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Taylor, Paul - Steppin' Out CD Cover Art
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Paul Taylor Steppin' Out CD

 Paul Taylor Discography of CDs
4.3 stars (3 Customer Reviews)

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Personnel includes: Paul Taylor (soprano saxophone); Paul Taylor (alto saxophone, vocoder); Nicholas Lane (trumpet); Lee Thornburg (trombone); Rex Rideout (keyboards, programming); Dwight Sills (guitar); Michael White, Ronnie Garrett (bass); (drums); Luis Conte, Dave Charles (percussion); Darcy Alrdridge (background vocals).
Recorded at East Bay Music Recording, Tarrytown, New York.
Personnel: Paul Taylor (soprano saxophone, alto saxophone, vocoder); Sharon Youngblood (vocals); Dwight Sills (guitar, acoustic guitar); Ronald Smith , Abdulhameed Zuhri, Jonathan Butler, Phil Hamilton (guitar); Lee Thornburg (trombone); Rex Rideout (keyboards, programming); Barry Eastmond (keyboards, drum programming); Chris Parker , Michael White (drums); David Charles, Luis Conte, Bashiri Johnson (percussion); Darcy Aldridge, Gordon Chambers (background vocals).
Audio Mixers: Phil Magnotti; Steve Sykes; Barry Eastmond.
Recording information: Castle Oaks Studios, Calabasas, CA (2002); Clear Lake Audio, North Hollywood, CA (2002); East Bay Music Recording, Tarrytown, NY (2002); Kar Studios, Sherman Oaks, CA (2002); The Carriage House, Stamford, CT (2002).
Photographer: Sonny Mediana.
Arrangers: Gordon Chambers; Barry Eastmond; Paul Taylor.
Paul Taylor, the sexy saxman of smooth/urban jazz, is back with his fifth solo recording titled Steppin' Out, his second outing on the Peak Records label. Ripe with old-school moods and pop-oriented flavors, Taylor's accompanists bring out the best of his smooth sax work on soprano and alto, his sax harmonies, and his vocoder on three tracks. Produced by Rex Rideout and Barry J. Eastmond, two of smooth/urban jazz's most acclaimed producers, the set jumps off with the radio-friendly single "On the Move," which immediately sets the tone for the remainder of the all-star project. The lovely, reassuring vocals of Sharon Youngblood are both soothing and captivating on "Someone Watching Over You." She provides an excellent foil for the beautiful soprano sax voice of Taylor, who provides delicate background complements. On "Enchanted Garden," Taylor plays a highly imaginative soprano sax and vocoder and captures the listener's imagination with fragrant flourishes and delicate lines. The smooth program is interspersed with a soulful urban bebop-style composition called "Speakeasy" and ends with a bonus track titled "Get Up." And that's exactly what you'll want to do to express your gratitude for this marvelous set. ~ Paula EdelsteinJazzTimes (8/03, p.135) - "...Smooth-jazz saxophonist Paul Taylor possesses an attractive, plaintive sound, which is amply in evidence on STEPPIN' OUT..."
Steppin' Out Music


Detailed Steppin' Out Music Information



List Price $11.98 (You save $5.09)
Category Rock/Pop Albums, Jazz Instrument CDs, Smooth Jazz, Saxophone, Jazz
Label Peak
Orig Year 2003
All Time Sales Rank   17840  
CD Universe Part number 5746458
Catalog number 8516
Discs 1
Release Date Apr 22, 2003
Studio/Live Studio
Mono/Stereo Stereo
Producer Rex Rideout; Barry J. Eastmond
Engineer Bill Esses; Rex Rideout; Steve Sykes; Barry J. Eastmond; Bryan New
Personnel Luis Conte
Lee Thornburg - trombone
Michael White - drums
Rex Rideout - keyboards, programming
Paul Taylor - alto saxophone, vocoder
Dwight Sills - guitar
Paul Taylor - alto saxophone, vocoder
Ronnie Garrett - bass
Nicholas Lane - trumpet
Nicholas Lane - trumpet
Dave Charles - percussion
Darcy Alrdridge - background vocals

Also: Bashiri Johnson, Barry Eastmond, Jonathan Butler, Chris Parker, Gordon Chambers, Phil Hamilton, David Charles, Ronald Smith, Abdulhameed Zuhri
Paul Taylor Steppin' Out Songs


Paul Taylor Steppin' Out Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.On the Move$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Steppin' Out$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Long Way Home$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Someone Watching Over You  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Night Rider$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Cantina$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Let's Go Out Tonite$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Hacienda$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Enchanted Garden$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Speakeasy$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Runaway$0.99

Steppin' Out Music Review


Customer Steppin' Out Reviews 




Average Rating: (4.3 out of 5 stars) 4.5 stars

5 stars Great CD!...Great artist!
All of Paul Taylor's CDs are fantastic. You can't go wrong with any of his work.
Submitted by Mike (Los Angeles)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

4 stars Continued Quality!
Steppin Out is a quality CD. I would recommend it to all of my friends. Paul continues to deliver quality music. I would like to hear some of his music on a soundtrack of a popular movie.
Submitted by a reviewer (Lewisville,TX, USA) Verified Buyer
Was This Review Helpful? Yes No

4 stars Silky smooth
Taylor keeps proving why he is one of the premier saxaphonists in smooth jazz. You'll recognize some of the tunes, since this CD is a favorite of many smooth jazz radio stations. Taylor just keeps getting better and more adventurous with each release.
Submitted by RAKAR5 (meriden, CT, USA)
Was This Review Helpful? Yes No

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"I tell people I’m too stupid to know what’s impossible. I have ridiculously large dreams, and half the time, they come true." ~Debi ThomasIf you were to reach into the back of our family’s television cabinet, dust off a video tape labeled ā€œMolly 1991ā€, and pop it into the VCR, a chubby little girl draped in dress-up clothes and wobbling in her mom’s high heels, would appear on screen. She would command the camera-man (her grandpa) to focus exclusively on her, claiming she was going to sing a song for everyone. The camera-man would grant her the floor, and for a moment, just a moment, a wave of shyness would pass through the little girl. Her little hands would cover her eyes for a second, she would giggle, and any ounce of remaining timidity would disappear. She’d stand tall and proud like the Shirley Temple she dreamed she’d someday be, and she would sing her song like she owned it. While you watched her, you’d probably laugh a little bit and smile a lot, and remember when you were that fearless. Well, at least that’s how I feel when I watch it, because that little girl was me.I’ve grown up a lot since then. I don’t wear my mom’s high heels anymore, I wear my own, and I have role models other than Shirley Temple. I’ve also performed in many places since my first debut on my grandpa’s home video. I began studying classical piano at age 6, and have had many incredibly talented teachers. They were all very different; one from Russia, one grandmother, one church organist, one from Taiwan, one rock star, one college student…and the list goes on. They each added something different to the musician Iā€˜ve become, and each allowed me a glimpse into the great treasure music can bring to life. I guess it’s true that music is a universal language.I became a really quiet, painfully shy person in middle school. I was nervous speaking up in class, and if I ever had to speak, no one could hear me because I had such a soft voice. Almost all of the brave little girl that I once was had vanished, swallowed up by adolescence…until September 11th happened. Our church called my home asking for my mom and I to sing for a special remembrance service. I was expectedly hesitant. I sang in the chorus at school and knew I had a nice voice, it was quiet, but on pitch; however, I couldn’t fathom singing in front of the whole church, especially next to my mom’s beautiful, powerful voice…but I also couldn’t fathom saying ā€œnoā€ to a September 11th service simply because I couldn’t handle it. So I did it. And the congregation loved it; most of them were crying. I listened to the tape of the service, and to my surprise, I was actually pretty good. That day, a bit of confidence was born in me. I guess God really does have a plan, because right then, he saved the brave little girl that was almost lost inside of me.A year later, I was singing everywhere. I sang for my eighth grade graduation, then on to several choruses and shows at my high school. I was invited to sing in regional and State-wide choruses, too, and was amazed to see how many kids there were out there that loved music as much as I did. By the end of my freshman year, I began writing songs for piano and voice, ...
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