| | Audio Bullys Ego War CD Audio Bullys Discography of CDs
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Though hooligan house duo Audio Bullys snatched bits and pieces from several different British dance acts (Basement Jaxx, the Streets, Underworld, Plump DJs), the pair's debut, Ego War, is a solid LP of mix-and-match house. While neither as energetic or immediate as the Streets and Basement Jaxx, Audio Bullys definitely know their way around a great production and a can't-miss hook. Tracks from producer Tom Dinsdale are insanely catchy, grabbing from hip-hop, dub, house, and a bit of British garage (the aesthetic, if not always the sound). Vocalist Simon Franks alternates monotoned raps and sung choruses, an effect midway from one of the more nihilistic gangsters in a Guy Ritchie film to the disarmingly conversational Mike Skinner (from the Streets). Unlike Skinner, though, his rhymes and delivery are definitely from a previous era in British rap, and not in a good way. (A pair of examples: "From the edge of the land, who's that man/doing things that you can't understand" and "Feel the friction burns, as we learn to take turns/now listen to my terms, 'cause every single worm in the world gotta turn/we're leaving you third-degree burns, as the wheel of fortune turns.") The productions usually overwhelm the trifling lyrical concerns: big, brash, and obvious, "We Don't Care" is slightly contrived in its don't-give-a-f*ck attitude and hoodlum rants, but "100 Million," "Way Too Long," and "Ego War" are masterful assemblages -- squelching synthesizers providing the melody and hi-hat-heavy percussion lines lending all the swagger these tracks need. Like the best in commercial dance, Audio Bullys are excellent, distinctive producers, though their songwriting isn't in the same category. ~ John Bush
The 2003 debut of the dance oriented duo of Simon Franks & Tom Dinsdale as artistes, who combine bass heavy grooves with dub, hip-hop, ska, electro, new wave/punk...any rhythm they can incorporate into a mix...to it's best effect. They purport what they call "Hooligan House". Includes the floorfilling tracks "Real Life", "The Snow" and "We Don't Care". This edition includes "Turned Away" and "The Tyson Shuffle", both of which do not appear on the US equivalent.
Unknown Contributor Role: Tom Dinsdale.
Audio Bullys: Simon Franks, Tom Dinsdale.
Audio Mixers: Alan Mawdsley; Audio Bullys.
Rolling Stone (5/1/03, p.54) - 3 stars out of 5 - "...You'll be reminded of the Streets, of course. But there are plenty of other great British eccentrics (the Kinks, Ian Dury) hiding in Audio Bullys' DNA as well..." Q (01/01/04, p.75) - Ranked #45 in Q's "The 50 Best Albums of 2003" - "[A] reminder that house music can be funny and observational as well as body-rocking." Audio Bullys Ego War Songs Ego War Review
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Purchase Ego War CD To buy, Click on price to add to cart | A Tribe Called Quest Low End Theory CD (1991)
Ego War album
$8.99 With their second album in 1991, they became serious contenders for Public Enemy's (until then) undisputed crown as hip-hop's cultural leaders. However, where their debut was propelled by a disparate array of samples, The Low-End Theory was built on a stricter musical doctrine - its spine provided by bebop jazz. Though jazz-rap crossover would become a staple of popular music in the mid-90s (Gang Starr, Jazzmatazz, etc.), this album played a substantial part in breaking down barriers between genres. Phife Dog and Q-Tip are on great form ...
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Ego War CD music
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Ego War music CDs
$14.49 Finally unleashed for the length of a full album, Murphy's muse still offers up plenty of John-Foxx-will-rise-again retro synth sounds, but he expands his palette as well. The irresistibly catchy "Daft Punk Is Playing at My House" is a funky, riff-driven party-starter that compares favorably to vintage Beck, and "On Repeat" indicates a fascination with the lyrical cadences of the Fall's Mark E. Smith. Moving further back in time to the art-rock era, "Never as Tired as When I'm Waking Up" is a dreamy tune that could have slipped ...
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Ego War songs
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Okerere's urgent yelp most often recalls a fired-up incarnation of the Cure's Robert Smith, but the sounds the group creates echo everything from Gang of Four's staccato militarism ("Banquet") to the reverberating guitars of the Chameleons ("Price of Gas"). At times, Bloc Party also recalls the ecstatic soundwashes of early-1990s cult ...
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