| | Pulseprogramming Tulsa For One Second CD Pulseprogramming Discography of CDs
Pulseprogramming is a multi-media collaboration involving audio and visual elements, with music that tends toward electronically-based ambient-scapes and downtempo grooves. The remix project for Pulseprogramming's album TULSA FOR ONE SECOND reflects all the dreamy, meditative beauty of that release, with a greater orientation toward beats and the interplay of rhythmic patterns. Remixes from Sylvain Chauveau ("Within the Orderly Life") and Static ("Off to Do Showery Snapshots") are among the highlights on this collection of lush, textured tracks.
Creators: Hellner; Kriske.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.Uncut (6/03, p.91) - 4 stars out of 5 - "...It's a sustained soft explosion of hushed, aching indietronica....Pulseprogramming are the sound of the perfect moment slipping through your fingers..."
The Wire (2/03, p.65) - "All the sharp, cold ridges of the usual electronic sound palette are sheared off and smoothed down on this beguilingly gentle release..."
Mojo (Publisher) (5/03, p.108) - 3 stars out of 5 - "...This is accessible, if sometimes austere, modern electronica, distinguished by passages of unmitigated prettiness..." Tulsa For One Second Music Pulseprogramming Tulsa For One Second Songs | 1. | Blooms Eventually |
| 2. | Here Give It Here I'll Show You |
| 3. | Stylophone Purrs and Mannerist Blossoms |
| 4. | All Joy and Rural Honey |
| 5. | Off to Do Showery Snapshots |
| 6. | Don't Swell Up Your Glass Pocket |
| 7. | Within the Orderly Life |
| 8. | Largely Long-Distance Loves |
| 9. | Bless the Drastic Space |
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Tulsa For One Second Review
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Purchase Tulsa For One Second CD To buy, Click on price to add to cart | Donnie Darko DVD (2001)
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| | Nena Chokmah CD (2001) (Import) Import; Argentina
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2001 release from the artist best known in the states forher smash '99 Red Balloons' dating back to 1984, even though she has produced an album almost every year since then. Nena is very big in Germany, her homeland. Featuring the single 'Carpe Diem'. Import only!
Warning: Too much Chokmah can upset your equilibrium. Not even Nena herself expected this album to become what it turned out to be. From 1999 to spring 2001 she had written a sizeable collection of (unreleased) new songs, some of which she had even started playing on-stage during those years to great effect. Nevertheless, in a unique decision, as soon as her new producer and songwriting partner, Florian Sitzmann, suggested that she disregard those songs and start the new album with him from scratch, she agreed. The resulting songs they created turned out to be a clear departure from what anyone was ever used to from Nena. Listeners suddenly find her engulfed in soundscapes that bear close relation to those used by Björk or Radiohead (featured elements ranging from electronics to symphony orchestra), which also means that this album's mood is radically different from all her previous albums. In keeping with that, Nena's singing is uncharacteristically sullen, but with the added surprise bonus of odd new kinds of flourishes that pop up during the journey through this album's strange new territory -- even oriental-sounding melody lines make a number of fitting appearances throughout. Nena took her cue for this album from one lone lyric fragment ("Das schockt mein system," meaning "shocking my system") and its sound affinity to a term from Jewish Kabbala mysticism that she had heard of by chance around that time: "chokmah" (meaning -- among other things -- wisdom/energy/transformation). That might look like Nena has "gone new age," but luckily that's not the case. All the lyrics of the new songs are variations on one common theme (a theme that Nena has touched on regularly throughout her career): contemplating the worth of consciously facing life's contradictions and trying to transform that consciousness into a kind of creative energy. The album sort of asks the question: How does it feel to try to live life without holding on to any "isms" anymore? Nena obviously recommends that approach for herself, but -- in keeping with the openness of that approach- there is nothing dogmatic about the lyrics. Although that's pretty life-affirming, it's not a very comfortable proposition as such, and the combined weight of the album's songs is not easy to bear. What we do have here, however, is the most ambitious collection of music Nena has ever presented. Although some of the songs slightly suffer from over-arrangement, there are a number of absolute triumphs ...
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The 2004 limited-edition re-release of this album contains two additional songs: "We Can Run Away Now They're All Dead And Gone" and "Half The Fun."
Scotland's Snow Patrol formed in the mid-1990s, united by a love for both American and British alternative rock. Led by singer/guitarist ...
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After taking a break and immersing himself in a 30-minute, one-take piano piece that resulted in 2004's An Accidental Memory in Case of Death, Matthew Cooper (aka Eluvium) returns to forms and ideas he started to flesh out with Lambent Material and brings them to a more fully realized state throughout Talk Amongst the Trees. The album is longer than Lambent and employs the same types of instrumentation, but takes it in a more focused and emotionally charged direction. ...
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