| | Erik Wollo Emotional Landscapes CD Erik Wollo Discography of CDs
This is a lovely set of highly moving ambient pieces with shades of rock, jazz, and classical thrown in for good measure. A veritable one-man show, Erik Wollo plays electric and acoustic guitars as well as synthesizers, and he also composes, arranges, produces, and programs. "Metaphor" features spooky interplay between weeping electric guitar and lonely gusts of wind, while "Prism" sounds like a typewriter struggling to compose underwater. Though some of the pieces are dissonant and reminiscent of space music, they aren't cold or distant, rather they contain plenty of emotional, melancholic elements. "Sounds of the Seen" begins with pretty cello melodies (courtesy of guest Liv Frengstad) that grow into complicated electronic passages until they vanish into crowd noises (which were recorded at the World Trade Center just days before the September 11th attacks). An adventure for the senses and a challenge for the heart, EMOTIONAL LANDSCAPE lives up to its title.
Recorded at The World Trade Center, New York, New York & Wintergarden Studios, Fredrikstad, Norway between 2001 & 2002.
Composer: Erik Wollo.
Personnel: Erik Wollo (acoustic guitar); Liv Frengstad (cello).
Personnel: Erik Wollo (acoustic & electric guitars, synthesizer); Liv Frengstad (cello).
Emotional Landscapes Music Erik Wollo Emotional Landscapes Songs Emotional Landscapes Review
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Purchase Emotional Landscapes CD To buy, Click on price to add to cart | Atzman Gotovac: Symphonic Poems; Tajcevic / Atzmon, Hannover Rpo CD (2001)
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THE STARGAZER'S JOURNEY takes ambient music to a cosmic level. Jonn Serrie has pioneered the genre of "space music" in his long career as a composer for such distinguished clients as NASA, Lucasfilm Ltd., and New York City's Hayden Planetarium. While other New Age composers ...
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Composer: Erik Wollo.
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Angst is a unique soundtrack for a documentary film about judicial scandal in Austria. The music came first and the film was edited to fit the soundtrack, so the score drives the film. Klaus Schulze called upon his many influences to build this project. The primary style is Berlin school, but Schulze uses his symphonic synths, his classical training, and his atmospheric sensitivity as well. For the most part, it does work as a stand-alone musical event, but loses some of its impact with the rhythmic pieces. They have drama and mystery and are, undoubtedly, important to the score -- they just don't stand alone. ~ Jim Brenholts
Angst is a unique soundtrack for a documentary film about judicial scandal in Austria. The music came first and the film was edited to fit the soundtrack, so the score drives ...
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