| | Endless Struggle Till The End CD Endless Struggle Discography of CDs
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Punk as anthemic as it is authentic, Endless Struggle preaches to the clothespin-and-mohawk set with a baker's dozen songs that are heavy on riffs and the usual scene dogma. That the group strives to make a difference so earnestly and energetically makes it seem beside the point that the Salt Lake City troupe shows so little difference from those who inspired them, one of whom -- G.B.H. -- gets extra flattery by the way of a hidden bonus-track cover of "City Baby's Revenge" that, to the surprise of no one, deviates little from the original, if at all. ~ Brian O'Neill
2nd Rel;From Salt Lake City
Endless Struggle: Magoo, Bobby, Spence, T-Roy, Jesse.
Endless Struggle Till The End Songs Till The End Review
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Track Listing of songs: DISC 1: JANUARY 17, 1970 FIRST SHOW: Start Of Show; Roadhouse Blues; Ship Of Fools; Break On Through; Tuning/Breather; Peace Frog; Blue Sunday; Alabama Song; Back Door Man; Love Hides; Five To One; Tuning/Breather; Who Do You Love; Little Red Rooser; Money; Tuning/Breather; Light My Fire; More, More, More; Soul Kitchen; End Of Show; DISC 2: JANUARY 17, 1970 SECOND SHOW: Start Show 2; Jim "How Ya Doing?"; Roadhouse Blues; Break On Through (To The Other Side); Ship Of Fools; Crawling King Snake; Alabama Song; Back Door Man; Five To One; Pretty Neat, Pretty Good; Build Me A Woman; Tuning/Breather; Who Do You Love; Tuning/Breather; Wild Child; Cheering/Tuning; When The Music's Over; DISC 3: JANUARY 17, 1970 SECOND SHOW CONTINUED: Tuning/Breather; Light My Fire; Hey, Mr. Light Man!; Soul Kitchen; Jim's Fish Joke; End, The; End Of Show; DISC 4: JANUARY 18, ...
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When Anthrax released AMONG THE LIVING in 1987, the band was a part of a then-burgeoning heavy metal sub-genre called speed or thrash metal. This was an inversion of glam metal. The band members wore worn-out jeans and T-shirts, their long hair was hairspray-free, and not a smudge of make-up was applied to their unsightly mugs. Their music was dense, borrowing speed from punk and hardcore and mammoth guitar riffing from metal, and featured ...
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If there was any flaw with Brandi Carlile's second album, THE STORY, ...
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| | Robert Van Heumen Fury CD (2008)
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Fury is about the primitive in man. The hidden part of us that we try very hard to suppress or control, that boils within us and breaks through the surface only under extreme circumstances. In the current state of the world, our minds are constantly overloaded with information, all the time trying to deal with others around us and our relationships with these people. We try to communicate with them, to convey our inner world, but we fail to really make contact. Frustration and anger can surface unexpectedly and uncontrollably, with devastating effects. Sometimes the fog can clear up and we experience beauty, a hint of something good. The texts researched are about Dust Bowl migrants living in Farm Security Administration camps in central California (1940-1941). Many Americans fled the Great Plains (Oklahoma, Texas, Arkansas, Missouri) looking for work and a better economical and ecological environment. These texts were chosen because they breathe a different era, before the world became seemingly 'civilized'. The musical voice of the woman who talks about clashes of colonists with indians in an earlier time, is not only beautiful and soothing but sends shivers down my spine. Robert van Heumen is working with electronic, experimental, improvised and composed music, music-theater and sound art. Recent works include 5.1 surround compositions '12 Bullets' and 'Fury (after anger)', music for the choreography Drink Me by Anouk van Dijk, and the audio-visual sound art piece Solitude (with multi-media artist Arnoud Noordegraaf) based on a book by Paul Auster. As a musician he uses STEIM's live sampling software LiSa and real-time audio-synthesis and algorithmic composition software SuperCollider. He is active as a member of the electro-acoustic sextet OfficeR (with Koen Nutters cs.), electronic audio-visual trio SKIF++ (with Jeff Carey & Bas van Koolwijk), scratchband RKS (with Keir Neuringer & dj sniff), Shackle (working with Anne LaBerge on restriction), founding member of the N Collective, and has shared the stage with Tom Tlalim, dj sniff (Takuro Mizuta Lippit), Michel Waisvisz, Richard Barrett, Oguz Buyukberber, Luc Houtkamp, Guy Harries, Morten J. Olsen, Daniel Schorno, Roddy Schrock, Audrey Chen and Nate Wooley. His soundworld is a mixture of digital crackles, environmental sounds, voices, sounds from kitchen appliances, half of the time smashed beyond repair. Next to all of this he is Managing Director of the STEIM foundation in Amsterdam, curator of the Local Stop concert series and member of STEIM's Artistic Committee. In a previous life he was a mathematician, trumpet player and software programmer. He still reads L.E.J. Brouwer.Reviews'Fury' is the first real CD by Robert van Heumen, a name that may not ring an immediate bell (perhaps, who knows), but who is an active ...
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