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Edward Simon Trio - Process CD Cover Art
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Edward Simon Trio Process CD - Import

 Edward Simon Trio Discography of CDs

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Channeling the linear rhythmmic energy of Bud Powell and Thelonious Monk, the reflective harmonic spirit of Keith Jarrett and Bill Evans, and the romantic spirit of Latin music, pianist Edward Simon presents a comprehensive portrait of his unique musical

Personnel: Edward Simon (piano); John Patiticci (bass); Eric Harland (drums).
Recorded at Systems Two, Brooklyn, New York on June 3, 2002.
Personnel: Edward Simon (piano); Eric Harland (drums).
Liner Note Author: Ted Panken.
Recording information: Systems Two Recording Studios, Brooklyn, NY (06/03/2002).
Photographer: Gildas Boclé.

Process Music


Detailed Process Music Information



List Price $18.99 (You save $2.60)
Category Rock/Pop Albums, Jazz Instrument CDs, Piano, Jazz
Label Criss Cross
All Time Sales Rank   86330  
CD Universe Part number 5438352
Catalog number 1229
Discs 1
Release Date Jan 28, 2003
Mono/Stereo Stereo
Additional Info Netherlands
Edward Simon Trio Process Songs


Edward Simon Trio Process Album Track Listing



1.Navigator
2.Calabria
3.Process
4.Azules
5.Woody'n You
6.Reprocess
7.Tonada Del Cabrestero
8.I'm In The Mood For Love
9.Azules Reprise
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In late 1957, jazz saxophonist, clarinetist, composer, and iconoclast Jimmy Giuffre broke up the original Jimmy Giuffre 3 with Ralph Pena and Jim Hall. In early 1958, for a recording session, he formed a new trio without a rhythm section. For the album Trav'lin' Light, his new trio included Hall on guitar and the underrated trombone giant Bob Brookmeyer. For a year, they gigged together up and down the West Coast and played summer festivals, recorded, and even played clubs in New York. They became a trio of adventurous musicians for whom form was not an obstacle to creativity. As the year wound down, Giuffre wanted to document the trio once more, sensing its life was coming to an end. He composed the four-movement "Western Suite" with the trio's strengths in mind, as a way of documenting how they had come together as a band during that year. The piece itself stands as a crowning achievement in a career that included discovering the talents of Steve Swallow and Paul Bley and making ...

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2 LPs on 1 CD: RUMBLE (1988) / GUITAR TROUBLE (1990).
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In 2007, American Beat paired Tommy Conwell & the Young Rumblers' two major-label albums -- 1988's Rumble and its 1990 follow-up, Guitar Trouble -- as a two-fer. Most bar bands aren't fortunate enough to cut one great song, but Tommy Conwell & the Young Rumblers pulled off a killer with "I'm Not Your Man," the first song and single on Rumble. It's a lean, mean slice of attitude and raunch, sanded somewhat by the major-label production they received -- the kind that was applied to any major-label act at the tail end of the '80s. Arriving in the big leagues just when Stevie Ray Vaughan was turning into a superstar, Conwell & the Young Rumblers were give perhaps a bit more polish than they really deserved -- enough to slide them onto the AOR charts but not enough to remove that growling East Coast attitude that gives Rumble enduring appeal even when the sound of the record feels a bit slick, a bit like a rejected campaign for Miller Light because Eric Clapton had a sudden crisis of conscience after "After Midnight." Where Conwell stumbles on Rumble is when he guns for anthems pitched halfway between John Mellencamp and John Cafferty, as when the first side screeches to a halt on "Love's on Fire." Conwell gets things twisting again almost immediately with the clever boogie "Workout," which is pitched much closer to his comfort zone of revved-up old-time rock & roll, performed with more wit, swagger, and verve than George Thorogood. Rumble doesn't hit that target quite as often as you'd like, but almost all of the misses feel like concessions to get Conwell & the Young Rumblers on the radio, whether it's the stiff, sequenced production -- not enough to kill a shuffle like "Everything They Say Is True" but enough to hamper it -- or those wannabe crossovers. But, as post-SRV crossover productions go, this has some life in it and it's never enough to erase the power of the album's best songs -- the urgent "Half a Heart" (their best stab at Springsteen); the tightly wound Bo Diddley rocker "Tell Me What You Want Me to Be"; the nasty boogie "Walkin' on the Water"; and "I'm Not Your Man," which is as great a roots rocker as the late '80s produced, and reason enough for the group to get its shot at the big time.
It's clear that Tommy Conwell & the Young Rumblers were given a bigger budget on his second album, 1990's Guitar Trouble, a record that has ...

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