| | David Sanborn Promise Me The Moon CD David Sanborn Discography of CDs
(2 Customer Reviews)
David Sanborn is regarded as one of the greatest jazz saxophone players of all time. He is one of a small number of jazz artists to consistently make the Billboard charts with his releases. This reissue from Wounded Bird was originally released in 1977 and features Hiram Bullock & Mark Egan. 8 tracks. 2003.
Recording information: Criteria Studios, Miami, FL.
Personnel includes: David Sanborn (saxophone); Hiram Bullock (guitar); Mark Egan (bass).
Personnel: David Sanborn (vocals, lyre, saxophone, soprano saxophone, alto saxophone, keyboards, lyricon); Hiram Bullock (vocals, guitar); Kat McCord, Hamish Stuart , Christine Faith, Lani Groves (vocals); Dale Oehler (electric piano, keyboards); Rosalinda DeLeon (keyboards); Victor Lewis (drums); Jumma Santos (percussion).
Promise Me The Moon Music | List Price | $9.99 (You save $0.30) | | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument, Alto Sax | | Label | Wounded Bird | | Orig Year | 1977 | | All Time Sales Rank | 39572  | | CD Universe Part number | 5785149 | | Catalog number | 3051 | | Discs | 1 | | Release Date | Apr 22, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Dale Oehler | | Engineer | Alex Sadkin | | Personnel | David Sanborn - saxophone
Also: Hiram Bullock, Mark Egan, Lani Groves, Victor Lewis, Hamish Stuart, Jumma Santos, Dale Oehler, Christine Faith, Kat McCord, Rosalinda DeLeon |
David Sanborn Promise Me The Moon Songs Promise Me The Moon Music Review Purchase Promise Me The Moon CD To buy, Click on price to add to cart | David Gilmour About Face CD (1984) Remastered
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$7.59 Combining layered vocals with a heavily looped guitar sound, "Until We Sleep" begins ABOUT FACE with an almost Byrds-like quality, while the gentleness ...
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$6.79 Before David Gilmour virtually "became" Pink Floyd he was always the most likely member of the band (with the possible exception of de-facto leader Roger Waters) to release a solo album. 1978's welcome eponymous debut showcased his multi-faceted performing talents.
The album opener "Mihalis" is an ANIMALS period instrumental, which, along with "Raise My Rent," sounds like an outtake from that album. The beautiful "There's No Way Out of Here" begins with a lonely harmonica and, with "No Way" and "I Can't Breathe Anymore," expounds the album's main theme of being ...
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| | Windy City Blues CD (1992)
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$9.89 This compilation consists of recordings licenced from Delmark Records.
Recorded in Chicago, Illinois and Englewood Cliffs, New Jersey between 1959 & 1970.
Though this compilation does have blues recorded in Chicago from 1959-1970 by notably famous and reasonably well-known bluesmen, it's a kind of patched-together product of odds'n'ends to which Fantasy holds the rights. Half a dozen performers are represented on these 17 tracks: Albert King, Otis Spann, Willie Dixon, Billy Boy Arnold, Sunnyland Slim, and Homesick James. Certainly the songs that will excite blues collectors the most are the four by King, as all of them were previously unreleased, recorded with the Willie Dixon Band in early 1970 (though Dixon himself, oddly enough, doesn't play on the cuts). They're decent and representative of King's soul-tinged blues in his Stax period, but not brilliant, though the band does feature impressive talent, including guitarists Matt Murphy and Mighty Joe Young, bassist Phil Upchurch, pianist Lafayette Leake, and a brass section including Gene Barge. Two of the tunes are obscure Dixon compositions, "Need More Mamma" and "Love Me to Death," and the liner notes speculate that another, "Put It All in There" (first recorded in 1968 by Wild Child Butler), is also Dixon-penned, though it was credited to a friend. Elsewhere on the disc, the Spann, Dixon, Arnold, and Slim tracks are all taken from Prestige ...
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| | Heart Ons CD (2008)
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$8.55 A Heart-On is the heart's equivalent of an erection. The Heart-Ons are a musical collective that get that rise out of playing music. Playing gigs, thrilling crowds, packing venues, and letting our stage presence be known gives us an emotional stiffy. "We are the Care Bare Stare of the music industry, we warm cold hearts and look good in pastels."... Deanna had just come out of a brooklyn based hip-hop project under the alias (Cherry DeMA). Josh diverted from his former band (The Color Guard). Oleg was into hand percussion and had just started to play an actual drum kit when he met Josh. Scott was altogether unhappy with the music his prior band (Interference) was making after a few tours. Deanna would see Josh on her breaks at work where she bartends and share her food with him while they talked about ...
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