| | Tangerine Dream Zeit CD - Import Tangerine Dream Discography of CDs
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Digitally remastered by Thomas Heimann-Trosien (Eastgate Studios, Vienna, Austria 1995).
On its first two albums, pioneering electronic Krautrock group Tangerine Dream made clear its intention to use SAUCERFUL OF SECRETS-era Pink Floyd as a jumping-off point for the band's cosmic explorations. While T. Dream was never anyone's idea of a rock band, the first two albums do feature electric guitar and drums used prominently in a way that at least tips its hat to the rock aesthetic. On ZEIT, the group moves definitively away from rock trappings into purely atmospheric, improvised electronics, creating soundscapes alternately ambient and avant-garde.
A key factor in this process was the solidification of the personnel. Synthesist Peter Baumann completed the trio lineup that would remain intact for the next five years and create the bulk of what's regarded as the group's classic work. For most of ZEIT, conventional melody and harmony are abandoned completely in favor of pure electronic textures. Things build slowly as waves of analog synth and heavily processed guitar ebb and flow in these largely rhythmless arrangements. Occasional melodic colors do appear in the form of a cello quartet, and the subtly elegant majesty of the group's constantly mutating sonic paintings makes ZEIT sound like the soundtrack to an odd-but-memorable dream.
Quintessential 1972 Krautrock album repackaged, remastered from original tapes and packaged with slipcase and insightful sleeve notes. Part of an ongoing reissue program. Castle.
U.K. reissue.
Recorded at Dierks Studios, Cologne, Germany in 1972. Includes liner notes by Paul Russell.
Liner Note Author: Paul Russell.
Tangerine Dream: Edgar Froese, Chris Franke, Peter Baumann.
Additional personnel: Steve Schroyder (organ); Florian Fricke (Moog synthesizer); The Cologne Cello Quartett.
Uncut (2/03, p.91) - 5 stars out of 5 - "...Gothic liturgies of mellotron and synthesized abstraction..." Mojo (Publisher) (6/96, p.112) - "...In an age when synthesisers were not yet polyphonic, a passing cello section provides the textures that dominate the opening seven minutes....[ZEIT is] icy, meditative calm..." Tangerine Dream Zeit Songs Purchase Zeit CD To buy, Click on price to add to cart | Steve Miller Children Of The Future CD (1968)
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| | Tangerine Dream Atem CD (1973) Import; Remastered; Reissued
Zeit music CDs
$13.95 Digitally remastered by Thomas Heimann-Trosien (1995 Eastgate Studios, Vienna, Austria).
ATEM is a 1973 release by German space rockers Tangerine Dream, featuring "Circulation of Events."
Pioneers in the use of synthesizers within a rock format, Tangerine Dream have, since the late-1960s, inspired generations of electronic artists to experiment with subtly evolving ambiences and expansive sonic landscapes. TD's music signaled a sea change in `70s psychedelia from outward-bound blues-based rock experimentation, to the inner-space explorations of ambient electronica. ATEM, released in 1973, marks ...
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Zeit songs
$11.79 The second album by electronic innovators Tangerine Dream is often credited as the first to be called "space music." Heavily influenced by 1960s psychedelia on its debut album, ELECTRONIC MEDITATION (1970), Tangerine Dream quickly distinguished itself as an ensemble that took great pains to create interesting ...
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Zeit music CDs
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| | Les Claypool Live Frogs: Set 1 CD (2001)
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$10.95 Taking a welcome break from Primus, this Les Claypool side project finds him reunited with Sausage bandmates and original Primus members Todd Huth (guitars) and Jay Lane (drums), but this time they've brought a few friends along for the ride. Keyboardist Jeff Chimenti, who's also in Ratdog with Lane, has played with jazz legends like Pharoah Sanders and James Moody; saxophonist Skerik has played with New Orleans funksters Galactic and world music experimentalists Tuatara; and guitarist Eenor was chosen by Claypool from submissions he received from musicians around the Bay Area after placing an ad in the paper. Together, they tackle an hour-long, seven-song set that's long on prog rock-style jamming and short on "Jerry Was a Racecar Driver"-like accessibility. As if to reinforce the prog connection, the group's live debut opens with a 14-minute cover of King Crimson's "Thela Hun Ginjeet" and closes with a 12-minute version of Pink Floyd's "Shine on You Crazy Diamond." The five songs sandwiched in between ...
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| | Anders Osborne Bury The Hatchet CD (2002)
Zeit music CDs
$14.75 Swedish-born Anders Osborne has made the city of New Orleans his own, immersing himself in its idiosyncratic ways. Certainly one of the most unique subcultures in the city is that of the Mardi Gras Indians. Osborne has teamed up with one of the best-known Mardi Gras Indians of them all, Monk Boudreaux, to create this CD with its appropriate title of Bury the Hatchet. The songs on the album are a mixture of Mardi Gras Indian tunes and Osborne originals. The recording starts right in with Boudreaux announcing, "I Am the Big Chief," which, of course, he is. Formerly performing with longtime friend Bo ...
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| | Miles Davis Someday My Prince Will Come CD (1961) (Import) Japan; Mini LP Sleeve
Zeit CD music
$29.79 Digitally remastered by Teo Macero (CBS Records Studio, New York).
Recorded shortly after the blistering IN PERSON, FRIDAY/SATURDAY NIGHT AT THE BLACKHAWK, SAN FRANCISCO, VOLUMES 1 & 2 (but released first), SOMEDAY MY PRINCE WILL COME captures Miles Davis and his second great rhythm section at the peak of their collective interplay. By March 1961, the rhythm team of Wynton Kelly, Paul Chambers and Jimmy Cobb had attained a finger snapping level of relaxation and swing that was equal parts grits and grace (check out their soulful blues vamp on "Pfrancing"). They had become so attuned to each other during their tenure with Miles that they left in tandem to form the Wynton Kelly Trio--forcing Miles to search for new conscripts, precipitating his boldest period of exploration.
Miles' had a penchant for turning offbeat standards and show tunes into personal jazz classics, and certainly few songs have come to be as closely identified with an artist ...
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