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Cuban popular music flows in the veins of Amadito Valdés (nominated to 2003 Grammy), who could find in his own father-of the same name-and Walfredo de los Reyes, two undeniable masters. Beginning with 1997 he takes part of what to date is known as the project “Buena Vista Social Club” – and the same named record, that merits the Grammy Award (1998)-, also plays in the Afro Cuban All Stars orchestra and the group of the well known piano player Rubén Gonzalez. The personal recording of Amadito Valdés, “Bajando Gervasio (nominated to Grammy 2003)”, is a singular record in many senses; so much that it can convince both experts and neophytes as well, that in the end, the “timbal” inaugurates the perfect melodic harmonic and rhythmic balance with the instrumental universe of the orchestra.
Personnel includes: Amadito Valdes; Carlos Emilio Morales (guitar); David Alfaro, Gliceria Gonzalez (electro-acoustic piano); Jose Antonio Perez, Dagoberto Gonzalez, Luis "Achy" Lang (violin); Orlando "Maraca" Valle (flute); Javier Zalba (clarinet); Raul Guiterrez (tenor saxophone); Yaure Muniz (trumpet); Juan Carlos Marin (trombone); Yaroldi Abreu (African percussion).
Recorded at Egrem Studio, DM Ahora Studio, Habana, Cuba.
BAJANDO GERVASSIO was nominated for the 2004 Grammy Award for Traditional Tropical Latin Album.
Though there's plenty of percussion on this Buena Vista Social Club alum's superlative solo debut, this isn't strictly a percussion album. Rather, it's a session led by Amadito Valdes that serves as a showcase for both Valdes and the talents of Juan De Marcos's Afro-Cuban All-Stars, a group that glides through a succession of mesmerizing songs and instrumentals. These remarkable tunes range from the flute-led danzon of "Gliceria" (which features, improbably and wonderfully, a cello solo), to the uproarious jam "Mamina," with its seemingly effortless groove. Presiding over BAJANDO GERVAISO, Valdes makes every beat count, his playing unforced yet totally commanding and constantly swinging--or, even better, swaying.
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