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Bergman Marie / Kramer Maj-B - Who Calls The Tune CD Cover Art
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Bergman Marie / Kramer Maj-B Who Calls The Tune CD

 Bergman Marie / Kramer Maj-B Discography of CDs

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Who Calls The Tune Music


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List Price $33.99 (You save $6.04)
Category Rock/Pop Albums, Jazz CDs
Label Stunt
CD Universe Part number 5651868
Catalog number 2112
Discs 1
Release Date Jan 01, 2003
Bergman Marie / Kramer Maj-B Who Calls The Tune Songs


Bergman Marie / Kramer Maj-B Who Calls The Tune Album Track Listing



1.Gravity
2.Blood of the rose
3.Rise and shine
4.There is rain in me
5.In the nakedness of you
6.Who calls the tune
7.Pathway
8.Nefertiti
9.meeting of the waters, The
10.Perfect thirst
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Personnel: Herb Ellis (guitar); Lou Levy (piano); Gus Johnson, Stan Levey (drums).
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Originally released on Verve Records in 1961, ELLA IN HOLLYWOOD is a straightforward collection of 12 familiar standards mostly given very simple, pop-oriented arrangements. Songs tend to run well under four minutes (a gently swinging "Just In Time" clocks in just under two), with only a minimum of room for Fitzgerald to break into her legendary scatting. The main exception is the centerpiece track, a nine-minute take on the Duke Ellington standard "Take the A Train," that gives Fitzgerald ample room to stretch out vocally. Although fans of her scat work might be somewhat disappointed by this mainstream set, ELLA IN HOLLYWOOD serves to remind just how gifted a stylist Fitzgerald was in the pop genre as well.
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Liner Note Author: Will Friedwald.
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Vinyl LP version also available directly from the label at www.whatmusic.comHoracio Borraro is one of the founding fathers of modern and contemporary jazz in Argentina. Friends and fans know him by the nickname of 'Chivo' ('Goat'). Everyone in Argentina's jazz circle loves this gentlemanly, funny and inventive fellow born in Buenos Aires in 1925, who is also an architect, painter, designer, occasional writer and photographer. During the sixties and seventies he sought the company of younger musicians without ever giving up his ties to his contemporaries. The musicians in the band were all born in the forties. But furthermore, they are among the best in Argentina. Fernando Gelbard, pianist and keyboardist here (he also plays flute), did other records with Borraro, but was mainly known for his consistently up-to-date solid work on piano and flute. Gelbard's command of electronic instruments was quite unique in Buenos Aires at the time - he's also known for his pioneering work in computers - and he moved to the United States in the late seventies. The bass player and the drummer, Jorge 'El Negro' González and Néstor Astarita respectively, had been Gato Barbieri's rhythm team in the late fifties and early sixties, when Barbieri was the local jazz superstar, before leaving for Europe and the States. So the listener finds here a good sampling of first-rate argentinean jazz musicians. And they have kept proving how good they are, to argentinean cognoscenti at least; because they chose to make it in their difficult and unpredictable country, they have remained largely unknown to international audiences. As for Miguel 'Chino' Rossi, his percussion lines and ideas show he belongs to this group, but he seems to have vanished from the music scene.For this album Gelbard and Borraro chose to explore quite thoroughly the field of electronic instruments, thus moving through new jazz dimensions. We have to bear in mind that Argentina is a mixture of underdevelopment and, in a big city like Buenos Aires, overdevelopment. That should explain the fact that though electronics in music was in the early seventies quite a new phenomenon to the popular music world at large, as early as 1973 musicians in Buenos Aires were not only experimenting, but ready to put their experiments on record.Borraro's tenor sound here conveys mainly a lyrical, peaceful and quiet mood. Beyond the technical prowess evident in the three numbers with multiple overdubbing (due to both Gelbard and Borraro), the record has a soaring, in-the-clouds quality that makes for a lot of its charm. There is of course an exception to all ...
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