maria - (from "Paint Your Wagon") |
| 4. | I've Grown Accustomed to Her Face - (from "My Fair Lady") |
| 5. | Headin' For New Orleans - (from "Huckleberry Finn") |
| 6. | Green up Time - (from "Love Life") |
| 7. | You Haven't Changed / I Remember It Well (from "The Day Before Spring") - (featuring Lauren Bacall) |
| 8. | Economics - (from "Love Life") |
| 9. | She Wasn't You - (from "On A Clear Day You Can See Forever") |
| 10. | I Left My Hat in Haiti - (from "Royal Wedding") |
| 11. | Too Late Now - (from "Royal Wedding", featuring Tami Tappan) |
| 12. | My Last Love / Let's Go Home (from "What's Up?/Coco") |
| 13. | There's Always One You Can't Forget - (from "Dance A Little Closer") |
| 14. | Anyone Who Loves - (from "Dance A Little Closer") |
| 15. | Tell Me, Tell Me - (from "Lolita, My Love") |
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Alan Jay Lerner Album Review
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A 3 piece fairly heavy rock band from the 70's highly acclaimed as one of the best live acts in the UK at this time. The 1st album "Rush" originally released on Chrysalis in 1975 featuring the epic 12 minute title track is still selling today to all ages.Their next release was a maxi single with the classic track "School" as the title, sadly only available on collecters sites, but will be on a new album of previously unreleased tracks shortly. "Back To Thunder" was the 2nd and last album originally released on "Gull Records" in 1978 and features the bass solo track "Red Sun" from Gordon Rowley who was once voted the 2nd best Bass player in the world. If you like high energy music totally unique, give this lot a listen. AND NOW!at last after 30 years!! a "live" album is available of a complete set played in 1976 at the Nottingham Boat Club. The cd is totally as it was on the night, no overdubs, no autotune "NOTHING" I dare you to listen to the final track "RUSH" you won't believe just 3 guys can do this!REVIEW OF BACK TO THUNDER!The below sample is taken from www.mrbluestrain.comIt was the cover of this album which caught my interest in the first place. I thought it was cool and interesting and I assumed that this was no ordinary pop album. This happened back in the good old days when you got a chance to listen to the music before you bought it. Not a practice all that common nowadays, but things seems to get a little better in some shops.The back of the cover listed only three musicians (with a keyboard player on a few tracks), so I was hoping for some really heavy guitar freak-out here when I asked for a quick listen. I was both right and wrong. It was absolutely guitar-driven, but far from the expression of Cream, Robin Trower or Rory Gallagher that I was hoping for. But it’s a classic anyway in my humble opinion ! I’ll try to explain why.A rasping, scratchy guitar starts “Shockproof” with a fast repeating riff which makes your boogie feet itch. John Reid is the man behind all the guitars on the album and, believe me, he’s busy here! And he takes care of all the lead vocals as well. He got a very pleasant voice, light and smooth but with the necessary power needed to cope with the music. A busy man is also the drummer David Williams, he pounds along with Gordon Rowley’s and keeping the track tight and meaty. A few bars with fat boogie is thrown in for good measure before John Reid lays on more guitars on top of the raspy riff who runs all the way through the track. I liked this track immediately, but when I heard the follower, “Let Me Down”, I was completely sold! Some fragile soft chords from John’s guitar starts the ball before a fat, bluesy guitar tops the easy riff in the background. And the bass of Gordon is far more at present here, heavy and slightly distorted. It’s powerful and full of hooks that sticks to your brain. A killer ! Much of the same is to said about “Feel So Good”, a short fast snappy tune, but with a tough wah-wah solo, which was very typical seventies. Goodie! Don Airey is no novice when it comes to the art of keyboard ...
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