| | AC / DC Live CD AC / DC Discography of CDs
 (16 Customer Reviews)
Double CD collector's edition of AC/DC's 1992 live album digitally remastered and reissued in a special digipak plus a 16 page full color booklet containing all original album art, many unpublished photos, classic memorabilia and new 2003 liner notes. 23 tracks. Epic.
This is a Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser.
This edition also comes with a pull-out, 2-sided poster.
AC/DC: Brian Johnson (vocals); Angus Young, Malcolm Young (guitar); Cliff Williams (bass); Chris Slade (drums).
All tracks were recorded during AC/DC's 1990-1991 world tour. Originally released as Atco (92212). The 2003 edition of AC/DC LIVE includes liner notes by Don Kaye.
All tracks have been digitally remastered.
This is a Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser.
Personnel: Brian Johnson (vocals); Malcolm Young, Angus Young (guitar); Chris Slade (drums).
Audio Mixer: Ken Lomas.
Recording information: World Tour (1990-1991).
Photographers: George Chin; Serge Thomann; Scott Weiner; Larry Busacca; George Desota.
Arrangers: Malcolm Young; Angus Young.
Despite the fact that the band's best days were obviously behind them, a live album for AC/DC was all but completely necessary. After all, the group's first live release, If You Want Blood You've Got It, was recorded at a time when AC/DC was nothing more than a cult act that had yet to produce many of its future rock staples. Though recorded well into their career on the Razor's Edge 1991 tour, AC/DC Live surprisingly captures the hype and excitement that made AC/DC such a hit in their heyday. The set list wisely overlooks the songs from the band's mid-'80s slump and concentrates on hard rock hits such as "Hells Bells," "Back in Black," "Highway to Hell," and "Dirty Deeds Done Dirt Cheap." Brian Johnson's voice may not be as strong as in the early '80s, but he still sounds competent in his role. All too often, a live album is a cheaply made, rushed recording that only serves as a testament to a band's decline. AC/DC Live, however, shows what makes this band different from their peers -- here they are still entirely capable of pulling off a great live show. This ranks among the best live metal albums of the '90s. [In February 2003, the American distribution rights to AC/DC's back catalog transferred over to Epic, their new label. Epic reissued the band's catalog as remastered digipacks containing lavish, expanded booklets with plenty of rare photographs, memorabilia, and notes. Although the digipacks may wear a little too easy, the sound is terrific -- clean and muscular, enhancing the raw qualities of the original record -- and the packaging is loving, making the reissues necessary for collectors.] ~ Barry Weber
AC/DC reclaimed its status as gutbucket rock n' rollers to be reckoned with on this searing double-disc live set. The year was 1992, more than 15 years after the group's first recording. By this point, the band was approaching middle age, a time when most rockers settle into the lazy comfort of their genres. From the opening guitar shards of "Thunderstruck," it is clear no such concessions have been made. The bass drum falls in, not so much a timekeeper as an underground detonation device, and the repeated cries of "thunder!" gain volume like an approaching army. The difference being that this is an army with one mission and one mission only: to knock the lights out of anyone within earshot.
The album succeeds not only because the exuberant pounding the band gives to the familiar "Back in Black," "Highway to Hell," "Shoot to Thrill" and "Who Made Who," but also because of the equal pulverizing of older Bon Scott era numbers such as "Sin City" and "High Voltage." Vocalist Brian Johnson, in particular, injects some his best screeches in years.
Live albums used to mean something. Back when mEntertainment Weekly (10/30/92, p.86) - "..If you can keep your head from twitching after the likes of `You Shook Me All Night Long,' you're either old, in the way, or one of the band's schoolmarms.." - Rating: B+
Q (12/92, p.115) - 4 Stars - Excellent - "...great stuff...heads-down, full-tilt rock & roll...awesome..." AC / DC Live Songs | | Live CD DISC 1: |
| 1. | Thunderstruck |
| 2. | Shoot to Thrill |
| 3. | Back in Black |
| 4. | Sin City |
| 5. | Who Made Who |
| 6. | Heatseeker |
| 7. | Fire Your Guns |
| 8. | Jailbreak |
| 9. | Jack, The |
| 10. | Razor's Edge, The |
| 11. | Dirty Deeds Done Dirt Cheap |
| 12. | Moneytalks |
| | Live Songs DISC 2: |
| 1. | Hells Bells |
| 2. | Are You Ready |
| 3. | That's the Way I Wanna Rock 'N' Roll |
| 4. | High Voltage |
| 5. | You Shook Me All Night Long |
| 6. | Whole Lotta Rosie |
| 7. | Let There Be Rock |
| 8. | Bonny |
| 9. | Highway to Hell |
| 10. | T.N.T. |
| 11. | For Those About to Rock (We Salute You) |
|
Live Music Review Average Rating: (4.3 out of 5 stars)   List All Reviews Bon Scott singing?
This album was recorded in 1990-1991. Bon Scott was the original singer so he has co-writing credits on nine of the tunes, but contrary to the other review, I'm pretty sure Brian Johnson is the vocalist on this entire album. They have since released a live album that features old recordings with Bon Scott though.
In any event, this is a great album, AC/DC at their best. I don't understand the reviewer who said this is too similar to the studio recordings either. It's live AC/DC, that's how they play, what more do you want?
I have the original CD release, I don't how the remaster sounds. Some remasters are excessively peak limited to be louder, sometimes too loud, so I don't feel the need to purchase the remaster.
Submitted by beebster (california)
Was This Review Helpful? Yes No
 Best AC/DC Collection Yet
If you can't buy all of AC/DC's albums, but you still want a decent amount of their songs, this is the set for you. The 2 CDs have a total of 23 songs on them from AC/DC's live performances. 9 of them have Bon Scott singing, 8 of them have Brian Johnson singing, and the remaining 6 are from the Young brothers only. So it's a pretty well-rounded album. Overall, most of the songs sound almost studio-quality and are worth listening to. A few songs, such as "Shoot To Thrill" and a few others, have quiet vocals for some reason or another. But, on those few songs, the guitars, bass, and drums are still easy to hear. In the end, this is the best AC/DC set out there without having to buy all of their albums individually. It loses 1 star because of the quiet vocals on a few songs. One last thing: the Japanese version of this set comes with the extra track "Hell Ain't A Bad Place To Be" on disc 2.
Submitted by CD_Music_Freak (Earth)
Was This Review Helpful? Yes No
 Great Stuff
This is probably the second best live album I've ever heard. The best I've listened to is KISS Alive! Great renditions of Thunderstruck, Back In Black, and Hells Bells. Awesome CD
Submitted by tommycicchitti (Las Vegas, NV)
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Are you ready for the night line?
This CD is one of the best live albums I have heard to date.
I thought The Who's Live At Leeds was good.
This album blows me away.
Angus and that raw electric guitar feel is just something else.
Back In Black is one of my favourites, and is played as if by God's axe.
Awesome.
Submitted by gmanparadise (New Zealand)
Was This Review Helpful? Yes No Good Performance
It's a good album, but I really expected more of AC/DC in the scenary. Their songs are just to similar to the orginal recordings and there's nothing that makes the difference. Plus, I don't think it's a real concert; it must be outakes from different live perfromances. Anyway its AC/DC and it rocks
Submitted by Fran (Wallingford, CT, USA)
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Purchase Live CD To buy, Click on price to add to cart | Nightmare on Elm Street DVD (1984) Widescreen
Live
 $6.39 
A hellish, razor-fingered monster enters the dreams of the teenage residents of a bucolic town and systematically slaughters them in their sleep--until one courageous young woman does battle with the predatory fiend. An excellent, surprisingly surrealistic genre entry from the master, Wes Craven.
Closed Captioned; Standard Screen; Second Audio Track; Soundtrack English; English Subtitles; Dir/Cast Commentary
| | Ozzy Osbourne Live At Budokan CD (2002)
Live
 $6.95 
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel includes: Ozzy Osbourne (vocals); Zakk Wylde (guitar); Robert Trujillo (bass); Mike Bordin (drums).
Recorded live at Budokan Hall, Tokyo, Japan on February 15, 2002.
This is a (multi-channel) Super Audio CD, playable only Super Audio CD players.
Personnel includes: Ozzy Osbourne (vocals); Zakk Wylde (guitar); Robert Trujillo (bass); Mike Bordin (drums).
Recorded live at Budokan Hall, Tokyo, Japan on February 15, 2002.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel: Ozzy Osbourne (vocals); Zakk Wylde (guitar); John Sinclair (keyboards); Mike Bordin (drums).
Audio Mixer: Thom Panunzio.
Recording information: Budokan Hall, Tokyo, Japan (02/15/2002).
Photographer: Ross Halfin.
After Speak of the Devil, Tribute, Just Say Ozzy, Live & Loud, the Ozzfest collections, and both Osbourne-fronted Black Sabbath live discs, one would think that Ozzy had exhausted his concert-album appeal. But due to the success of his reality TV show, Osbourne once again decided it was time for another live album. Although Osbourne's live performances were still rock-solid during the recording of this tour, Live at Budokan seems mighty excessive. The only positive thing about yet another one is to hear the intense live work of Zakk Wylde, who has been the cornerstone of Osbourne's sound longer than any other sideman he has ever worked with. His squealing leads and chunky guitar sound great here, displaying a talent for pure heavy metal that few other players could live up to in 2002. But at the same time, you can hear his amazing guitar work on at least two other Ozzy live discs, and the songs that are new to this environment (i.e., most of the first half of the album) are all taken from Down to Earth, which he plays on in the first place. This album sounds fine, is packaged nicely, and would make a ni
| | Ozzy Osbourne Ozzmosis CD (1995) Remastered
Live
$7.59
+ 2 Bonus Tracks. Replaces #Cbs 67091.
Personnel: Ozzy Osbourne (vocals); Zakk Wylde (guitar); Rick Wakeman, Michael Beinhorn (keyboards); Geezer Butler (bass); Deen Castronovo (drums).
Producer: Michael Beinhorn.
Reissue producer: Bruce Dickinson.
Recorded at Guillaume Tell Studios, Paris, France, Right Track Recording and Electric Lady Studios, New York, Bearsville Studios, Woodstock, New York. Includes liner notes by Phil Alexander.
All tracks have been digitally remastered.
Personnel: Ozzy Osbourne (vocals); Zakk Wylde (guitar); Michael Beinhorn (keyboards); Deen Castronovo (drums).
Audio Mixer: David Bianco.
Recording information: Bearsville Sound Studios, Bearsville, NY; Electric Lady Studios, New York, NY; Guillaume Tell Studios, Paris, France; Right Track Recording, New York, NY.
Photographer: Rocky Schenck.
Despite a never-ending succession of guitarists, Ozzy Osbourne never changed his basic musical attack over the years. There are slight differences between the records, with the only noticeable distinctions being the production fads of the time. Ozzmosis, his sixth solo studio album, isn't all that different from his previous two records, No More Tears and No Rest for the Wicked, largely due to the still impressive skills of guitarist Zakk Wylde. However, even Wylde's prowess is diluted by the slick, modern-rock conscious production by Michael Beinhorn (Soul Asylum). Occasionally, the guitar is synthesized, which is indicative of the album's main flaw -- on the surface, the music is hard and loud, but it actually sounds smooth and processed. Furthermore, there's a distinct lack of fully formed songs and riffs, which is what really sinks the record. Osbourne can survive bad production -- he has for most of his career -- but he can't survive without having anything to sing. ~ Stephen Thomas Erlewine
Let us all be thankful that Ozzy's retirement didn't stick. It supposedly lasted for three days, after which he got bored a
| | Ozzy Osbourne The Ozzman Cometh CD (2002)
Live
$9.69 
THE OZZMAN COMETH is a single CD collection of hits, previously unavailable recordings and one new track. Previously included a limited edition second disc containing 2 of the 4 previously unavailable recordings as well as an interview with Ozzy Osbourne.
Personnel: Ozzy Osbourne (vocals); Tony Iommi, Randy Rhoads, Zakk Wylde, Jake E. Lee (guitar); John Sinclair, Kevin Jones, Rick Wakeman, Michael Beinhorn (keyboards); Geezer Butler, Bob Daisley, Rudy Sarzo, Bill Susan, Mike Inez (bass); Bill Ward, Lee Kerslake, Tommy Aldridge, Randy Castillo (drums).
Producers include: Ozzy Osbourne, Randy Rhoads, Max Norman, Ron Nevison, Michael Beinhorn.
Engineers include: Michael Wagener, Paul Northfield.
Recorded between 1970 & 1995.
Personnel: Ozzy Osbourne (vocals); Jake E. Lee, Randy Rhoads , Tony Iommi, Zakk Wylde (guitar); John Sinclair, Kevin Jones, Michael Beinhorn, Rick Wakeman (keyboards); Geezer Butler, Robert Trujillo, Rudy Sarzo, Bob Daisley (bass guitar); Mike Bordin, Randy Castillo, Tommy Aldridge, Bill Ward (drums).
Audio Mixers: Michael Wagener; Paul Northfield.
Recording information: A&M Studios, Hollywood, CA (1983-1995); Bearsville Studios, Woodstock, NY (1983-1995); Conway Studios, Los Angeles, CA (1983-1995); Devonshire Studios, Los Angeles, CA (1983-1995); Electric Lady Studios, New York, NY (1983-1995); Enterprise Studios (1983-1995); Goodnight LA Studios, Los Angeles, CA (1983-1995); Guillaume Tell Studios, Paris, France (1983-1995); Ridge Farm Studios (1983-1995); Right Track Recording, New York, NY (1983-1995).
Photographers: Mark Weiss; Ross Pelton; Matt Sherlock; Guzman/Rotterdam Conservatory Orquesta Tipica; Neal Preston; Gene Kirkland.
As with many '70s and '80s metal acts, the '90s were not a very productive period for Ozzy Osbourne. Aside from two studio albums (1991's No More Tears and 1995's Ozzmosis) and the creation of the Ozzfest summer tour package, the middle-aged Osbourne had all but withdrawn from the industry
| | Symptom Of The Universe: The Original Black Sabbath (1970-1978) CDs (2002) Remastered; Digipak
Live
$21.49
Full Title - Symptom Of The Universe - The Original Black Sabbath 1970-1978. 2 CDs presenting 29 tracks form the bands earliest days and most popular era with Ozzy Osbourne as co-founder and front man. Includes the rare 'Evil Woman' non-LP single, available on CD for the first time in the US. Digitally Remastered from the original tapes, 2 individual digipaks with separate booklets all in a slipcase with special embossed artwork. Warner/Rhino. 2002.
Black Sabbath: Ozzy Osbourne (vocals, harmonica); Tony Iommi (guitar, piano, harpsichord); Terry "Geezer" Butler (bass); Bill Ward (drums, percussion).
Additional personnel: Rick Wakeman (piano, synthesizer).
Producers: Roger Bain, Patrick Meehan, Black Sabbath, Mike Butcher.
Compilation producers: Black Sabbath, David McLees.
Recorded between 1970 & 1978. Includes liner notes by Mick Wall.
All tracks have been digitally remastered.
Personnel: Ozzy Osbourne (vocals, harmonica); Tony Iommi (guitar, piano, harpsichord); Rick Wakeman (piano, synthesizer); Gerald Woodruffe (keyboards); Bill Ward (drums, percussion).
Audio Mixers: Robin Black ; Tony Iommi.
Audio Remasterers: Dan Hersch; Bill Inglot.
Liner Note Author: Mick Wall.
Recording information: Criteria Studios, Miami, FL; Island Studios, London, England; Morgan Studios, London & Brussels; Regent Sound; Sound Interchange, Toronto, Canada; The Record Plant, Los Angeles, CA.
Editor: Dave "DW" Harris .
Photographers: Robert Ellis ; Shepard Sherbell; Richard Upper; Michael Putland; Ross Halfin; Emerson Loew; Fin Costello; Barry Plummer; Paul Canty; Andy Kent.
Arranger: Gerald Woodruffe.
Even after Ozzy Osbourne became a beloved figure, embraced even by conservative politicians, it's amazing that the leader of a band as anti-social and malevolent as Black Sabbath has ever become a household name. Even more amazing, the music made by the first lineup of Black Sabbath -- or "the Original Black Sabbath," as they are billed here o
| | Essential Ozzy Osbourne CDs (2003) Limited Edition; Remastered
Live
$15.95
Personnel includes: Ozzy Osbourne (vocals); Randy Rhoads (guitar).
Producers include: Ozzy Osbourne, Bob Daisley, Lee Kerslake, Randy Rhoads, Max Norman.
Compilation producers: Sharon Osbourne, Michael Guarracino, Bruce Dickinson.
Includes liner notes by Eddie Williamson.
Liner Note Author: Eddie Williamson.
Photographers: Greg Maston; Guzman/Rotterdam Conservatory Orquesta Tipica; Gene Kirkland.
Sony Music's "Essential" series of limited-edition two-disc compilations of major artists has been well-assembled generally, and Ozzy Osbourne's increased celebrity following the success of the "reality" TV series The Osbournes justifies his inclusion, as does his string of multi-platinum albums dating back to 1980. The 29-track collection presents most of the highlights of his solo career, from Blizzard of Ozz to Down to Earth, including such U.K. and/or U.S. hits as "Bark at the Moon," "No More Tears," "Perry Mason," and "Mama, I'm Coming Home," as well as the Grammy-winning live version of "I Don't Want to Change the World." Missing from the song list are such favorites as "Shot in the Dark," a Top 20 U.K. hit that made the Top Ten of Billboard's Mainstream Rock chart, and "Back on Earth," another major Mainstream Rock hit; both tracks can be found on the 1997 hits collection The Ozzman Cometh. And "Close My Eyes Forever," Osbourne's duet with Lita Ford, which was a gold-selling single and made the Top Ten of the Hot 100, is not in the Sony vaults and was not licensed. So, The Essential Ozzy Osbourne is not the perfect two-CD sampler of Osbourne's solo career. But it is a very good one, and new fans attracted by the TV show who wonder what his music is like will get an accurate representation of it here. ~ William Ruhlmann
Sony Music's "Essential" series of limited-edition two-disc compilations of major artists has been well-assembled generally, and Ozzy Osbourne's increased celebrity following the success of the "reality" TV series The Osbournes jus
| | Lonnie Brooks Live From Chicago - Bayou Lightning Strikes CD (1988)
Live
$15.05
Personnel: Lonnie Brooks (guitar, vocals); Osee Anderson, Ronnie Baker Brooks (rhythm guitars); Tom Giblin (organ, piano); Lafayette Lyle, Jr. (bass); Jimi Schutte (drums).
Recorded live at B.L.U.E.S., Etcetera, Chicago, Illinois on November 5-7, 1987.
Contains a CD bonus track.
Cut live at Chicago's B.L.U.E.S. Etcetera nightclub, the disc captures the high-energy excitement of Lonnie Brooks' live show. Many familiar titles from his Alligator catalog, along with a handful of never-before released tunes and a marathon "Hide Away" where Brooks pulls out all the guitaristic tricks at his command. ~ Bill Dahl
| | This Is Neo-Goth CDs (2003)
Live
$16.09
A gorgeous mixture of thundering beats, lush electronic melodies, enhanced by an intense vocal delivery, this is neo-goth! Features the hottest artists in this burgeoning new genre such as Orgy, VNV Nation, Zeromancer, Apoptygma Berzerk, Razed In Black and many more! Disc 3 is a non-stop mix by Razed In Black's very own DJ Rib! Disc 1 & 2 contain 27 tracks. Standard double jewelcase in a slipbox. Cleopatra. 2003.
Audio Mixer: Romell Regulacion.
Arranger: Zeromancer.
This Is Neo-Goth is yet another daunting three-disc package from Cleopatra, one that compiles 27 industrial-dance tracks for the first two discs and then provides a mix from adequate Hawaiian DJ RiB (aka Razed in Black, who also contributes the song "Share This Poison") for the third. It's a fair and hardly definitive selection (considering the title), including material from Orgy, Velvet Acid Christ, :wumpscut, Electric Hellfire Club, Strawberry Switchblade, Wolfsheim, VNV Nation, and Spahn Ranch. Fans of these groups might enjoy the mix disc, which is pulled off with a good degree of skill. And, of course, nothing here actually dates from medieval times -- hence the "neo" prefix in the title. ~ Andy Kellman
| | Roughstars CD (2004)
Live
$11.09
Track Listing of songs: NYC Deglam; Letter In Blue; Sacrifice; In House; Spinnin; Don't Rush; What About Me; Brand New Soul; Next Time; Metropolitan;
| | Judith Owen Twelve Arrows CD (2003)
Live
$11.65
Personnel: Judith Owen; Julia Fordham, Richard Thompson.
12 Arrows is a 12-song program that showcases vocalist Judith Owen in trio form with drummer Herman Matthews and bassist Sean Hurley. Owen also performs two great duets -- one each with Richard Thompson and Julia Fordham. Owen plays piano and sings in a velvety alto voice that endears her listeners with tasteful simplicity. On "That Scares Me," the harmonious duet with Julia Fordham, she pulls you into the song and beautifully cultivates the life experience that many have felt but never expressed. This ballad is sung in a highly personal style that Owen's listeners can surely relate to. With family and friends often the subject matter, Owen expresses her writing talents and musical depth on 11 of the 12 songs. Having written all of the music and lyrics except for "Black Hole Sun," she illustrates the same sort of compassion, understanding, and poetic witticism in her storytelling as Carly Simon and Joni Mitchell have so brilliantly demonstrated with their music. Overall, 12 Arrows is a radical departure from Owen's last record, Limited Edition, but it is consistent with the same high standards set with by Owen's do-it-yourself work ethic. Top pick: "Some Arrows Go in Deep." ~ Paula Edelstein
| | Trinity Hit Him Back CD (2006)
Live
$9.49
Trinity's Bio:Trinity: Born Jackie R. Dabney September 10, 1980 Houston, TexasTrinity has been rapping for the Lord (Jesus Christ) for 4 years now. Truly I have been crucified with Christ; and it is no longer I who live but Christ lives in me and the life which I now live in the flesh I live by faith in the Son of God, who loved me and gave Himself up for me. Galatians 2:20 About the Album:Hit Him Back is Trinity's 2nd project, first "As The World Turn". This new project is very bold and confident. This project brings a strong but simple message which says you can Hit Him Back, the devil ( our enemy ) that is. The only way to Hit Him Back is with the word of God. When the devil came to Jesus in Matthew 4 Jesus told him it is written. So Jesus Hit Him Back with the word of God. And that's the only way we can Hit Him Back. We have to know the word of God, we have to be able to speak the word, we have to allow the word to operate in our life. Yes, you too can Hit Him Back. I dare you to try it.
| | Leaderdog Speak CD (2003)
Live
$13.89
From out of the depths of Birmingham, Alabama, only one rock band rises to the top and points the direction to go. That band is Leaderdog. With heavy hitting spirit and solid focus, Leaderdog commands the stage upon sight. At the front, Dave Bowman is riveting with his intense vocal range and ability to mesmerize the audience through pure energy and emotion. Above all the rest, Guitarist, Jeff Stacy is ominously amazing with his vintage Gibson Les Paul’s seductive power over any crowd throughout each soaring lead and every raucous riff. The rhythm section of this heavy hitting rock outfit is completed by Chris Allen on drums and Rob Fields on bass. These two individuals deliver tight syncopated rhythms and accuracy throughout each Leaderdog song. Setting the pace for 2007, Leaderdog just released “Attention Please,” the bands first full length 13 track album. “Attention Please,” features the evolving writing exploration and captivating musical atmosphere of Jeff Stacy and Dave Bowman. With solid hits such as, “Lonely Wings, I Wanna Win, Change For Me, Dandelion, and Painted Picture,” this album is sure to capture the audience’s “Attention.” Stacy and Bowman orchestrated the music of this new album to reinvent the Leaderdog sound and redefine the future direction of the band. In addition, Leaderdog captured their over the top live show on DVD, entitled, “Unleashed Live!” Released spring 2005, seven cameras attempted to grasp the raw power, energy and the overall adrenaline driven live performance. Also, Leaderdog’s 7-track EP entitled “Speak” was released in 2003. “Speak” reflects the sights and sounds shaped on the road, in clubs, at concerts, and music festivals.Highlights from the past years performances include: Atlantis Music Conference in Atlanta, Georgia, Midwest Music Summit in Indianapolis, Indiana, City Stages Music Festival in Birmingham, Alabama, North Alabama’s Big Spring Music Jam in Huntsville, Alabama, and Mob Fest in Chicago, Illinois. Currently, the Leaderdog single “Run” was featured on the A&E cable television 3rd season premier of “Dog: The Bounty Hunter.” They were also featured on the 2004 Rocktrax Records release, “The Road” A Tribute to Brother Cane with their exploding rendition of “And Fools Shine On.” Leaderdog has appeared with dozens of regional bands from around the country, plus national acts: Shinedown, Puddle of Mudd, Alice Cooper, Def Leppard, Trapt, Kings X, Default, SR-71, Silvertide, The Exies and Saliva. The Leaderdog band sets the standard for a new edge of rock ready to take the stage, capturing audiences young and old.Visit www.myspace.com/leaderdog or go to www.leaderdog.net for performance dates, sound clips from “Attention Please” and “Speak,” a video demo of the “Unleashed Live” DVD, merchandise, photos, and more.
| | Marcelo Aedo Norte Verde Grande CD (2007)
Live
$11.49
Renowned in his native Chile as one of the top bass players in the country, Marcelo is a complete musician having excelled in many fields of music since the early ‘80s. He studied classical guitar at the prestigious School of Modern Music in Santiago, classical double bass at the Musical Institute of the Universidad Catolica then under the tutelage of Roberto Lecaros and Ismael Torres, Marcelo studied jazz and became a master of the double bass.Marcelo collaborated with the most important Chilean musicians of his time becoming well known in the area of Jazz Fusion. He was a founding member of two of Chile’s top Fusion bands, “Al Sur” and “Trifusion.” He is currently a Professor of Electric Bass at the SCD Music School in Santiago. He owns a musical production company called WAMA and is the bassist and musical director of the band, which accompanies Alberto Plaza on his frequent concert tours.As a composer and producer, Marcelo has also achieved tremendous success. He composed the music for three motion pictures as well as two highly acclaimed international theater and dance productions. With over ten years working with advertising firms he has written, produced or contributed to over 400 jingles. Marcelo’s first solo CD “Polosur Celeste” was inspired by the glaciers and fiords of Southern Chile. Now "Norte Verde Grande" brings to you music inspired by the desert north country of Chile, rich in culture with stark terrain under clear cobalt skies. This album is a continuation of Marcelo's smooth jazz compositions with fabulous subtle Latin folk elements woven in to paint a picture of life in Northern Chile.
| | Fonseca Gratitud- Edicion Especial CD (2008) Enhanced CD
Live
$11.29
On his sophomore studio effort, GRATITUD, Colombian Latin pop singer and songwriter Fonseca continues to refine his synthesis of pop and rock with the tambora, vallenato, and bullerengue rhythms of his native Bogota. Much like CORAZON, his debut, GRATITUD is mellow, melody-rich, and seductive. The lead single, "Enredame," with its gently pulsing rhythm and soaring chorus, invites listeners to bob their heads and sing along. The rest of GRATITUD follows suit, with track after track of memorable tunes that are both smooth and sophisticated
| | Barak Twilight Cave CD (2008) (Import)
Live
$17.09
Track Listing of songs: Morning Breeze On A Party Face; The Formula; Mar De Nubes; Human Response; Twilight Cave; The Desert Moon Mistery; Castle Freak; One Way Out; Sea Side Caribean Moonshine;
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