| | Parliament Mothership Connection CD Parliament Discography of CDs
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Includes liner notes by Tom Vickers (former P-Funk Minister Of Imformation).
Parliament was one arm in George Clinton's funk army during the 70s, a large conglomeration of groups and musicians (including Bootsy's Rubber Band, Funkadelic, The Horny Horns and others) dedicated to rewriting the rules of funk, soul and rock. Clinton's bands sounded like James Brown gone mad, partly because of the inclusion of former JB sidemen Bootsy Collins, Maceo Parker and Fred Wesley, but mostly because of the alternate universe they inhabited--a sort of drugged-out traveling sci-fi soul revue.
MOTHERSHIP CONNECTION shows why Clinton's formula for funk domination of the free world worked so well. The music is tight and groovy, with heavy bass lines, precise horn runs and ultra-electronic keyboards (provided by Bernie Worrell). The lyrics are often no more than spaced-out spoken word excursions, sounding like Sly Stone reciting Isaac Asimov. And the whole concept and presentation was so totally freaked out that it would catch people off-guard, letting Clinton's teachings and philosophies seep into the unconscious. The most traditionally structured song is a love and bondage number called "Handcuffs," which shows how far Clinton and his P-Funkers had brought funk from the halcyon days of Otis Redding and James Brown. Songs like "P-Funk (Wants To Get Funked Up)" and "Tear The Roof Off The Sucker," with their extended interplay and dazed vocals, helped pave the way for the rise of hip hop as a commercial vehicle.
Additional Tracks
Recorded at Limited Sound, Detroit, Michigan and Hollywood Sound, Hollywood, California.
Parliament: Bootsie Collins (vocals, guitar, bass, drums, percussion); Gary Shider, Glen Goins (vocals, guitar); George Clinton, Calvin Simon, Fuzzy Haskins, Raymond Davis, Grady Thomas (vocals); Michael Hampton (guitar); Fred Wesley, Maceo Parker, Michael Brecker, Randy Brecker, Boom, Joe Farrell (horns); Bernie Worrell (keyboards, synthesizer); Cordell Mosson (bass); Tiki Fullwood, Jerome Brailey (drums, percussion); Gary Cooper (drums, percussion, background vocals); Debbie Edwards, Taka Kahn, Archie Ivy, Bryna Chimenti, Rasputin Boutte, Pam Vincent, Debra Wright, Sidney Barnes.
Rolling Stone (5/1/03, p.59) - 3 stars out of 5 - "...The masterpiece, the slang creator, the icon builder, the master narrative--or 'the bomb,' as Clinton succinctly put it before anyone else..."
Vibe (2/02, p.87) - Included in Vibe's "Essential Black Rock Recordings". Mothership Connection Music Parliament Mothership Connection Songs Mothership Connection Music Mothership Connection Music Review Average Rating: (4.5 out of 5 stars)   Funk as its Best
This is one funky CD! Unfunky UFO and Mothership Connection are my jams.
Submitted by wdupar20 (Beaumont, TX) 
Was This Review Helpful? Yes No 1 of 1 found this helpful.
 "hancuffs"
Do I have to put my handcuffs on ya mamma....do I have to keep you under lock and key...that's my favorite verse, this is feel good funk music, best Parliment did in my humblest opinion eventhough I like all their sounds...whether a new school(er) all in the "ketchup" you will be feelin' this old school mustard, just like the condiment, Parliment goes with everything....Must Have!
Submitted by silkytweed (Bronx, New York, USA)
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Funk Master
No true music collection is complete without Parliament. And if your iPod has a playlist called “Old School” without the master of funk, then delete that playlist.
Submitted by 314blackknight (El Toro, CA)
Was This Review Helpful? Yes No You need some Funk Connections
Following Sly Stone,there was no one on the horizon in Funkland to take that next step into Immortalty. Then the Parlifunkadelicment Thang under the guidance of the earthbound yet universe spanning Star Child George Clinton. The Mothership Connection caught an unwary yet hungering world like a combination volcano,comet impact. Funk,soul,gospel,rock,combined into a cosmic gumbo sloppin on a defunkifying world-the vomit that was "classic Disco"was one negative reaction the rise of hiphop another. If you're a complete type get "Get it up for the Downstroke" first but if you have the courage and the hunger then get Funked Up on the De Clinton Code!!
Submitted by SlyFanatic (Las Vegas,NV)
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Buy Mothership Connection CD Purchase Mothership Connection CD To buy, Click on price to add to cart | Parliament Funkentelechy vs. The Placebo Syndrome CD (1977)
Mothership Connection songs
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Though the dark, psychedelic element that characterized the group's early '70s output has been replaced with an emphasis on rump-shakin' dance anthems, the superior musicianship, creativity, and unabashed weirdness of the Funk Mob's members is no less in evidence. The songwriting team of frontman George Clinton, bassist Bootsy Collins, and--perhaps most notably--keyboardist Bernie Worrell concocted the #1 smash "Flashlight." An ecstatic, amorphous journey through chugging, liquid basslines (the unbelievably fat, quadruple ...
| | Parliament Clones Of Dr. Funkenstein CD (1976)
Mothership Connection album
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Following closely on the heels of MOTHERSHIP CONNECTION, the group's undisputed high-water mark, THE CLONES OF DR. FUNKENSTEIN furthers George Clinton's conceptual and musical master plan to funkify the world. THE CLONES unravels the Funk Mob's cosmology and populates it with a cast of mythological characters that includes Starchild (introduced on MOTHERSHIP) and the Funk overlord himself, Dr. Funkenstein. By this album, Parliament have almost completely moved away from the guitar-dominated psychedelic soul of ...
| | Parliament Motor Booty Affair CD (1978)
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Possibly the oddest of all the Parliament album concepts, 1978's MOTOR-BOOTY AFFAIR is about water. Well, actually, it's about racial identity--like all of George Clinton's projects--but water is the defining metaphor. It works more often than not, surprisingly, but as always, the real focus is not on the goofy-serious lyrics, or even on the tape-effect vocals of Clinton and superstar bassist Bootsy Collins as the character Sir Nose D'Void of Funk, who gets his comeuppance in the manic and hilarious "Aqua Boogie." No, it's the monster funk grooves that Clinton, Collins, and the other 31 (!) credited musicians and vocals lay down that are the real point of MOTOR-BOOTY AFFAIR, from the jazz-tinged title track to the spacey and psychedelic love song "Water Sign." Fred Wesley's Horny Horns are the real stars of the show, their tight syncopations as much of a lead ...
| | VH1 Presents The Corrs: Live In Dublin CD (2002)
Mothership Connection MP3 Album
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This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy ...
| | Parliament Up For The Down Stroke CD (1974) Bonus Tracks; Remastered
Mothership Connection music CDs
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Though the heavier, harder, and more psychedelic Funkadelic was George Clinton's main outfit in the early '70, the creation of Parliament (named for Clinton's '60s soul group, The Parliaments, which included many core members of Parliament/Funkadelic) is at least as important in the history of P-Funk. In contrast to Funkadelic's acid-rock freak-outs, Parliament emphasizes vocals and horn riffs while highlighting tunes and melodies. Early efforts of the brilliantly creative songwriting team of George Clinton, Bootsy Collins, and Bernie Worrell (who would achieve apotheosis on MOTHERSHIP CONNECTION) are on display here.
Many of these tracks are textured, psychedelicized rewrites of such Parliament songs as "(I Just Wanna) Testify," the group's first #1 hit. The deeply soulful, multi-part vocal version of this track is pure genius and is arguably the album's highlight. The title cut--another hit for the band--is one of Parliament's most infectious booty-movers, and it would be a staple of their live acts for years to ...
| | Parliament Chocolate City CD (1975) Bonus Tracks; Remastered
Mothership Connection songs
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Released in 1975 (a year after UP FOR THE DOWN STROKE), this record finds ringleader George Clinton and his company beginning to refine the group's uber-groove aesthetic. The earlier eclecticism of DOWN STROKE and OSMIUM, as well as the acid-drenched, electric-guitar-based freakouts of Funkadelic (a separate Clinton-fronted group that features an essentially similar lineup), are less in evidence here. Instead, powerful, in-the-pocket drumming ...
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| | Missy Elliott Miss E... So Addictive CD (2001)
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"Get Ur Freak On" won the 2002 Grammy Award for Best Rap Solo Performance.
"Scream a.k.a Itchin'" won the 2003 Grammy Awards for Female Rap Solo Performance.
"Scream a.k.a Itchin'" won the 2003 Grammy Award for Female Rap Solo Performance.
SO ADDICTIVE finds Missy Elliott proving herself a woman to be reckoned with, particularly plainspoken in carnal matters. On "Dog in Heat," where she's joined by Method Man and Redman, Elliott delivers a forceful but low-key rap over little more than funky bass and drums, striking an arch-sexiness-plus-groovy-minimalism approach reminiscent of mid-period Prince. "One Minute Man" finds the fiesty femme issuing a sexual challenge over a track whose visceral sensuality provides incentive enough to enter into the gambit.
Nevertheless, the rapper proves herself to be more than a sexual cartoon by varying her lyrical and thematic approach. On the percolating "Old School Joint," for example, Missy takes a conventional relationship stance worthy of the song's title, advising her suitor that it's best to "get to know each other" and be friends before becoming lovers. It's this juxtaposition of mindsets that keeps SO ADDICTIVE interesting. On the sonic side, the stop-time sample around which "Step Off" is built bears a distinct Latin flavor, and the infectious, propulsive rhythms of "Whatcha Gon' Do" bear witness to producer Timbaland's knack for nailing a distinctive, memorable sound with a minimum of fuss.
MISS E...SO ADDICTIVE finds Missy ...
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