| | Art Tatum Live Vol. 1: 1934-1944 CD - Import Art Tatum Discography of CDs
Personnel includes: Art Tatum (piano); Tiny Grimes, Les Paul (guitar); Slam Stewart. Recorded between 1934 & 1944. Personnel: Art Tatum (piano); Les Paul, Tiny Grimes (guitar). Photographer: Ken Whitten. Art Tatum was one of the most amazing musicians of all time. His technique was phenomenal and he could play lines with both hands so rapidly as to be miraculous. But much more than just a technician, Tatum improvised in a way that was quite futuristic, with his harmonies in the 1930s being 40 years ahead of their time. The Storyville label initiated a series of eight CDs of mostly previously unheard Art Tatum performances with this consistently exciting disc. Vol. 1 has quite a few selections that are remarkable, featuring Tatum playing impossibly fast and complex ideas flawlessly while always sounding relaxed. The first five solo numbers, from a February 1934 radio broadcast, start off passionately and never let up. The minute-and-a-half version of "Young and Healthy" should be enough to convince anyone of Tatum's greatness. Also on this set are solo selections from 1938-1939, trio numbers with guitarist Tiny Grimes and bassist Slam Stewart (including "Melody in F" and "Tiny's Exercise") from 1943-1944, and four tunes in which Tatum is joined by the Les Paul Trio in 1944. Paul has long talked about having had a chance to play with Tatum; now the proof is finally available. Other highlights include such numbers as "Chinatown, My Chinatown," "I Know That You Know," "I've Found a New Baby," and "Exactly Like You," but all 21 of these selections have their amazing moments. ~ Scott Yanow Live Vol. 1: 1934-1944 Music Art Tatum Live Vol. 1: 1934-1944 Songs Live Vol. 1: 1934-1944 Review
GuidelinesRemember to focus your comments on Art Tatum Live Vol. 1: 1934-1944 CD - Import. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Live Vol. 1: 1934-1944 CD To buy, Click on price to add to cart | Sonny Stitt New York Jazz CD (1956) Remastered; Digipak
Live Vol. 1: 1934-1944
$9.05
| | Art Tatum Live Vol. 5: 1951 CD (2004) (Import) Denmark
Live Vol. 1: 1934-1944
$31.55
| | Duke Ellington Piano In The Background CD (1960) Bonus Tracks; Reissue
Live Vol. 1: 1934-1944
$7.69 Additional Tracks
Personnel: Duke Ellington (piano); Duke Ellington; Eddie Mullens, Eddie ...
| | Seven Steps: The Complete Columbia Recordings Of Miles Davis: 1963-1964 CDs (2004) Limited Edition
Live Vol. 1: 1934-1944
$88.59
| | Dizzy Gillespie Town Hall, New York City, June 22, 1945 CD (2005)
Live Vol. 1: 1934-1944
$13.79
| | Fessor's Big City Band Final Call CD (2004) (Import) Denmark
Live Vol. 1: 1934-1944
$30.19
| | Danny Moss Meets Buddha's Gambl Swingin' Affair CD (2006) (Import) Germany
Live Vol. 1: 1934-1944
$15.65
| | Maria C James Freeverse CD (2006)
Live Vol. 1: 1934-1944
$9.59
| | Typewriter Birdsnest CD (2006)
Live Vol. 1: 1934-1944
$20.29
| | Peyman Montazemi Man CD (2006)
Live Vol. 1: 1934-1944
$9.89
| | Lesley Garrett Essential CDs (2007) (Import) Import
Live Vol. 1: 1934-1944
$16.29
| | Ocean's Edge Music Higher Praise: Espanol 1 CD (2007) (Import)
Live Vol. 1: 1934-1944
$19.99
| | Dewey Redman Struggle Continues CD (2007)
Live Vol. 1: 1934-1944
$14.65 Dewey Redman: Dewey Redman; Mark Helias (bass guitar); Ed Blackwell, Charles Eubanks. Personnel: Dewey Redman (tenor saxophone); Charles Eubanks (piano); Mark Helias (double bass); Ed Blackwell (drums). Audio Mixer: Martin Wieland. Recording information: Columbia Recording Studios, New York, NY (01/1982). Photographer: Deborah Feingold. Having played with Ornette Coleman, Don Cherry, Pat Metheny, and a host of other genre-shaping artists over the years, saxophonist Dewey Redman has impeccable credentials. In fact, the ECM release THE STRUGGLE CONTINUES defines him as something of a genre-shaper himself. Careening with perfect ease from free jazz to balladry to blues to high-velocity bop, Redman's compositions (the album boasts all originals and one Charlie Parker cover) and fluid sax work prove his mastery of the craft. THE STRUGGLE CONTINUES is a wonderful outing that feels both traditional and forward-thinking. When ECM released Dewey Redman's The Struggle Continues in January 1982, he was busier than he had been in years. He'd spent three years recording and touring with Old and New Dreams (and a few more after). This date has Redman fronting a standard rhythm trio comprised of bassist Mark Helias, pianist Charles Eubanks, and drummer Ed Blackwell (a bandmate from the time they spent with Ornette Coleman through to Old and New Dreams, and with other Coleman alumni Cherry and Charlie Haden). Redman was versatile, as comfortable playing inside as outside, and here he does a bit of both, straying in and out of free and hard bop mode. It is one of the saxophonists most consistent and "melodic" recordings, but that doesn't mean he's any less adventurous. On his five compositions and an excellent eight-plus-minute workout on Charlie Parker's "Dewey Square," Redman is at the top of his game as an improviser and as a bandleader. The session is tight, with quick changes and rhythmic twists and turns throughout. He revisits his beautiful, easy loper "Joie de Vivre" with something approaching Thelonious Monk's sense of time and humor. Eubanks is particularly fine here, seemingly able to anticipate both Redman and the rhythm section in every comped bar; he fills the spaces just enough. His chord voicings on this tune in ...
|
|
|