| | Glay Rare Collectives, Vol. 1 CD - Import Glay Discography of CDs
Double CD compilation of rarities from Modern Japanese glam rockers, Glay; Includes "Life" and "Acid Head." 2003, Japanese import.
Special 2CD collection featuring alternative versions of album tracks, rare b-sides, & live tracks. Rare Collectives, Vol. 1 Music Glay Rare Collectives, Vol. 1 Songs | 1. | Life |
| 2. | Innocence |
| 3. | Regret |
| 4. | Gone with the Wind |
| 5. | Acid Head |
| 6. | Believe in Fate |
| 7. | Together |
| 8. | Japanese |
| 9. | I'm Yours |
| 10. | Little Lovebirds |
| 11. | Japanese |
| 12. | Japanese |
| 13. | It's Dying It's Not Dying |
| 14. | Japanese |
| 15. | Innocence |
| 16. | Japanese |
| 17. | Japanese |
| 18. | Misery |
| 19. | Misery |
| 20. | Japanese |
| 21. | Japanese |
|
Rare Collectives, Vol. 1 Review
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It's perhaps ironic that you don't need to be able to understand the words to appreciate this celebration of the 700th anniversary of the birth of the great Iranian poet Rumi. But these performances by father and son, along with the other four members of the ensemble, transcend language to reach pure emotion. It can be as affecting as singer Shahram Nazeri's vocals on "Fanayam Man 1," where a spare ...
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Recorded live at Konserthuset, Stockholm, Sweden in 1966. Includes liner notes by Norman Granz.
Digitally remastered by Joe Tarantino (1987, Fantasy Studios, Berkeley, California).
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The last two Vandermark 5 outings, Simpatico and Burn the Incline, were without a doubt sounds from a band coming into their own as a collective. Compositionally they seemed at the wall -- at the margin, or limit -- of where they could go as a band at that point. In other words, those two records were as good as they could possibly have been. With Acoustic Machine, the story is different altogether. Vandermark has become a composer, not only of compelling new jazz, but also for the Vandermark 5 as a unit. His writing and arranging for Jeb Bishop, Tim Mulvenna, Kent Kessler, and Dave Rempis is player-specific, tailoring certain sections, modes, and intervals to the strengths of particular players, thereby maximizing their contributions to the unit. Because of this development in Vandermark's already considerable skill as a composer, the Vandermark 5 are a much stronger band. Consequently, Acoustic Machine is a significant step forward for an already fine band. Each of the compositions here is dedicated to a particularly influential artist in Vandermark's own developmental iconography; the "HBF Series" -- the first short pieces ever released by the group, which are interspersed throughout the disc -- pays homage to visionary minimalist composer Morton Feldman. Each part in the series is a small work destined to extract the maximum viscera from space and silence while examining the relationships of instruments in tandem with one another timbrally. Other works are dedicated to Archie Shepp, Elvin Jones, Julius Hemphill, Stan Getz, and Lester Young.
"Fall to Grace," dedicated to Jones, is a sprightly, loose-swinging post-bop blues number. Kessler's bass seems to stride the track, allowing Rempis' tenor solo before Vandermark and Bishop clamp in for a long, loping melodic line that ends in Kessler's solo. Vamping out straight from the changes, he jumps two and three intervals at a time until he does a turnaround to climb from the rim of the tune's architecture back inside it. When the band re-enters, it's only long enough for Vandermark, Remphis, and Bishop to trade twos and fours on bass clarinet, tenor, and trombone, respectively. "License Complete," dedicated to Hemphill, builds on the inspirations rooted in R&B and takes the modal way into the blues from there. The gorgeous three-part lyrics are interspersed with brief solo statements. Bishop's solo -- in its languid, gut-bucket way -- sums up the sentiment of the tune, while Vandermark's kicks ...
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