| | Carol Welsman Language Of Love CD Carol Welsman Discography of CDs
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Live Recording
Personnel: Carol Welsman (vocals, piano, Clavinova, background vocals); Arnold McCuller (vocals); Oscar Castro-Neves (vocals); Gary Meek (flute); Charlie Bisharat (violin, viola); Ramon Stagnaro (electric guitar); Dave Carpenter (bass); Alex Acuna (drums, percussion); Carlos del Rosario (percussion); Kate Markowitz (background vocals).
Recorded at Entourage Studio, North Hollywood, California and at Visual Rhythm Sounds, Alhambra, California.
Carol Welsman sings an easy, airy, romantic set with hints of passion and sensuality immersed in a savory palate of impressive nuance on The Language of Love. With three Juno Award nominations as well as the 2002 Vocalist of the Year award, the internationally acclaimed vocalist and pianist is appreciated more than ever. Welsman immaculately captures the unique expressions of love with elongated phrasings, lite scats, and endearing vocal techniques delectably mirrored in her bluesy rendition of Gershwin's "The Man I Love" and through the gentle swing of the French version of "Chanson de Maxence." Welsman takes the topic to new heights and eradicates the pain of falling in love with an upbeat bossa nova version of Cole Porter's "Just One of Those Things." She demystifies Gino Paoli's "Senza Fine" and beautifully brings the Italian composer's smooth essence to the forefront in his native language. This is a beautifully expressed piece and holds the listener captive until the final note is played. With The Language of Love, Carol Welsman surpasses her other endeavors and should garner more acclaim because of the delightful interpretations she offers. ~ Paula Edelstein
Carol Welsman Language Of Love Songs Language Of Love Music Review Purchase Language Of Love CD To buy, Click on price to add to cart | Janis Siegel I Wish You Love CD (2001)
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Personnel: Janis Siegal (vocals); Roger Treece, (arranger, background vocals); Kirk Nurock (arranger); David "Fathead" Newman (tenor saxophone, flute); Tom Harrell (trumpet, fugelhorn); Bill Ware (vibraphone); Cedar Walton (piano); David Williams (bass); ...
| | Jackie Ryan Passion Flower CD (2002)
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Fresh back from her third year at Europe's premier jazz club (Ronnie Scott's in London), the gifted jazz vocalist Jackie Ryan adds to her international appeal with the release of her debut studio recording for OpenArt. Discerning listeners will notice no
Personnel includes: Jackie Ryan (vocals); Noel Jewkes (saxophone); Allen Smith (trumpet); Larry Vuckovich (piano); Jeff Chambers (bass); ...
| | Renee Olstead CD (2004)
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Guests:Peter Cincotti,Chris Botti,Carol Welsman
Personnel: Reneé Olstead (vocals); Carol Weisman (vocals); Dean Parks (guitar, acoustic guitar); Don Shelton (clarinet, alto saxophone, tenor saxophone); Don Shelton (alto saxophone, tenor saxophone); Warren Luening (trumpet); Alan Broadbent, Billy Childs, Billy Childs Trio, Gerald Clayton (piano); Brian Bromberg (bass instrument); Jeff Hamilton , ...
| | Jane Monheit Taking A Chance On Love CD (2004)
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Personnel: Jane Monheit (vocals); Jane Monheit; Michael Bublé (vocals); Lew Soloff, Michael Davis , Andy Snitzer, Roger Rosenberg, Lawrence Feldman, David Taylor , Jim Hynes, Bob Malach (horns); Christian McBride, Ron Carter , Orlando LeFleming (bass instrument); Romero Lubambo, Miles Okazaki (guitar); ...
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| | Rashid Khan Voice Of India CD (2003)
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"There is now at least one person in sight who is an assurance for the future of Indian vocal music", this was the accolade bestowed on Rashid Khan from Pandit Bhimsen Joshi, the elder statesman of Khayal singing, when answering the concerns of connoisseurs of Hindustani music about whether its tradition of excellence would continue. Still in his thirties, a comparatively young age by Indian music standards, Rashid Khan has emerged as one of the most revered artists in the modern era of North Indian Classical music. He is one of the few contemporary vocalists whose performances capture the rare quality of 'tasir', the indescribable ability to create a genuine impact on listeners.Despite being born into a family of celebrated musicians, it is said that the young Rashid showed little interest in music initially. Tutelage under his illustrious grand-uncle and guru, the late Ustad Nissar Hussain Khan, changed the course of his life and inspired him to develop a profound love of music which emanates through his singing today.Rashid Khan's genius is highlighted through his rendition of both Khayal and Tarana. Two distinctive vocal styles which are found in this performance, recorded live on the 2nd January 2003, at the prestigious Saptak Festival in Ahmedabahd, India.Khayal is a Persian word meaning idea, conception or imagination and is the most popular form of singing in Hindustani classical music. It was developed over several centuries by musicians who wished to free vocal music from the constraints of the highly structured, ancient Dhrupad form, to give greater scope to the imagination and individuality of the singer. While the emphasis on the text is of lesser importance than the singers ability to improvise on the raga, Khayal covers diverse topics such as divine love, separation of lovers, seasons, praise of kings, patrons and the pranks of Lord Krishna, invariably combining devotion with romance. Khayal is marked with melodic elaboration, decorative elegance, sensuousness and romanticism. Tarana is a vocal composition that is usually sung in a fast tempo ...
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