| | Scooter Stadium Techno Experience CD Scooter Discography of CDs
(2 Customer Reviews)
STADIUM TECHNO EXPERIENCE is a 12-track release by German techno-rock band Scooter, including "Ignition," "Weekend!," and "Take A Break."
2003 album from the German techno group. Sheffield Tunes. Stadium Techno Experience Music Scooter Stadium Techno Experience Songs | 1. | Ignition |
| 2. | Maria (I Like It Loud) |
| 3. | Weekend!  |
| 4. | Take a Break |
| 5. | Pulstar  |
| 6. | Night |
| 7. | Roll Baby Roll |
| 8. | Level One |
| 9. | Like Hypa Said |
| 10. | Liquid Is Liquid |
| 11. | Little Bit to Fast |
| 12. | Soul Train |
| Stadium Techno Experience Music Review Purchase Stadium Techno Experience CD To buy, Click on price to add to cart | Detroit Rock City DVD (1999) Widescreen; Special Edition
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| | Princess Blade DVD (2003) Widescreen; Japanese Soundtrack
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| | Black Eyed Peas E.N.D. (The Energy Never Dies) CD (2009)
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| | Michael Jackson - Video Greatest Hits - History DVD (1995) Special Edition
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| | Leona Lewis Echo CD (2009)
Stadium Techno Experience
$11.18 The goal of Leona Lewis' 2007 debut, Spirit, was to prove that an X Factor winner could be a phenomenon not just in the U.K., but in the rest of the world. The goal of her second album, 2009's Echo, is to prove that success was no fluke, to build upon "Bleeding Love" and turn Lewis into an actual diva. Certainly, Echo in any of its incarnations -- its song listings are tailored for individual markets, with the U.K. getting a cover of Oasis' "Stop Crying Your Heart Out," while the U.S. gets a second song co-written by Justin Timberlake -- uses the chilly, synthesized "Bleeding Love" as its foundation, ...
| | Rev Timothy Wright Who's On The Lord's Side CD (1993)
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| | Red Norvo Nuances By Norvo CD (2001)
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$13.25 Recorded between 1938 and 1942.
| | David Berkman Leaving Home CD (2002)
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| | Smokey Wilson Sings The Blues CD (2003) Import
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| | Jeannie Ortega No Place Like Brooklyn CD (2006)
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| | Complete Motown Singles Vol. 1 CDs (2005) Box Set
Stadium Techno Experience
$104.39 The Complete Motown Singles has been a dream project of Motown and soul fanatics for many years, ever since the first decade of Stax/Volt singles was compiled in an impressive nine-disc box set in 1991. Prior to that, no soul label had its output as thoroughly documented as that set -- there had been the Atlantic R&B box, which collected highlights, but it never attempted to capture the label's entire run -- and while The Complete Stax-Volt Singles 1959-1968 missed a B-side or two, it was an exceptional piece of music history, and pretty damn entertaining to boot. It was so good that it seemed like Motown would be a natural to receive the same treatment, since the label not only had a greater impact -- not just musically, but culturally -- but it had a much more diverse roster, which would make for an exciting set. The Complete Motown Singles might have seemed like a logical move to soul collectors and fanatics, but it remained in the realm of fantasy for many years because, as enticing as that set was, it was difficult to create. First, there was the perennial problem of Motown reissues, where the label is always inclined to recycle the familiar hits instead of dig deep into the vaults. That situation improved in the early '90s, after Universal acquired the catalog and began to release sturdy sets like the Hitsville USA box and multi-disc sets by the Temptations and the Four Tops, but even with the success of these releases, there was reluctance to launch a project like The Complete Motown Singles for two big reasons. One, it was a massive project, dwarfing the Stax/Volt output, which could be squeezed into three nine-disc sets by eliminating only a few B-sides and a handful of singles without anybody but scholars and obsessives knowing the difference. Motown's classic period of 1959-1972 featured hundreds of songs -- roughly 50 discs' worth of music, which lead to the second big problem, which is that even if the label approved such a set, it would not be commercially feasible, since no store would stock such a series, no matter how it was broken up.
Such was the state of affairs until the turn of the millennium, when speciality music retailing finally had an outlet via the Internet. Universal had its own Internet-only label, Hip-O Select, which finally provided an avenue for the release of The Complete Motown Singles, which was launched after a long, long wait in early 2005 with the six-disc set Vol. 1: 1959-1961. It was the first installment of a planned 12-volume series of box sets that would cover all Motown singles, including all variations of the singles and all of the label's subsidiaries, from 1959 to 1972, when the label moved its home office from Detroit to Los Angeles. All the songs would be presented in their original single form (usually meaning a mono mix), transferred from vinyl if necessary (since master tapes for many of the rarities have vanished), and each box would be packaged as a deluxe hardcover book, with a reproduced 45 of an original Motown hit incorporated as part of the cover artwork, while the inside would contain rare photos and contain a wealth of information in the track-by-track notes by Bill Dahl and Keith Hughes. In short, it's a lavish, ambitious series, and a pricey one as well -- the first set retails at 119.95 dollars, averaging 20 dollars a disc, ...
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