| | Ultimate Petula Clark CD Petula Clark Discography of CDs
(3 Customer Reviews)
Recorded between 1964 & 1971. Includes liner notes by Paul Grein.
Ultimate Petula Clark is a 21-track collection of British songbird Clark's biggest hits and best songs from the early '60s through the early '70s. Her sophisticated and warm voice was the perfect instrument for the songwriting talents of Tony Hatch and Jackie Trent; many of the songs here are written and produced by the underrated Hatch. The collection leads off with her biggest hit, "Downtown," and includes great songs like "I Know a Place," "Call Me," "Sign of the Times," and "Don't Sleep in the Subway." She split with Hatch in the late '60s and some of the songs she recorded after the split are here: "Kiss Me Goodbye," "The Song Is Love," and "Neon Rainbow," a great track from Memphis, the oft-overlooked classic record that she cut with Chips Moman in 1970. Along with the great music and a very generous track listing, the collection boasts remastered sound and extensive liner notes, making Ultimate Petula Clark the best single-disc Petula Clark disc on the market. ~ Tim Sendra
Compilation producer: Jim Pierson.
Personnel: Petula Clark (vocals); Tony Hatch, Ernie Freeman, Les Reed, Johnny Harris (arranger, conductor); Jack Nitzsche, Arif Mardin (arranger).
Producers include: Tony Hatch, Sonny Burke, Charles Koppelman, Don Rubin, Claude Wolff.
Ultimate Petula Clark Music | Category | Rock/Pop Albums, Rock CDs, Pop, Oldies, Oldies, Vocal, British Invasion | | Label | BMG Heritage | | Orig Year | 2003 | | All Time Sales Rank | 3134  | | CD Universe Part number | 5742048 | | Catalog number | 51038 | | Discs | 1 | | Release Date | Apr 15, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Petula Clark - vocals
Also: Jack Nitzsche, Arif Mardin, Ernie Freeman, Johnny Harris, Les Reed, Tony Hatch | | Additional Info | Remastered |
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$8.46  No stranger to success, Europop sensation Laura Pausini sold over 25 million albums in her first decade or so of recording, quite a feat for someone who was just turning 30 years old and had never broken into the lucrative English-language market. Yet she essentially struck out when she did try to cross over to that English-language market in 2002 with From the Inside. Put mildly, the album bombed stateside. Its qualities (and the qualities of stateside consumers) aside, it was the first full-fledged failure Pausini had experienced in a career of multi-million-selling albums and sold-out world tours. Here was someone who had sung for Pope John Paul II at Christmas and for Barbra Streisand at a birthday party, yet she couldn't sing for ordinary Americans, who just weren't interested in her melodramatic schmaltz. And so Pausini took a sizable break, perhaps the first of her whirlwind, world-conquering career. When she did finally emerge from her self-imposed silence, she returned with Escucha, her first Spanish-language album in four long years (not counting her best-of collection in 2001). (The album was also released in an Italian-language version, Resta in Ascolto.) Expectations were high, obviously, for she'd been gone for what felt like an eon in music years, and they were also high because of the dissatisfaction her Romance-language audience felt with her after the English-only From the Inside and its resulting mixed reception internationally. All of the tension seems to have seeped into the music of Escucha, because this ...
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