| | Eddie Cochran Mighty Mean CD - Import Eddie Cochran Discography of CDs
30 tracks from the rockabilly legend, some of which are aninterview recorded on November 2nd 1957 for KCSR radio inDenver. Features title track along with 'Mr. Fiddle', 'I'mReady', 'Nice 'N' Easy', 'Slow Down' and more. 1995 RockstarRecords release. All tracks are digitally remastered. Eddie Cochran Mighty Mean Songs | 1. | Mr. Fiddle | |
| 2. | Two Blue Singing Stars | |
| 3. | Guilty Conscience | |
| 4. | Your Tomorrows Never Come | |
| 5. | Latch On | |
| 6. | Yesterday's Heartbreak | |
| 7. | Heart of a Fool | |
| 8. | My Love to Remember | |
| 9. | Latch On | |
| 10. | He's Graduating | |
| 11. | Pink-Peg Slacks | |
| 12. | I'm Ready | |
| 13. | Tired & Sleepy | |
| 14. | Fool's Parade | |
| 15. | Slow Down | |
| 16. | Open the Door | |
| 17. | Latch On | |
| 18. | Half Loved | |
| 19. | Nice 'N' Easy | |
| 20. | Mighty Mean | |
| 21. | Interview With Eddie Cochran | |
| 22. | Sittin' in the Balcony  | $0.99 | |
| 23. | Interview With Eddie Cochran | |
| 24. | Twenty-Flight Rock | |
| 25. | Interview With Jimmy Bowen, Plus His Kcsr Radio Promo | |
| 26. | Interview With Buddy Holly, Jerry Allison, Eddie Cochran, Co | |
| 27. | Jerry Allison-Kcsr Rado Promo | |
| 28. | Freeman | |
| 29. | Eddie's | |
| 30. | Eddie | |
| Mighty Mean Review
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Purchase Mighty Mean CD To buy, Click on price to add to cart | Gov't Mule By A Thread CD (2009)
Mighty Mean
$12.29 BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner of coloring sounds inside and around a particular tune's framework is a large part of what makes Gov't Mule's sound so fresh here - despite the fact that they don't stray far from what they do best. Warren Haynes and his guitar are, as usual, front and center, his guitar screaming, his big throaty growl hammering down lyrics like a Southern fire-and-brimstone preacher with earthshaking soul. The material ...
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$9.29 This is a Super Audio CD playable only on Super Audio CD players.
Along with Styx and REO Speedwagon, Journey ruled the charts and radio airwaves in the early '80s. And like the aforementioned bands, Journey began in the '70s, so obviously the compilers of its 1988 GREATEST HITS release had a lot of material to choose from.
Journey's sound was a merger of hard rock, compliments of guitarist Neal Schon, and the melodic pop/ballads of singer Steve Perry. This resulted in such classic rock radio staples as "Any Way You Want It," "Separate Ways," "Open Arms," "Don't Stop Believin'," "Wheel in the Sky," and "Who's Crying Now," all included here.
Greatest Hits is an excellent, thorough 14-track collection containing all of Journey's big hits, from 1978's "Wheel in the Sky" to 1986's "I'll Be Alright Without You." Although the songs aren't presented in chronological order and a handful of minor hits ("Suzanne," "Walks Like a Lady") aren't included, it doesn't matter, since every essential ...
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$13.05 In the late 1990s during Tarentel's genesis it wouldn't have been a stretch to classify them along with the myriad other producers of what would become known, as is usual with music clichés, pretentiously and inadequately, as post-rock. That they would evolve so far beyond their rock-like origins only serves to illuminate the limitations of classifying music of any sort into genres. Be that as it may, we have to call it something and as such, Tarentel's first full-length is an epic of a post-rock album. The title From Bone to Satellite is an obvious reference to man's evolution, and as this is indeed an ever-evolving band; this document is an accurate representation of the band during its formative years. Which is not to say it lacks sophistication; however, the prehistoric blunt-edge tools found here are of more primitive application in carving out more traditional rock structures than the high-minded abstractions that would be achieved in the band's subsequent years. But within all of Tarentel's work lies a common method and goal: the use of repetition to create a transcendental state of mind. "Steede Bonnet" opens with a 12-minute descending guitar figure and a slow build that rivals the tension and release of Godspeed You Black Emperor! minus the string section. With its floating spaghetti western motif and glorious climax it embodies the very meaning of psychedelic music. It flows right into "When We Almost Killed Ourselves" which, after a minute of static, bursts into a hectic galloping riff of math rock complexity (likely abetted by bassist Kenseth Thibideau who provides a similar rarefied propulsion behind Rumah Sakit) that at about the halfway point dissolves into a more placid coda, confounding expectations by reversing the usual format for dynamics within music of this ilk. The next two tracks stretch beyond epic proportions by pushing the 20-minute mark and never getting dull. "Ursa Minor, Ursa Major" starts out in pure Floyd-ian homage but with considerably less pathos and more bravado as it shifts into high Motorik gear then blasts through a grandiose dynamic section which then culminates in languid post-coital musings. "For Carl Sagan" is the apex of the album -- a patiently unfolding waltz of sublime beauty and graceful crescendo. And "Strange Attractors" closes the album with a determined march headlong into the face of doom that abruptly drops off into ...
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$11.89 Following their critically acclaimed Sky's Run Into the Sea, Growing played an exclusive, select number of shows including one at the behest of Mogwai for All Tomorrow's Parties in the U.K.. Returning with full ...
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$10.15 Tom Romero is a seasoned solo performer whose repertoire of original material blurs musical boundaries, embracing elements of folk, rock, blues, progressive and adult ...
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