Petey Pablo Still Writing In My Diary: 2nd Entry CD

Guests:Tq,Baby,Timbaland,Bubba Sparxxx

Personnel includes: Petey Pablo, TQ, Baby AKA The #1 Stunna, Bubba Sparxxx, Missy Elliott, Young Buck.
Producers include: Timbaland, Mannie Fresh, Scott Storch, Kanye West.
Personnel includes: Petey Pablo, TQ, Baby AKA The #1 Stunna, Bubba Sparxxx, Missy Elliott, Young Buck.
Producers include: Timbaland, Mannie Fresh, Scott Storch, Kanye West.
Personnel: Petey Pablo (rap vocals).
Additional personnel: Missy Elliott, Young Buck, Baby, Bubba Sparxxx (rap vocals).
During the nearly three-year interval separating Still Writing in My Diary: 2nd Entry from its predecessor, no one quite knew what would come of Petey Pablo. He had come out of the gate in 2001 with one of the year's most memorable summer anthems, "Raise Up." That Timbaland production made Pablo an overnight celebrity, even before the release of his debut album, Diary of a Sinner: 1st Entry. And that was it -- the album didn't spin off any sizable follow-up singles and fizzled quickly once "Raise Up" faded away by wintertime. It didn't help, either, that Pablo made very few guest appearances thereafter. So when Jive finally scheduled his sophomore album, Still Writing in My Diary, for the holiday season of 2002 -- and then pushed back the release date indefinitely -- the North Carolina rapper's future didn't look so bright. Jive finally did release the album in spring 2004, however, and the wait was ultimately worthwhile, for Still Writing in My Diary is a strong album that banished the one-hit wonder albatross that had hovered over Pablo since his breakout success three years earlier. The 70-minute album jumps off with front-loaded highlights (the sexually explicit lead single, "Freek-A-Leek"), hits its stride with a relatively daring midsection (some out-there Timbaland productions), and is capped off with a three-song finale of earnestness ("Roll Off," "Be Country," "He Spoke to Me"). Many of the highlights had been outsourced to select hitmakers: Mannie Fresh ("Did You Miss Me"), Lil Jon ("Jam Y'All," "Freek-A-Leek," "U Don't Want Dat"), Timbaland ("Get On Dis Motorcycle," "Break Me Off"), and Kanye West ("I Swear"). The remainder of the album is less hit-songy but not necessarily less appealing -- the less commercial the song, generally the more sincere its lyrical content and the more unique its production. Pablo even produces a few tracks himself ("Let's Roc," "Stick 'Em Up"). 2nd Entry overall is a surefooted step forward from Pablo's first go-round and should elevate the promising rapper to the status he deserves -- among the South's leading MCs, that is, commercially as well as artistically. ~ Jason Birchmeier
In 2001, Petey Pablo was all over the radio with "Raise Up," which sported a memorable call to take off one's shirt and spin it around like a helicopter. Well into STILL WRITING IN MY DIARY, the proud North Carolina native emphatically crows "one-hit wonder, hell no," and the rest of his second effort backs up that statement. To this end, the relentless, dance-floor stomping "Freak-a-Leek" (featuring Lil Jon) guarantees at least a second hit.
The rest of the record reveals an artist still capable of keeping a party going, but also one who's matured greatly in the three years since his initial album. He's a brash rapper, capable of holding his own next to some of the best in the game, from Young Buck on the fierce "O It's On" to Bubba Sparxxx on the more lighthearted "Get On Dis Motorcycle" to Missy Elliott on the sensual "Break Me Off." At track 13, Pablo abruptly halts the party to expose a more contemplative side on the last four cuts, and it works. STILL WRITING IN MY DIARY unveils a more prismatic Petey Pablo, a rapper capable of both introspective songs and party anthems.
In 2001, Petey Pablo was all over the radio with "Raise Up," which sported a memorable call to take off one's shirt and spin it around like a helicopter. Well into STILL WRITING IN MY DIARY, the proud North CarolinaRolling Stone (4/1/04, p.88) - 3 stars out of 5 - "Pablo traffics in high volume braggadocio and humorously crass sex raps."