| | Sixty Stories Anthem Red CD Sixty Stories Discography of CDs
Recorded at Private Ear Recording, Winnipeg, Manitoba.
Personnel: Jo Snyder (vocals, guitar); Paul Furgale (vocals, drums); Sarah Sangster (vocals); Lloyd Peterson (Wurlitzer organ).
Recording information: Private Ear Recording, Winnipeg, Manitoba, Canada.
Photographer: Dave Landry.
Sixty Stories: Jo Snyder (vocals, guitar); A Computer (organ, keyboards, sound effects); Sarah Sangster (vocals, bass); Paul Furgale (vocals, drums).
Additional personnel: Lloyd Peterson (Wurlitzer piano).
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Purchase Anthem Red CD To buy, Click on price to add to cart | Adam Lambert For Your Entertainment CD (2009)
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$11.18 With Adam Lambert, American Idol finally got a finalist who was completely, utterly contemporary, aware of what's hip in music and culture and aware of how music is made and consumed in 2009, never seeming to try to follow fads or set trends, just embodying the time. Mercifully, he came in second to Kris Allen, for if he came in first he may have had to tame his self-styled glamazon ways. A second place finish allowed Lambert to come out of the closet and indulge in his penchant for theater on his debut, For Your Entertainment -- which isn't quite the same thing as camp, for if Adam Lambert is anything, he's earnest about his dress-up, never winking at the audience because he doesn't think there's much funny about his glitter and mascara: that's just what pop stars are supposed to do. He's learned that by listening to his stacks of Queen and Bowie records, from watching ...
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| | Doors Live In New York CDs (2009) Box Set; Special Edition
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| | Posies Failure CD (1988)
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$14.79 Though singer/songwriters Jon Auer and Ken Stringfellow later aligned themselves ...
| | Seth Geltman Pale Boy CD (2000)
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$10.79 Misfit City (London)Review by Dann ChinnApparently what fires Seth Geltman up is Astor Piazolla - fiery, complex, challenging music, stirring feet into instinctive dance. But it's a stiller, smaller flame that Piazolla's lit in Geltman's heart. His own songwriting is a more reserved thing altogether. You could compare what Seth Geltman and Thomas Blomster do with Pale Boy to what Stephen Merritt does with Magnetic Fields: "from the brain straight through the heart - the shortest distance", as Geltman puts it. Although not as accessible (or Broadway-bound) as Merritt's, his songwriting's similarly sophisticated; cerebral, sometimes difficult for ears attuned to pure pop. Dark closeted harmonies abound; melodies fade into shadowy doubts rather than aspiring. An air of introversion and dry, wounded carefulness is always present. If Spice Girls had Geltman's number, they wouldn't call it. If Stephen Sondheim did, he might. Pale Boy's delicate and mannered debut is loaded with thought and detail, with life constantly being breathed in by Blomster's exquisite arrangements: a chamber-orchestra palette of fluttering jazz and flamenco guitars, violins, reeds and brass plus Blomster's own piano, ever-crisp drumming and knack for tuned percussion. Drawing on latter-day classical, jazz, and the area where the two blend together, this is music fleshed out with the same kind of light, miniaturist detail as Penguin Cafe Orchestra. Geltman handles most of the singing, his light bloodless voice as untouchable and inflection-free as Leonard Cohen's and as transparent as blown newsprint. And though Pale Boy are Denver-based, their spiritual home is European - an autumnal imaginary Paris of skating rinks, cafe culture and falling leaves, or the ascerbic Germany that Brecht and Weil knew. Or a hundred points between Moscow and San Francisco where dispossessed Old Worlders with shabby coats and battered instrument cases laid down their baggage and played for a while... Think that. Then factor in a touch of Smog, with trailer parks, shitty hotels and bad teeth replaced by faded, once-grand apartments and battered books. That nails the Pale Boy world as closely as anything. Apart from the other occasional touchstone, Love's "Forever Changes" - intricate folk strumming, surging orchestras, and dreamy heads running up against barriers. "Just A Thought" (in which Geltman, up to his knees in toil, casts his mind free overslinking brass and woodwind) hints at "Aloneagainor" in mingling innocence and frustration - "There's so much more than the grind every day, / there's the blue and the cats and the letter K. / Far from ...
| | Trey Songz I Gotta Make It CD (2005)
Anthem Red music CDs
$10.59 Any young R&B performer that can get Aretha Franklin to introduce his debut album must be doing something right. Although Trey Songz's I GOTTA MAKE IT opens with "A Message from Aretha," an uplifting bit of advice from the soul legend, the record isn't an old-school outing; this is hip-hop-inflected contemporary R&B in the R. Kelly vein.
The smooth, catchy single "Gotta Make It" appears twice here, first as a collaboration between the gently crooning Songz and the lightning-fast rapper Twista, and later as a remix featuring more words of wisdom from Franklin and the steady flow of Juvenile. Other highlights include the charming slow ...
| | Death Row Presents: Tupac - Live At The House Of Blues CD (2005)
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