| | Loudness Thunder In The East CD - Import Loudness Discography of CDs
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With 1985's Thunder in the East, Loudness were faced with the daunting challenge of conquering heavy metal fans outside their homeland of Japan for the first time. Knowing that their early sound might prove a tad too heavy and complex for American audiences, the foursome rose to the occasion by dispensing their most melodic compositions ever. Yet, except for a few obvious examples, like "We Could Be Together," first single "Crazy Nights," and the power ballad "Never Change Your Mind," the band doesn't seem at all self-conscious about this transition. A few all-out headbangers like "Get Away" and "Clockwork Toy" are hammered out for good measure, but it's excellent tracks like "Heavy Chains," "The Lines Are Down," and "No Way Out" which obtain the best results by bridging the gap between both extremes and providing the best foundations for Akira Takasaki's incendiary guitar solos. In fact, were it not for singer Minoru Niihara's poor English-speaking skills (which quite understandably result in some amusing lyrical transgressions) little here belies the band's unique origins, and for that they should be applauded. Oh, and the impossibly long guitar riff of "Run for Your Life" has to be a world record. Backed by a ruthless marketing campaign concocted by record label Atco, Thunder in the East would actually do quite well in America. But Loudness' novelty status would soon wear off, and they would never again experience such success in America, despite some fine efforts in the following years. ~ Eduardo Rivadavia
Loudness: Minoru Nihara (vocals); Akira Takasaki (guitar); Masayoshi Yamashita (bass); Munetaka Higuchi (drums).
Thunder In The East Music Thunder In The East Music Thunder In The East Music Review Purchase Thunder In The East CD To buy, Click on price to add to cart | Shadow Gallery Digital Ghosts CD (2009)
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$13.58 Devin Townsend's maniacal/wacky tendencies duel with his instinct for skull-crushing heaviness on ADDICTED, the second in a planned trilogy of albums he's put together since retiring his ultimate metal band, Strapping Young Lad, a few years back. Anneke van Giersbergen, formerly of the Gathering, is Townsend's vocal partner throughout much of the album, creating a Lacuna Coil-esque effect as he roars and she croons and the guitar riffs ride almost disco- ...
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$12.35 **Spring Cleaning~All Craig 'N Co. Cds $10.99 this month**Craig's children's recording takes you on a whimsical journey through Jewish history and culture. Highlights include: an ode to Jewish food, Deli-ightful, the doo-wop, Shabababat Shalom, the hip-hop Chanukah Rap and Holi-Daze, the inspirational Boker Tov, and the peaceful Laila Tov. Commissioned by The Jewish Community Centers of Greater Los Angeles and My Jewish Discovery Place Children's Museum, which receives a portion of these proceeds.Craig Taubman has established himself as a unique voice in family entertainment, blending kid-friendly themes with adult musical appeal. He is a proven entertainer who has been writing and performing music for children and their families for over fifteen years.Craig enjoys a successful career in television and film composing as well. He has composed music for Television Series on Fox, Showtime HBO and PBS. Craig music has also been films from Paramount, New Line Cinema Disney's. His songs have been recorded by such respected artists as Chita Rivera, Whoopi Goldberg and Jennifer Holliday.Perhaps best known for his work in the Jewish community, Craig's dynamic music and moving performance style have been an inspiration for over 22 years. His magical and enchanting music brings to life the joy and spirit of the Jewish heritage, appealing to young and old alike and captivating audiences wherever he goes.His 14 Jewish recordings are an integral part of the Jewish community, weaving song and spirit ...
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$8.15 The title of My Bitter End's second album, The Renovation, is an open admission of recent changes within the group, which brought in replacements at both the singer and second guitarist positions, and redirected their vision towards a more technical, versatile, and brutal, convergence of heavy metal and hardcore elements. This was unquestionably accomplished, and even though the 2000s are positively fraught with precocious young bands excelling at the art of all-over-the-place-itis, My Bitter End show admirable talent for siphoning their oodles of influences into frequently memorable tunes. As usual, it's all a matter of contrasts, contrasts, contrasts; switching from oppressive bouts of roaring, grindcore-like intensity into musical chords and even uplifting melodies and back, at the drop of a hat -- all the while skewing traditional rock song structures as a matter of course. Highlights within this ...
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