Live at the Atlanta International Pop Festival: July 3 & 5, 1970 songs Product Information
Live at the Atlanta International Pop Festival: July 3 & 5, 1970 album for sale by Allman Brothers Band was released Oct 21, 2003 on the Epic Legacy label. Recorded live at the Atlanta Internation Pop Festival, Atlanta, Georgia, July 3 & 4, 1970. Live at the Atlanta International Pop Festival: July 3 & 5, 1970 songs Includes liner notes by Kirk West. Live at the Atlanta International Pop Festival: July 3 & 5, 1970 album for sale The 1970 Atlanta International Pop Festival was one of the first big rock festivals of the decade, beating out the Isle of Wight by over a month. It was also home turf for the Allman Brothers, who were invited to play the opening and closing sets of the three-day event. Live at the Atlanta International Pop Festival: July 3 & 5, 1970 CD music is a 2-disc set with 19 songs. ...See Full Description
Live at the Atlanta International Pop Festival: July 3 & 5, 1970 album for sale Product Description
Allman Brothers Band - Live at the Atlanta International Pop Festival: July 3 & 5, 1970 Album Track Listing
Live at the Atlanta International Pop Festival: July 3 & 5, 1970 buy CD music Customer Reviews
List All 22 Reviews
||Classic Allman Bros.|
Not quite Live at Filmore East, but vintage, top of their game, Allman greats! Well worth the cost!
By waltc (Sacramento, CA)
This is AS GOOD AS "Live At FE" Playing(for sure)and sound quality(to my old ears on my old player anyway. ) Makes you wonder how many more ABB live albums are out there (and why!).
By a reviewer (Folkestone UK)
||back where it all began|
this album recorded a little less than a year before the monumental performances at the filmore. the performances are a little less tight than the filmore, but that is to be expected with a fairly new band playing in the summer heat of hotlanta.
By a reviewer (milwaukee WI)
||Allmans at home|
In chaotic circumstances the Allmans gave two wonderful performances! It's great to hear them in their entirety more than thirty years after the release of the triple LP The First Great Rock Festivals of the Seventies.
By a reviewer (Nijmegen, Netherlands)
||Live at the Atlanta Pop Festival|
What a blast from the past! I remember walking down a dusty road with hundreds of other young people after parking my tired Karman Ghia off the concert grounds.
By obrienmolina (Houston, TX)
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Live at the Atlanta International Pop Festival: July 3 & 5, 1970 songs Product Details
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|Mike Bloomfield / Bloomfield-Kooper-Stills / Al Kooper / Stephen Stills|
Super Session CD (1968) Top Seller
Live at the Atlanta International Pop Festival: July 3 & 5, 1970 CD music A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus tracks, 'Albert's Shuffle' (2002 Remix w/o Horns), 'Season of the Witch.' (2002 Remix w/o Horns), 'Blues For Nothing' (Studio Outtake) & 'Fat Grey Cloud' Previously Unreleased Live Track). Features 12-page booklet with unpublished photos from the recording session, new liner notes by Al Kooper & the Rolling Stone Hall Of Fame review by David Fricke. 60 scintillating minutes! 13 tracks. Colunbia/Legacy. 2003.
Includes liner notes by Al Kooper, Michael Thomas.
Includes liner notes by Michael Thomas.
Full performer name: Mike Bloomfield/Al Kooper/Steve Stills.
Personnel: Mike Bloomfield (electric guitar); Al Kooper (vocals, 12-string & electric guitars, piano, organ, ondioline); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums).
Personnel: Mike Bloomfield (electric guitar); Al Kooper (piano, organ, ondioline, vocals, 12-string & electric guitars); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums).
Reissue producer: Bob Irwin.
On the Beach CD (1974) Top Seller
Live at the Atlanta International Pop Festival: July 3 & 5, 1970 songs After working his way through loss and chaos on the brilliant TONIGHT'S THE NIGHT (recorded in 1973, but not released until 1975), Neil Young deftly exorcised any lingering demons with 1974's ON THE BEACH. The album opens with the saunter of the aptly titled "Walk On," followed by the utterly gorgeous, Wurlitzer-tinged "See the Sky about to Rain."
The set also features a trio of scathing songs--"Revolution Blues," "Vampire Blues," and "Ambulance Blues"--that address issues important to Young, both social and personal. It is good to hear Young back with such bite and vitriol, especially after the broken desperation of TONIGHT'S THE NIGHT. But while ON THE BEACH is edgy and deeply felt, it also manages to sound liberating and relaxed, with glimmers of hope and humor peeking through the spare, evocative arrangements. Inexplicably unreleased on CD until 2003, ON THE BEACH is both unflinching and resilient, and easily stands as one of Young's finest albums.
Recording information: Broken Arrow Studios, San Francisco, CA; Sunset Sound, Los Angeles, CA.
Photographer: Bob Seidemann.
Guests:Graham Nash/Rick Danko/ David Crosby/Levon Helm
Personnel: Neil Young (vocals, guitar, banjo, harmonica, Wurlitzer organ); Neil Young (Wurlitzer piano); Ben Keith (vocals, guitar, slide guitar, steel guitar, dobro, Wurlitzer piano, organ, Wurlitzer organ, drums, background vocals); Graham Nash (vocals, Wurlitzer piano, Wurlitzer organ); Ralph Molina (vocals, drums, background vocals); Tim Drummond (bass instrument, drums, percussion); Rick Danko, Billy Talbot (bass instrument); David Crosby (vocals, guitar); Rusty Kershaw (guitar, slide guitar, violin, fiddle); George Whitsell (guitar); Joe Yankee (harp, tambourine); Levon Helm (drums).
Liner Note Author: Rusty Kershaw.
How the West Was Won CDs (2003)
Live at the Atlanta International Pop Festival: July 3 & 5, 1970 album for sale In the course of putting together the live Led Zeppelin DVD for 2003 release, Jimmy Page came across some great concert recordings from the band's 1972 stint in California. HOW THE WEST WAS WON is three discs' worth of vintage Zep, far superior to the band's only other live album THE SONG REMAINS THE SAME. Here is the fearsome foursome in all their glory and fury, coming off like crazed rock & roll Vikings on the opening "Immigrant Song," reinventing the blues form on "Heartbreaker," and just plain rocking the doors off the joint on "Rock and Roll" and "Black Dog."
This being 1972, the band had made its journey into the folk-rock realm as well, and come out with the touching "Going to California" and "That's the Way," the earthy "Bron-Yr-Aur Stomp," and the minstrel-in-the-hills fancy of "Over the Hills and Far Away," all of which are given strong voice here. A 25-minute "Dazed and Confused" and epic-length drum solo on the John Bonham feature "Moby Dick" show that Zep was unafraid to venture into anything they damn well pleased, but the bluesy grit and primal hard-rock crunch of their feel throughout this collection reveals the pure visceral magic of which these '70s icons were capable.
Recorded at Los Angeles Forum, Los Angeles, California and Long Beach Area, Long Beach, California on June 25 & 27, 1972.
Personnel: Robert Plant (vocals, harmonica); Jimmy Page (acoustic guitar, electric guitar); John Paul Jones (mandolin, keyboards, bass guitar); John Bonham (drums, percussion).
Audio Mixer: Kevin Shirley.
Recording information: LA Forum (06/25/1972/06/27/1972); Long Beach Arena (06/25/1972/06/27/1972); Sarm West Studios, London, England (06/25/1972/06/27/1972).
Photographers: Jeffrey Mayer; James Fortune; Michael Putland; Jim Cummins.
Led Zeppelin: Robert Plant (vocals); Jimmy Page (guitar); John Paul Jones (keyboards, bass); John Bonham (drums).
Deepest End CD (2000)
Live at the Atlanta International Pop Festival: July 3 & 5, 1970 buy CD music Return To Summer Lake is Steven's third recording. Special guest artists on the CD include Molly O'Brien, Nina Gerber, Debi Smith, SONiA of Disappear Fear, Pete & Maura Kennedy, Al Petteway & Bruce Molsky. Steven Bio:Billboard Magazine describes Steven Gellman's music as "intensely sensitive and impressively intelligent at the same time". As another reviewer aptly phrased it, Gellman's songs are "Kodak moments" from his life.He often performs in nursing homes and retirement communities, and even used a choir of senior citizens as backup on the track "Almeda at 90" from his album "Photobook". Dick Cerri, President of the World Folk Music Association says "Steve's natural ability on stage enables an audience to not only enjoy the songs and stories, but to participate in the performance."Nowhere is there a better example of how Gellman touches people's lives than the story of fan Jennifer Baker, blind and wheelchair bound from a lifelong struggle with kidney failure. She first heard Steven at a Borders Book store concert and instantly became one of his most ardent fans. His music was an inspiration to her in her last months and Gellman performed at a memorial service in her honor to benefit the National Kidney Association. The song "A Little Bit Fine" on Steven's CD "Return to Summer Lake" was written for Jennifer and is one of his most requested songs.His new release, "Love Loss Longing", is Steven's first concept album. The eleven-song collection describes the journey one goes through at the end of a relationship. As Steven puts it, "To me, each song represents a chapter in a book, there is a beginning, middle and end. Every emotion is explored here -- sadness, anger, hope and joy."Gellman performs throughout the United States and Canada at the premiere acoustic music venues such as The Birchmere in Alexandria, VA, The Ark in Ann Arbor, Michigan, The Blue Bird Café in Nashville, TN, The Tin Angel in Philadelphia, PA, and Club Passim in Boston, MA. In Washington, DC, he has performed at the venerated National Theatre and the most sought after venue of all, The White House. Steven has opened shows for Dar Williams, Cheryl Wheeler, Richie Havens, Richard Shindell and Al Stewart.Steven has garnered critical acclaim across the country - he was nominated for 4 awards from The Washington Area Music Association Awards (WAMA) and by The Gay/Lesbian American Music Awards (GLAMA) for Debut Album of the Year. His release "Return to Summer Lake" was chosen by Barnes & Noble for national distribution and was featured on their listening post wall. Don Murphy of the National Theatre says "Steven Gellman's insightful original songs and homespun stories provide a soul-warming folk rock respite in a busy chilly world."
Principally recorded at Recording Arts, Fairfax, Virginia. Includes liner notes by Steven Gellman.
Personnel: Steven Gellman (vocals, acoustic guitar); Debi Smith (vocals, background vocals); Amy White (whistling, background vocals); Nina Gerber (guitar, slide guitar); Marco Delmar (acoustic guitar, organ, electric bass, tambourine, hand claps); Al Petteway (acoustic guitar, bodhran); Sean McGhee (acoustic 12-string guitar); Pete Kennedy (electric guitar); Bruce Molsky (fiddle); Fred Lieder (cello); Margaret Wolfe (harmonica); Bob Tyler (recorder); George Welling (upright bass); Robbie Magruder (drums); Maura Kennedy, Mollie O'Brien, Susan Graham-White (background vocals).
Recording information: Recording Arts, Fairfax, VA.
Photographer: Robert Corwin .
Personnel includes: Steven Gellman (vocals, acoustic guitar); Debi Smith (vocals); Marco Delmar (acoustic & slide guitars, organ, electric bass, tambourine, egg shakers, hand claps); Al Petteway (acoustic guitar, bodhran); Jennie Dawson (flute, clarinet); Robbie Magruder (drums); Maura Kennedy (background vocals).
Bootleg Series Vol. 6: Bob Dylan Live 1964 CDs (2004)
Live at the Atlanta International Pop Festival: July 3 & 5, 1970 songs In 1964, when the Beatles where still singing "I Want to Hold Your Hand," Bob Dylan was quietly making history at New York's Philharmonic Hall (now Avery Fisher Hall). ANOTHER SIDE OF BOB DYLAN had recently been released, but even the flights of fancy on "Spanish Harlem Incident" and "To Ramona" (both performed here), while unprecedented, couldn't have prepared the audience for the Big Bang of songwriting represented by the still-unrecorded "Gates of Eden" and "It's Alright Ma (I'm Only Bleeding)." In a voice full of youthful vitality and insouciance, Dylan delivered groundbreaking poetic epics to a crowd that must have been equally confounded and exhilarated.
Disc Two contains more of Dylan's older, more conventional material as well as four duets with Joan Baez, including the folk ballad "Silver Dagger," which Dylan would never record. As full of life as this second half of the Philharmonic concert is, it still serves as a breath-catching period in the wake of the world-changing new songs heard in the first set. Probably only a few of those in attendance realized it at the time, but music would never be the same again.
Includes a 52-page booklet.
Concert At Philhamonic Hall. 2cds.
Recorded at Philharmonic Hall, New York, New York on October 31, 1964. Includes liner notes by Sean Wilentz.
Personnel: Bob Dylan (vocals, acoustic guitar); Joan Baez.
Audio Mixer: Michael Brauer.
Liner Note Authors: Robert Shelton; Bob Dylan.
Recording information: Philharmonic Hall, New York, NY (10/31/1964).
Photographers: Hank Parker; Daniel Kramer; Sandy Speiser; Barry Feinstein; Douglas R. Gilbert.
Arrangers: Joan Baez; Bob Dylan.
|At Fillmore East CDs (1971) Top Seller
||Remastered; Deluxe Edition; Digipak
Live at the Atlanta International Pop Festival: July 3 & 5, 1970 album for sale Recorded live at the Fillmore East, New York, New York on March 12-13, 1971. Originally released on Capricorn.
Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24-karat gold and housed in a stress-resistant lift-lock jewel box.
The original Fillmore East album is one of the finest live documents of the rock era, capturing the original line-up of one of the '70s' tightest outfits before they were cruelly robbed of Duane Allman and Berry Oakley. Taken from five 1971 performances at New York's fabled Fillmore East, the extended and effortlessly melodic workouts of "In Memory Of Elizabeth Reed" and "Whipping Post" still have the power to rivet and move.
On display here is the Allmans' fabled chemistry at its finest. The band not only rocks, it rolls, swings, and stretches out in exploratory, jazzy passages. The dual guitar interplay of Duane Allman and Dickey Betts glides effortlessly over the propulsive rhythm section of Oakley and twin drummers Jaimoe and Butch Trucks, while Greg Allman's powerful blues voice and melodic keyboard work provides the icing on the cake. Though the later-released THE FILLMORE CONCERTS presents these songs in their original entirety, AT FILLMORE EAST, with its seamless edits of multiple performances, may be the superior recording. It highlights all the glint and sparkle of what still ranks among the best jamming committed to record.
Additional Tracks; Live Recording; Deluxe Edition
The Allman Brothers Band: Berry Oakley (bass instrument); Jai Johanny Johanson (drums, congas, timbales); Dickey Betts, Duane Allman, Gregg Allman, Butch Trucks.
Personnel: Elvin Bishop (vocals, guitar); Gregg Allman (vocals, piano, organ); Duane Allman (guitar, slide guitar); Dickey Betts (guitar); Thom Doucette (harmonica); Steve Miller (piano); Jaimoe Johnson (drums, congas, timbales); Butch Trucks (drums, timpani); Bobby Caldwell (percussion).
Recording information: Fillmore East, NY (03/12/1971-06/27/1971).
Photographer: Jim Marshall .
Arranger: The Allman Brothers Band.
The Allman Brothers Band: Gregg Allman (vocals, piano, organ); Dickey Betts (guitar); Duane Allman (guitar, slide guitar); Berry Oakley (bass); Jai Johanny Johanson (drums, congas, timbales); Butch Trucks (drums, timpani).
Additional personnel: Thom Doucette.
Additional personnel: Thom Doucette (harmonica).
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