| | Danny Wright Growth CD Danny Wright Discography of CDs
"Moulin D'Or Sampler" Growth Review
GuidelinesRemember to focus your comments on Danny Wright Growth CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Growth CD To buy, Click on price to add to cart | Loreena McKennitt A Mediterranean Odyssey CDs (2009)
Growth
 $19.29  
Personnel: Loreena McKennitt (vocals, harp, accordion, piano, keyboards); Ben Grossman (hurdy-gurdy, triangle, percussion); Hugh Marsh (violin); Caroline LaVelle ...
| | Pure Moods CD (1997)
Growth
$11.69 
Producers include: R. Gallo Salsotto, DJ Dado, Claus Zundel.
Originally advertised on television and then released to stores, Pure Moods could be subtitled "New Age's Greatest Hits." Certainly, it has everything that the mainstream pop audience could construe as new age -- atmospheric synthesizers, chants and haunting sonic textures. More importantly, it has all of the songs, from Enigma ("Return to Innocence," "Sadeness Part I"), Deep Forest ("Sweet Lullaby") and Enya ("Orinoco Flow (Sail Away)") to Jean Michel Jarre ("Oxygene ...
| | Jean Michel Jarre - Oxygene Moscow/ The Portrait DVD (1997)
Growth
 $16.25 
| | Zamfir Gold CDs (2003) (Import) Sweden
Growth
$21.05
| | Mannheim Steamroller Fresh Aire CD (1975)
Growth
$10.19
Mannheim Steamroller: Chip Davis (recorder, drums); Denny Schneider (trumpet); Bill Buntain (trombone); Jackson Berkey (keyboards); Eric Hansen (bass).
Engineers: Don Sears, Ron Ubel, Jeff Schiller.
Recorded at Sound Recorders Studios, Omaha, Nebraska & Kansas City, Missouri.
All tracks have been digitally remastered using HDCD technology.
A harbinger of the new age movement, Mannheim Steamroller's debut is a unique mix of light classical piano music, progressive rock, and medieval songs. Composer Chip Davis breaks the album into 12 semi-classical structures (sonatas, interludes, even a disguised passacaglia) that match up to the seasons, rendering Fresh Aire a concept album about nature and life. Most ...
| | Govi Mosaico CD (2002)
Growth
$13.45
| | X-Ecutioners X-Pressions CD (1997)
Growth
$11.59
DJ Crew From Brooklyn
The X-ecutioners: Mista Sinista (guitar, drums, percussion, ...
| | Al Jarreau Glow CD (1976)
Growth
$5.95
| | Dr Andrew Weil Breathing: Master Key To Self Healing CDs (2000)
Growth
$19.89
| | Best Of Beau Jocque CD (2001)
Growth
$14.55
| | Dan Gibson Forest Piano CD (2001) Import
Growth
$22.25
| | 3 Minute Heroes CD (2002)
Growth
$5.85
Live Recording
| | Dr Jeffrey Thompson Creative Mind System (2 Disc) CDs (2004)
Growth
$17.09
Live Recording
| | Topcats Four Play CD (2006)
Growth
$11.39
The Topcats have been a force on the New Orleans music scene now for over twenty-five years. Originally formed in the early seventies as a fifties "doo-wap" band, the current line-up of Buzzy Langford on guitar and vocals, Pat Campbell on bass and vocals, Robert Schulte on drums and vocals, and David Gamble on keyboards has been cranking out a large variety of rock & roll for over twenty years. The ...
| | Julian Cope You Gotta Problem With Me CDs (2007) (Import) Netherlands
Growth
$23.85
Personnel: Julian Cope (guitar, Mellotron, synthesizer, Moog synthesizer, bass guitar); Doggen (guitar, harmonica, bass instrument); Donald Ross Skinner (acoustic guitar, drums, programming); Chris Olley (synthesizer, programming); Mister E. (drums).
After a number of side projects and albums that are eccentric even by the ever-peculiar Julian Cope's standards, YOU GOTTA PROBLEM WITH ME is in some ways a return to the form of his classic 1990s string of punk-prog concept albums. Although YOU GOTTA PROBLEM WITH ME is a two-disc set, the total time for both discs runs just under an hour: it's divided for conceptual reasons, not issues of length. Together, both discs range from hypnotic, krautrock-inspired drones to psychedelic guitar freakouts to almost folkish quiet meditations, with lyrics about Cope's usual obsessions with religion, materialism, and the ills of society.
Julian Cope is back with another unfeigned stab at anything that puts a bee under his bonnet. The Arch-Drude manages to display his baser nature with the Brain Donor records (like 2003's Too Freud to Rock 'N' Roll, Too Jung to Die), while his solo albums seem to search for the perfect blend of modern protest songs and garage rock. Following in the footsteps of Citizen Cain'd, You Gotta Problem with Me covers subject matter from corporate greed to celebrity culture, homophobia, and the war in Iraq. But his main target this time out is what he terms the misogynistic "Sky-God religions" of Christianity, Judaism and Islam. It's both passionate and silly, slapdash yet gorgeous, chock-full of new ideas and concerns while informed by nuggets of arcane antiquity -- like most of his work in the last two decades. "Doctor Know" opens the first CD -- perversely, he has split in two this hour-long CD to approximate the turning of the vinyl record -- with an eloquent nine-minute epic. Though it proves Cope's knack for marrying a thought-provoking lyric to a fluid melody, musically it's not quite up to the standards of, say, his "Safesurfer." "Beyond Rome" and "Soon to Forget Ya" are fun while they last, but in their brief burn they remain more like sketches than fully developed songs. The title song manages to showcase the attributes that make Cope tick these days. Its raw crunch and humorously delivered chorus turn into an almost saccharine, lilting melody before it's over, and the natural flow between the polar opposite sections are a joy to both the mind and the ear.
It's been a common complaint among Cope's followers that he left the path of pop perfection to follow his muse after 1996's Interpreter and in doing so, he's managed to make commercially unviable and raw records that few are willing to release in a business too often run by accountants rather than artists. While he may be shooting himself in the foot with this release commercially speaking, it isn't the first time he has done so, and artistically he continues on his more recent path of garage psychedelia paired with politically inflammatory material that should leave nobody cold. A song title like "Vampire State Building" is in itself provocative, but its eerie, retro-electronic backing and Cope's heartfelt exploration into the expanding clutches of the Bush ...
|
|
|
|
 |
|
|
432056 
Email a Friend
