Outkast Speakerboxxx/ The Love Below CD

Includes an untitled hidden track at the end of THE LOVE BELOW CD.
Outkast: Andre "3000" Benjamin, Antwan "Big Boi" Patton.
Additional personnel includes: Sleepy Brown, Jazze Pha, Jay-Z, Killer Mike, Big Gipp, Ludacris, Rosario Dawson, Norah Jones, Kelis, Cee-Lo, Lil Jon, Mello, Slim Calhoun, Kuhjo Goodie.
Producers include: Andre 3000, Mr. DJ, Big Boi, Carl Mo, DoJo 5.
SPEAKERBOXXX/THE LOVE BELOW won the 2004 Grammy Awards for Album Of The Year and for Best Rap Album. "Hey Ya!" won for Best Urban/Alternative Performance. The song was also nominated for Record Of The Year.
Includes an untitled hidden track at the end of Disc 2.
Outkast: Andre "3000" Benjamin, Antwan "Big Boi" Patton.
Additional personnel includes: Sleepy Brown, Jazze Pha, Jay-Z, Killer Mike, Big Gipp, Ludacris, Rosario Dawson, Norah Jones, Kelis, Cee-Lo, Lil Jon, Mello, Slim Calhoun, Kuhjo Goodie.
Producers include: Andre 3000, Mr. DJ, Big Boi, Carl Mo, DoJo 5.
SPEAKERBOXXX/THE LOVE BELOW won the 2004 Grammy Awards for Album Of The Year and for Best Rap Album. "Hey Ya!" won for Best Urban/Alternative Performance. The song was also nominated for Record Of The Year.
To call OutKast's follow-up to their 2000 masterpiece Stankonia the most eagerly awaited hip-hop album of the new millennium may be hyperbole, but not by much. In its kaleidoscopic, deep-fried amalgam of Dirty South, dirty funk, techno, and psychedelia, Stankonia was fearlessly exploratory and giddy with possibilities. It was hard to imagine where the duo was going to go next, but one possibility that few entertained was that Big Boi and Andre 3000 would split apart, each recording an album on his own and then releasing the pair as the fifth OutKast album, Speakerboxxx/The Love Below, in the fall of 2003. Although both albums have their own distinct character, the effect is kind of like if the Beatles issued The White Album as one LP of Lennon tunes, the other of McCartney songs -- the individual records may be more coherent, but the illusion that the group can do anything is tarnished. By isolating themselves from each other, Big Boi and Andre 3000 diminish the idea of OutKast slightly, since the focus is on the individuals, not the group. Which, of course, is part of the point of releasing solo albums under the group name -- it's to prove that the two can exist under the umbrella of the OutKast aesthetic while standing as individuals. Thing is, while it would have been a wild, bracing listen to hear these 39 songs mixed up, alternating between Boi and Dre cuts, the two albums do prove that the music can be solo in execution but remain OutKast records through and through. Both records are visionary, imaginative listens, providing some of the best music of 2003, regardless of genre. If conventional wisdom, based on their public personas and previous music, held that Big Boi's record, Speakerboxxx, would be the more conventional of the two and Andre 3000's The Love Below the more experimental, that doesn't turn out to be quite true. From the moment Speakerboxxx kicks into gear with "GhettoMusick" and its relentless blend of old-school 808s and breakneck breakbeats, it's clear that Boi is ignoring boundaries, and the rest of his album follows suit. It's grounded firmly within hip-hop, but the beats bend against the grain and the arrangements are overflowing with ideas and thrilling, unpredictable juxtapositions, such as how "Bowtie" swings like big-band jazz filtered through George Clinton, how "The Way You Move" offsets its hard-driving verses with seductive choruses, or how "The Rooster" cheerfully rides a threatening minor-key mariachi groove, salted by slippery horns and loose-limbed wah-wah guitars. It's a hell of a ride, reclaiming the adventurous spirit of the golden age and pushing it into a new era.
By contrast, The Love Below isn't so much visionary as it is unapologetically eccentric. And as the cocktail jazz pianos that sparkle through the first few songs inRolling Stone (12/25/03, p.109) - Included in Rolling Stone's "50 Best Albums of 2003" - "The most original record to top the charts in 2003, hip-hop or otherwise..."
Entertainment Weekly (12/26/03-1/2/04, p.142) - Ranked #10 in Entertainment Weekly's 2003 "Records of the Year"
Entertainment Weekly (9/19/03, pp.83-5) - "...If released separately, [each solo CD would] be a candidate for Hip-Hop Record of the Year. Packaged together, they make a twofer whose ambition flies so far beyond that of anyone doing rap right now (or pop, or rock, or R&B), awards shows may need to create a special category for it..." - Rating: A
Q (01/01/04, p.83) - Ranked #8 in Q's "The 50 Best Albums of 2003" - "[T]wo fantastic voyages to the outer reaches of psychedelic funk for the price of one..."
Uncut (01/04, pp.84-7) - Ranked #18 in Uncut's "Albums Of The Year 2003" - "Wholly unexpected."
The Wire (01/04, p.38) - Included in Wire's "50 Records Of The Year [2003]"
Mojo (Publisher) (p.65) - Ranked #22 in Mojo's "100 Modern Classics" -- "[SPEAKERBOXX is] a high-rolling hip hop odyssey, Andre's THE LOVE BELOW dreamy, playful, Prince-inspired R&B pop."
Mojo (Publisher) (01/01/04, p.60) - Ranked #2 in Mojo's "The Best of 2003"
Mojo (Publisher) (9/03, pp.99-100) - 4 stars out of 5 - "...The genius of past Outkast isn't diluted or diminished across these disks, rather it's doubled, expanded and explored. And crucially, confirmed..."