| | All-American Rejects CD All-American Rejects Discography of CDs
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The All-American Rejects: Tyson Ritter (vocals, bass); Nick Wheeler (guitar, keyboards, drums, programming).
Recorded at Mission Sound and Headgear Studio, Brooklyn, New York.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Audio Mixer: Tim O'Heir.
Recording information: Headgear Studio, Brooklyn, NY (2002); Mission Sound Studios, Brooklyn, NY (2002).
Arranger: The All-American Rejects.
Big hooks abound on this forceful debut by power pop whiz kids Nick Wheeler and Tyson Ritter. Though not yet old enough to legally buy an alcoholic drink in the year 2002, All-American Rejects are capable songwriters, accomplished vocalists, and skilled instrumentalists. Guitar-driven and underpinned with a humane-sounding drum machine cranking out frenetic backbeats, each cut on this self-titled debut brims with harmonies that recall the early Who and classic Beach Boys. Bolstered by the brash bar band bravado akin to the Replacements, the Goo Goo Dolls, and Fastball in all their ragged glory, All-American Rejects passionately render songs about girls, love, self-doubt, and youthful abandon. Cuts such as "Too Far Gone" employ a sympathetic orchestral backdrop, while tracks including "Drive Away," "My Paper Heart," and "One More Sad Song" prove that loud guitars and a broken heart make great rock & roll. A talented band destined for great things, All American Rejects are primed to be embraced by the masses. ~ Tom Semioli
Tyson Ritter and Nick Wheeler, the two college-age clean-cut men who form the nexus of the All-American Rejects, have a knack for driving home a pop hook. Clearly weaned on power pop's history from the Beach Boys and Big Star to the Cars and Weezer and other more modern proponents, the Oklahoma outfit serves up gentle pop radiance with a hint of Replacements-style brashness on its self-titled debut.
The All-American Rejects' songs capture a youthful simplicity without slipping into juvenile lyrics like many bands with a similar sound. There is an endearing innocence in tunes like "My Paper Heart" with its simple opening entreaty "please just don't play with me/my paper heart will bleed" over insistent acoustic guitar before a quiet storm replete with a tympani-sounding instrument. Ornate instrumentation abounds, but it augments the music, never seeming forced or out or place, likely a combination of prescience on the pair's part and the experienced hand of producer-engineer Tim O'Heir (Sebadoh, Superdrag, Possum Dixon). In fact, the album's hallmark is a bewitching, summery, infectious pop consistency.Spin (4/03, p.107) - "Pop professionalism meets emo's romantic amateurism..." - Grade: A- All-American Rejects Music All-American Rejects Songs All-American Rejects Music All-American Rejects Music Review Buy All-American Rejects CD Purchase All-American Rejects CD To buy, Click on price to add to cart | VH1 Presents The Corrs Live In Dublin CD (2002)
All-American Rejects
 $6.39   
The Corrs: Jim Corr (vocals, guitar, keyboards); Sharon Corr (vocals, violin); Andrea Corr (vocals, tin whistle); Caroline Corr (vocals, drums, bodhran, percussion).
Recorded at Ardmore Studios in Dublin, Ireland in January 2002.
You knew the Corrs had made it when they played the final JFK Awards ceremony of the Clinton administration. Playing it would have been achievement enough, but their status as a happening thing was cemented at the end of the ceremony, during the encores, when everybody was taking their final bows. Bill moseyed up over to Andrea, put his arm around her, and when she was looking away, sized her up -- at precisely the same moment Chuck Berry was checking her out. If that doesn't mean that you've broken America, entering its pop culture, I don't know what does, expect for maybe a VH1-endorsed piece of product like Live in Dublin. Lo and behold, that's exactly what the Corrs received in the spring of 2002, a year and a half after "In Blue" and its accompanying single "Breathless" broke down the doors in America for the U.S. Only two songs on this set list are shared with In Blue, but that doesn't mean that the group returns to their slightly more traditional Celtic roots on the remainder of the songs. Sure, there are hints of that, but there are also four pop covers, two of them ("Little Wing" and "Ruby Tuesday") featuring Ron Wood, with another song, the Lee Hazelwood/Nancy Sinatra duet "Summer Wine," featuring Bono. Some of this is not unfamiliar to the Corrs' repertoire, since they did cover "Little Wing" before, on Talk on Corners (plus an MTV Unplugged release), but the end result is the same -- it's a crossover ...
| | Good Charlotte The Young and the Hopeless CD (2002)
All-American Rejects
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2nd Album. Enhanced CD. Produced By Eric Valentine.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Good Charlotte: Paul, Benji ?, Billy, Joel .
Good Charlotte's The Young and the Hopeless is punk-pop déjà vu. Rehashing worn clichés aplenty on each track, cuts such as "The Anthem" emerge exactly as the title overtly implies: a high-velocity, guitar-driven reason to lash out against the usual growing pains inflicted by parental authority and high-school drama. Grafting the widely recognizable drum motif from Iggy Pop's infamous "Lust for Life," "Lifestyles of the Rich & Famous" is downright predictable, while offerings including "Boys and Girls," "Day That I Die," and "Moving On" are strictly paint-by-numbers rockers sans personality. However, "Emotionless," a shoegazing ballad with a clever orchestral backdrop, stands as the sole moment of truth. An album title that clearly reflects the content; stick with bands such as Green Day if radio-ready punk-pop is your preference. ~ Tom Semioli
For its second outing THE YOUNG AND THE HOPELESS, Good Charlotte gives any notion of a sophomore jinx a combative boot to the side of the head thanks to an abundance of chanting choruses and choppy guitar riffs. Like standard-bearers Blink-182, this Maryland quartet frolics in a land of teen angst peppered with snarky optimism that comes across best within the margins of the rebellious ...
| | Evanescence Fallen CD (2003)
All-American Rejects
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Evanescence: Amy Lee (vocals); Ben Moody (guitar, percussion, programming).
Additional personnel: Paul McCoy (vocals); David Hodges (piano, keyboards, programming); Francesco DiCosmo (bass); Josh Freese, Rocky Gray (drums); Zac Baird, Chris Johnson (programming).
Evanescence won the 2004 Grammy Award for Best New Artist. FALLEN was nominated for Album Of The Year and for Best Rock Album. "Bring Me To Life" won for Best Hard Rock Performance. The song was also nominated for Best Rock Song.
Personnel: Amy Lee (vocals); David Hodges (piano, keyboards, programming); Josh Freese (drums); Chris Johnson , Zac Baird (programming).
Audio Mixers: Dave Fortman ; Jay Baumgardner; Mark Curry.
Recording information: Conway Recording Studios, Hollywood, CA; Newman Stage, Twentieth Century Fox; NRG Recording Studios, North Hollywood, CA; Ocean Studios, Burbank, CA; Track Records, Inc., North Hollywood, CA.
Arranger: Amy Lee.
Fallen is the major-label debut of Evanescence, a Little Rock, AR-based quartet led by the soaring vocals of 20-year-old Amy Lee. Emboldened by the inclusion of its single "Bring Me to Life" on the soundtrack to the hit film Daredevil, Fallen debuted at an impressive number seven on Billboard's Top 40. But "Bring Me to Life" is a bit misleading. A flawless slice of Linkin Park-style anguish pop, it's actually a duet between Lee and 12 Stones' Paul McCoy. In fact, almost half of Fallen's 11 songs are piano-driven ballads that ...
| | Dredg Catch Without Arms CD (2005)
All-American Rejects
$8.49
Personnel: Nathan Calvin (vocals).
Audio Mixer: Terry Date.
Recording information: Studio Litho, Seattle, WA.
Editor: Ingrid Erickson.
Arranger: Chris DeGarmo.
It makes sense that Terry Date produced Catch Without Arms, Dredg's second record for Interscope. The producer is a veteran of Deftones albums, and it's that band's rich but still rocking palette that's the intent here. And they succeed. Like past Dredg releases Catch has a conceptual flow. But openers "Ode to the Sun" and "Bug Eyes" focus the grandeur and meandering pace of the band's past work around effective melodies and a steadiness in the rhythm. The choruses emphasize the Bono/Chino Moreno in Gavin Hayes' vocal, and when the rhythm drops out for a contemplative piano moment, nothing feels forced because this is what Dredg has been working toward for years. It's not like in the blurry emo world, where string sections crash regularly into soliloquies and it usually just ends up as melodrama. Catch Without Arms looks to groups like Deftones and At the Drive-In, but there's also a tremendous capacity in Dredg for straightforward pop. The title track is a standout, as is "Zebraskin," which with its keyboards and silky beat could be Cousteau or Sweetback. No kidding. And then the churning guitar intro of "Tanbark Is Hot Lava" drops, and you're bewildered again. "Sang Real" features drum processing and treated piano, "Planting Seeds" has the tension/chorus release quality of contemporary Brit-pop, and "Spitshine" has one of the record's strongest melodies. ...
| | All-American Rejects Move Along CD (2005)
All-American Rejects
$10.85
The All-American Rejects: Nick Wheeler (sitar, talk box); Tyson Ritter (bass instrument); Chris Gaylor (background vocals); Mike Kennerty.
Personnel: Tyson Ritter (vocals, Theremin, background vocals); Nick Wheeler (guitar, classical guitar, banjo, electric sitar, keyboards, programming); Mike Kennerty (guitar); Jamie Muhoberac (piano); Howard Benson, Paul DeCarli (keyboards, programming); Chris Gaylor (drums, percussion); Lenny Castro (percussion).
Additional personnel: Lenny Castro.
Audio Mixer: Chris Lord-Alge.
Recording information: Bay 7 Studios, Valley Village, CA; Casey Stone, Sunset Sound, Hollywood, CA; Sparky Dark, Calabasas, CA.
Photographer: Chapman Baehler.
The All-American Rejects' effervescent 2003 hit "Swing Swing" sounded like a pop-punk adaptation of Better Than Ezra, and their sophomore effort makes this mix even more apparent. The earnest racket of an outfit like the Get Up Kids is also a component in Move Along's sound. But the Rejects blend and sculpt those influences with keyboards, choirs, pianos -- there's even a classical guitar on "Top of the World" -- and the result is superficial midrange pop with ...
| | Heroes Del Silencio Musicos, Poetas Y Locos CDs (2003)
All-American Rejects
$9.99
2 Cds
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| | Bocarus CD (2004) (Import)
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| | 8 Bliss Train Of Events CD (2004)
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This CD has 5 bonus tracks. It's 75 minutes long and 20 tracks deep. There are 6 guest appearances, freestyle tracks, 2 female solos, innovation, and production by dj eXacto and dj Denizen. Dj eXacto beautifully crafted all but 4 beats. This album is as much his, as it is mine. In 2001, I was obsessed with the San Francisco Poetry scene. I was performing live twice a week in Oakland ...
| | Ghost Is Dancing CD (2006) Extended Play
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| | Christmas By Candlelight CD (2007) (Import)
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| | Debmaster Marvellous Dump CD (2008) (Import)
All-American Rejects
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