| | Freddie Hubbard Hub Cap CD Freddie Hubbard Discography of CDs
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On Hub Cap, his third effort as a leader, Freddie Hubbard sticks to the tried-and-true hard bop formula, which is something of a mixed blessing. There's no question that much of this music is enjoyable, but it's not quite up to the standards of its two predecessors. Part of the problem is Hubbard's sextet, which features tenor saxophonist Jimmy Heath, trombonist Julian Priester, pianist Cedar Walton, bassist Larry Ridley, and drummer "Philly" Joe Jones. All of the musicians are talented, but only a few are inventive, and that becomes a problem, since it becomes clear that Hubbard is beginning to break free from his influences and develop his own style. In other words, he's capable of more adventurous music than this straight-ahead hard bop. That said, Hub Cap is a very good hard bop date. There is energy to the performances, and the artist's vigorous, inspired playing continues to impress, as do some of his original compositions. Only when compared to Hubbard's first two records, or what would come later, does Hub Cap seem like a lesser effort. ~ Stephen Thomas Erlewine
On Hub Cap, his third effort as a leader, Freddie Hubbard sticks to the tried-and-true hard bop formula, which is something of a mixed blessing. There's no question that much of this music is enjoyable, but it's not quite up to the standards of its two predecessors. Part of the problem is Hubbard's sextet, which features tenor saxophonist Jimmy Heath; trombonist Julian Priester; pianist Cedar Walton; bassist Larry Ridley; and drummer Philly Joe Jones. All of the musicians are talented, but only a few are inventive, and that becomes a problem, since it becomes clear that Hubbard is beginning to break free from his influences and develop his own style. In other words, he's capable of more adventurous music than this straight-ahead hard bop. That said, Hub Cap is a very good hard bop date. There is energy to the performances, and the artist's vigorous, inspired playing continues to impress, as do some of his original compositions. Only when compared to Hubbard's first two records, or what would come later, does Hub Cap seem like a lesser effort. [Also available with bonus tracks.] ~ Stephen Thomas Erlewine
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on April 9, 1961. Includes liner notes by Leonard Feather and Bob Blumenthal.
Personnel: Freddie Hubbard (trumpet); Jimmy Heath (tenor saxophone); Julian Priester (trombone); Cedar Walton (piano); Philly Joe Jones (drums).
Audio Remasterer: Rudy Van Gelder.
Liner Note Authors: Leonard Feather; Bob Blumenthal.
Recording information: Van Gelder Studios, Englewood Cliffs, NJ (04/09/1961-??/??/2002).
Photographer: Francis Wolff.
Personnel: Freddie Hubbard (trumpet); Jimmy Heath (tenor saxophone); Julian Priester (trombone); Cedar Walton (piano); Larry Ridley (bass); Philly Joe Jones (drums).
Mojo (Publisher) (5/03, p.116) - 3 stars out of 5 - "...Hubbard pushes himself to feats of musical daring and emerges triumphant..." Freddie Hubbard Hub Cap Songs Purchase Hub Cap CD To buy, Click on price to add to cart | Donald Byrd Byrd In Hand CD (1959) Remastered
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$72.35 There have been previous attempts to marshal a lot of British psychedelia into one compilation, but Real Life Permanent Dreams is a little different from those. This four-CD, 99-song box set isn't a best-of, but more like an attempt to assemble a very wide (though still representative) cross section of material, most of it pretty obscure to the average listener. For the most part, it succeeds in delivering a high-quality anthology that manages to offer a lot to both the collector and the less intense psychedelic fan, though it's by no means the cream of British psychedelia. There are only two famous hit records, for one thing, and even those, Arthur Brown's "Fire" and the Status Quo's "Pictures of Matchstick Men," are represented by a previously unreleased alternate version and a BBC recording, respectively. Many of the leading acts of the genre are missing, from the Beatles, Pink Floyd, and Procol Harum through the more psychedelic-oriented tracks by Cream, Traffic, the Yardbirds, and numerous other U.K. acts. Also, the cross-licensing isn't as extensive as it could be, though it's not as heavily reliant on tracks controlled by the Sanctuary Records Group as many other comps on the Castle label are.
There's a lot of interesting stuff here, though, ranging from precious twee fantasy-laden pop-psych and freakbeat to psychedelia on the verge of making a transition to hard rock and progressive rock, even though some of the songs are fairly average and even generic British psychedelia. Some of the cuts -- Winston's Fumbs' "Snow White," the Buzz's "You're Holding Me Down," the Peep Show's "Mazy," the Kult's "No Home Today," Paper Blitz Tissue's "Boy Meets Girl," and Lord Sutch's strange "The Cheat" -- rate as some of the best obscure recordings in the entire genre. Also, a lot of major artists -- including Donovan, the Kinks, the Nice, Julie Driscoll with Brian Auger & the Trinity, the Small Faces, Marc Bolan, the Incredible String Band, Jethro Tull, Soft Machine, and Humble Pie -- are heard on the box set, though in every instance, they're represented by some of their more obscure recordings, often taken from B-sides, BBC sessions, or demos (and, in Jethro Tull's instance, the debut 1968 single on which they were billed as Jethro Toe, "Sunshine Day"). There are also a bunch of selections that feature big names in unfamiliar guises, like the tracks by Noel Redding's band Fat Mattress, the quasi-supergroup Santa Barbara Machine ...
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