| | Deke Dickerson In 3-Dimensions! CD Deke Dickerson Discography of CDs
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Our Price: $13.69  CDFor Sale Usually ships in 1-2 days
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Feat.Earl Palmer,Carl Sonny Leyland,Biller+Wakefield+
Audio Mixer: Mark Neill.
Recording information: Powow Fun Room Studios; Soil Of The South Studios; Wormtone Studios, Denver, CO.
Personnel: Deke Dickerson (vocals, guitar, baritone saxophone, bass saxophone, piano); Dave Leroy Biller (electric guitar); Jeremy Wakefield (Bigsby steel guitar); Ron Dziubla (tenor saxophone, baritone saxophone); Carl Sonny Leyland (piano); Jeff Graves, Billy Horton (acoustic bass); Craig Packham, Bobby Trimble, Earl Palmer (drums).
Personnel: Deke Dickerson (vocals, guitar, acoustic guitar, electric guitar, baritone saxophone, bass saxophone, piano); Dave Biller (electric guitar); Jeremy Wakefield (steel guitar); Ron Dziubla (baritone saxophone); Carl Leyland (piano); Jeff Graves, Billy Horton (acoustic bass); Earl Palmer , Craig Packham (drums).
In 3-Dimensions! Music | List Price | $15.98 (You save $2.29) | | Category | Rock/Pop Albums, Rock CDs, Rockabilly, Alt Country, Swing, Enhanced CD | | Label | Major Label Recordings | | Orig Year | 2003 | | All Time Sales Rank |  63523  | | CD Universe Part number | 5547378 | | Catalog number | 1 | | Discs | 1 | | Release Date | Feb 25, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Engineer | Kurt Ohlen; Mark Neill; Wally Hersom | | Personnel | Earl Palmer - drums
Billy Horton - acoustic bass
Dave Biller - electric guitar
Jeremy Wakefield - Bigsby steel guitar
Deke Dickerson - vocals, guitar, baritone saxophone, bass saxophone, piano
Jeremy Wakefield - Bigsby steel guitar
Bobby Trimble
Ron Dziubla - tenor saxophone, baritone saxophone
Craig Packham - drums
Dave Leroy Biller - electric guitar
Jeff Graves
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Deke Dickerson In 3-Dimensions! Songs | 1. | I Might Not Come Home at All |
| 2. | Top of the Line |
| 3. | Ain't Got a Reason |
| 4. | I Get So Lonely |
| 5. | Sittin' and Thinkin' |
| 6. | Wear Out the Soles of My Shoes |
| 7. | Take the Long Way Home |
| 8. | It Would Be a Doggone Lie |
| 9. | Let's Go Wild Tonight |
| 10. | Bitter Tears |
| 11. | You've Been Honky Tonkin' |
| 12. | Too Hot to Handle |
| 13. | Knoxville Boogie |
| 14. | Gambler's Guitar |
| 15. | Pinball Boogie |
| 16. | Gentlemen Prefer Blondes |
| 17. | I'm Gonna Live Some Before I Die |
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In 3-Dimensions! Review
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Intense acoustic rock driven by dynamic female vocals, haunting lyrics and unforgettable melodies are but a few words that describe the music of Illustrious Day, led by singer-songwriter Jackie O'brien, bassist Jim O'brien and drummer Pete Abdou. Think Shawn Colvin meets the Foo Fighters."Waving in traffic " highlights the unique and timeless style of Jackie's voice with songs that rumble with emotion. The title track is about perseverance despite ones self. "Waving in traffic, playing with matches, I'm waiting out this ...
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Jonathan Edwards was born in Minnesota and played his first music on piano, taking a few lessons from the lady who lived next door and then learning by ear.He picked up guitar in high school in the early 60s. "I started on a $29 guitar and immediately started putting a band together, writing songs and learning all the contemporary folk songs of the time", he recalls. "I just loved it, loved everything about it, loved being in front of people playing music."He studied art in college but continued to play music. "I started getting electric about the time Dylan did, doing electric folk music. I joined bands by saying 'Can I be in your band?', and they'd ask, 'What do you play?', and I'd say 'What do you need?' I'm still that way. I still love to play different instruments. It helps me understand production techniques and performance capabilities". Instead of graduating from college, he decided to give music a shot. He sold the car that his father was lending him, bought a van for his band, and headed for the music scene in Boston.The band soon found work, playing "6-40" jobs--six 40-minute sets per night--all over New England. They played cover tunes as well as their own country blues originals under various names, including the Headstone Circus, St. James Doorknob, and the Finite Minds, and they made an album for Metromedia Records as Sugar Creek.After several years, Jonathan began to tire of the 6-40s and grew fonder of the sound of an acoustic guitar. "I just one night said, 'Hey fellas, this isn't sounding as good as it could, and I'd like us to sound more intimate'. I liked the sound of bronze strings on rosewood better than steel strings on magnets, and so I walked out of that club in Vermont, rented myself a van and PA system, and started traveling around the colleges in New England by myself, without gigs, just setting up in the lobbies of dormitories on a Saturday. Pretty soon I started getting a following. People would say, 'Has that guy been to your dorm yet? That guy just sets up, plugs in and plays all night'".Soon Jonathan was booked to open for acts such as the Allman Brothers Band and B. B. King, and he signed with Capricorn Records. "We took about a year recording the first album--different times, different studios, different sounds, different techniques", he says. "Recording was so new in '69 and '70. There was a song on the album called 'Please Find Me', and for some reason the engineer rolled over it. ...
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THE JIMI HENDRIX EXPERIENCE [BOX] consists principally of previously unreleased alternate takes & mixes, studio demos and live tracks, and comes with an 80-page booklet.
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This collection represents the essential items of the Jimi Hendrix catalog. Each selection illustrates Hendrix's uniqueness as both guitarist and composer. In the '60s, he virtually defined rock guitar, remaking history in his own image. His mix of blues, psychedelia and Dylanesque folk-rock made him a rock & roll icon.
It's in the surreal balladry of "The Wind Cries Mary." It's in the archetypal hard-rock cadences of "Purple Haze." It's in everything this electric guitar prodigy laid his talented hands on. Those unfamiliar with Hendrix's legacy are fortunate ...
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