| | Ray Barretto Homage To Art CD Ray Barretto Discography of CDs
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Where does one go from the top? Ray Barretto through his years collaborating with the most important names in jazz and giving some of salsa's most notable musicians their start has become the most notable conguero around. No one has done so much for the role of the instrument, either by way of notoriety or for its musical role. Where does one go from being the most notable living conguero? In Barretto's case, the answer is that, like a true master, you pay tribute to the masters who went before you. In his 2003 Homage to Art (Blakey & the Jazz Messengers) Barretto looks back on some of his favorite compositions from his days as a fellow percussionist/bandleader. It is becoming a well-worn path to cover material from our jazz forefathers thanks to artists like Conrad Herwig, Brian Lynch and others, who've done a fine job reworking classic material to swing en clave, but the opportunity to hear it done by one of Latin jazz's genuine pioneers is rare and precious. With a lineup of New York's cream of the crop, including Luis Perdomo, Miguel Zenón, Hans Glawischnig and the slightly lesser known Vince Cherico and John Baily, Barretto's tribute is far from a museum piece. The concept is established and Barretto is a king, but the music is still plenty fresh and daring. When a master pays homage to a master, it's something worth hearing. ~ Evan C. Gutierrez
Live Recording
Recorded at Systems Two, Brooklyn, New York in August 2002. Includes liner notes by Ira Gitler.
Personnel: Ray Barretto (congas, percussion); Miguel Zenón (alto saxophone); John Bailey (trumpet); Luis Perdomo (piano); Vince Cherico (drums).
Audio Mixers: Joe Marciano; Ray Barretto.
Liner Note Authors: Alain Gerber; Ira Gitler; Ray Barretto.
Recording information: Systems II Studios, Brooklyn, N.Y.C (08/22/2002-08/25/2002).
Photographer: Jean-Jacques Pussiau.
Arrangers: Hans Glawischnig; John Bailey ; Luis Perdomo; Michael Mossman.
Personnel: Ray Barretto (conga, percussion); Miguel Zenon (alto saxophone); John Bailey (trumpet); Luis Perdomo (piano); Hans Glawischnig (bass); Vince Cherico (drums).
JazzTimes (6/03, p.113) - "...HOMAGE TO ART is Barretto's uplifting tribute to his old friend, giving the Jazz Messengers' hard-bop tunes an Afro-Cuban framing....This is the best jazz album Ray Barretto has ever made..." Ray Barretto Homage To Art Songs Homage To Art Music Review Purchase Homage To Art CD To buy, Click on price to add to cart | Chester D T Baldwin Sing It On Sunday Morning, Vol. 2: Just Having Church CD (2003)
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$15.65 LET IT BE...NAKED contains a FLY ON THE WALL bonus disc including song rehearsals and conversation snatches.
Includes liner notes by Kevin Howlett and interview excerpts with The Beatles
Original Soundtrack/The Beatles: Paul McCartney (vocals, guitar, piano, bass instrument); John Lennon, George Harrison (vocals, guitar); Ringo Starr (drums).
In its original form, LET IT BE signaled the end of an era, closing the book on the Beatles, as well as literally and figuratively marking the end of the '60s. The 1970 release evolved from friction-filled sessions the Beatles intended to be an organic, bare-bones return to their roots. Instead, the endless hours of tapes were eventually handed over to Phil Spector, since neither the quickly splintering Beatles nor their longtime producer George Martin wanted to sift through the voluminous results.
LET IT BE... NAKED sets the record straight, revisiting the contentious sessions, stripping away the Spectorian orchestrations, reworking the running order, and losing all extemporaneous in-studio banter. On this version of the album, filler tracks ("Dig It," "Maggie Mae") are dropped, while juicy b-side "Don't Let Me Down" is added. The most obvious revamping is on the songs handled heavily by Spector. Removing the orchestrations from "The Long and Winding Road" and "Across the Universe" gives Paul McCartney's vocals considerably more resonance on the former, doing the same for John Lennon's voice and guitar on the latter. This alternate take on LET IT BE enhances the album's power, reclaiming the raw, unadorned quality that was meant to be its calling card from the beginning.
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