| | Young M C Stone Cold Rhymin' CD Young M C Discography of CDs
The fresh hip-hop of Young M.C. gave a much-needed dose of happiness to the rap scene on its release in 1989, and it hasn't aged a day since; STONE COLD RHYMIN' includes 13 tracks.
Young MC wasn't given props at the time and he wasn't respected in the years following the release of his debut Stone Cold Rhymin', largely because he worked entirely in the pop-rap/crossover vein. All the same, that's what's great about his debut, since it's exceptionally clever and effective, a wonderful combination of deft rhymes and skillful production. And there's no discounting Matt Dike, Michael Ross, the Dust Brothers, and engineer Mario Caldato, Jr. (the latter two names are members of the Beastie Boys' inner circle), who make this record easily accessible, without a trace of guilt, even if it does sample from familiar sources. And, really, Young MC is a gifted rapper, spinning out rhymes with a deft touch and turning out rhymes much more clever than they should be. Yes, Stone Cold Rhymin' is a product of its time, particularly in its sound and lyrical references, but divorced from the Bush era, it comes off as one of the catchiest, friendliest pop-rap records and it's still an infectious party record years after its release. ~ Stephen Thomas Erlewine
Out of print in the U.S.! Debut release from the Rap/Pop crossover artist who was originally responsible for the initial success of labelmate Tone Loc. Once he had achieved success through Loc's hit singles, Young MC stepped out on his own, creating one of the catchiest, radio-friendly Rap singles ever: 'Bust A Move'. While he was soon overtaken by the next generation of Rap stars, the album is a wonder to behold and is still as infectious as it was when originally released in 1989. Universal.
Personnel: Young M.C. (rap vocals); Crystal Blake (vocals); Flea, Kevin O'Neal (bass); John Dexter Steward, Jr. (drums).
Producers: Matt Dike, Michael Ross, The Dust Brothers, Quincy Jones, Jr.
Stone Cold Rhymin' Review
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Purchase Stone Cold Rhymin' CD To buy, Click on price to add to cart | Shakira She Wolf CD (2009)
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Last time around, Shakira touched upon so many styles she couldn't be contained on one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her inner She Wolf, a wild wacko who's as coo coo as she is carnal. And for as sexy as Shakira is -- crucially, her music is sexy too -- what really gives She Wolf its bite is her inspired nuttiness, how she laments that Matt Damon's not meant for her, and wishes her ex-lover and his new girl a horrible vacation where the room smells and the toilet doesn't flush. "Darling, it is no joke, this is lycanthropy," she sings on the title track with no small trace of humor, and this blend of cheerful weirdness and sick beats -- often supplied by the Neptunes, delivering tough, sensual rhythms in a way they haven't in a long time, but also John Hill and Wyclef Jean -- is giddily addicting, a celebration of all the strange sensuality that comes out at night.
Last time around, Shakira touched upon so many styles she couldn't be contained to one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her ...
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Despite his status as one of hip-hop's most prolific artists, Z-Ro never quite spreads himself too thin. The provocatively titled COCAINE is his second release from 2009, and features his trademark self-aware, yet rapier-sharp lyrics over some of the hotter beats out of the fertile Houston scene. The Intro skilfully sets out the landscape as the dark-vocaled MC reflects upon his choice of a life of street dealing without a shred of remorse, while stressing his decision was not exactly the wise one. From there, Z-Ro, an expert storyteller, wanders from tale to tale, each one delivered with ...
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| | Keith Washington KW CD (1998)
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Move over, Luther Vandross, and tell Babyface the news. With his smooth, sinuous voice and meticulously produced, carefully composed songs, Keith Washington is a strong contender to inherit the male R&B singer mantle. On KW, he expands upon the successes, both commercial and artistic of his previous release. Washington manages to be both urgently emotional and strikingly subtle in his vocalizing. In the interest of variety, he adds a little hip-hop flavor to the proceedings via some guest rappers, but make no mistake, this is contemporary R&B at it's best.
Engineers include: Susan Herndon, Geoff Gibbs, Joe Breuer.
Personnel: Keith Washington (vocals, programming, background vocals); Rodney Jerkins (rap vocals); Donnie Lyle (guitar, baritone guitar, keyboards, programming); Craig Berbich (recorder); Ray Manzerolle (saxophone); David Spradley (keyboards); Ron Otis (drums, snare drum); Joachim Svare, Carsten Lindberg, Mark J. Feist (programming); Trina Powell, Herschel Boone, Kelly Price, LaShawn Daniels, Marc Nelson, Sherree ...
| | Supperclub Presents Lounge V.5 CD (2003) (Import) Belgium
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SUPPERCLUB PRESENTS LOUNGE V.5 continues the series of music collections featured in high-end Supperclub restaurants in Amsterdam and Rome. This two-disc release features a selection of chilled-out electronica ...
| | Martin Scorsese Feel Like Going Home Martin Scorsese Presents The Blues: Feel Like Going Home CD (2003) Original Soundtrack
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Drawn from the soundtrack to Martin Scorsese's seven-part television documentary on the blues, Feel Like Going Home documents the roots behind the roots, traveling from the American South to West Africa and back again, resulting in a remarkable collection that spotlights the past, present, and future of this historically important musical genre. From early 78s by seminal figures Charley Patton ("High Water Everywhere"), Son House (his early version of "Death Letter," here called "My Black Mama"), and Robert Johnson ("Hellhound on My Trail"), through field recordings collected by the venerable Alan Lomax (an early Muddy Waters tune called "Rosalie," which includes rough-hewn country fiddle from Henry "Son" Simms) and the restructured contemporary African blues of Ali Farka Toure and Salif Keita, this fine soundtrack knocks the dust off of the blues and exposes its vital and creative center. Highlights include the wild and eerie sound of Othar Turner and Napoleon Strickland's fife and drum ensembles and the up-to-the-minute trance-inducing blues of Willie King & the Liberators. On "Terrorized," King sings: "You talk about terror/I've been terrorized all my life. "That's the blues, circa 2003. Feel Like Going Home is a fine introduction to the long history and promising future of this impressive musical form. ~ Steve Leggett
Additional Tracks
Includes liner notes by Martin Scorsese and Peter Guralnick.
Personnel: John Lee Hooker, Johnny Shines, Ali Farka Touré, Muddy Waters, Robert Johnson, Salif Keita, Son House, Willie King, Charley Patton (vocals, guitar); Taj Mahal (vocals, slide guitar, harmonica); Othar Turner (vocals, fife, bass drum); Napoleon Strickland (vocals, fife); Fatoumata Traore (vocals); Corey ...
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